Critical Essays On English And Bengali Detective Fiction

Critical Essays on English and Bengali Detective Fiction brings together three strains of detective fiction: British, American, and Bengal. The import of detective fiction from Britain has influenced generations of writers of Bengali detective fiction. In this anthology of critical essays by scholars on detective fiction, we have divided the contents into three groups. First, there are essays on classic British detective fiction, with essays on Charles Dickens, Wilkie Collins, Arthur Conan Doyle, Agatha Christie, P.D.James, Kate Atkinson, and Margery Allingham. The second section is on American hard-boiled fiction with essays on Dashiell Hammett and Raymond Chandler. The third section is on Bengali detective fiction with essays on Hemendra Kumar Roy, Saradindu Bandyopadhay and Satyajit Ray. Together, these essays bring three strains of detective fiction into conversation to show the gradual postcolonial attempt of Bengali detective fiction to outgrow colonial influences and create an original and organic tradition of regional and vernacular detective fiction.

For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.

For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.

Mystery fiction as a genre renders moral judgments not only about detectives and criminals but also concerning the cultural structures within which these mysteries unfold. In contrast to other volumes which examine morality in crime fiction through the lenses of personal guilt and personal justice, Certainty and Ambiguity in Global Mystery Fiction analyzes the effect of moral imagination on the moral structures implicit in the genre. In recent years, public awareness has attended to the relationship between social structures and justice, and this collection centers on how personal ethics and social ethics are bound together amidst the shifting moral landscapes of mystery fiction. Contributors discuss the interplay between personal guilt and social guilt – considering morality and justice on an individual level and at a societal level – using frameworks of certainty and ambiguity. They show how individual characters in works by Agatha Christie, Gabriel García Márquez, Natsuo Kirino, F.H. Batacan, and Stephen King, among others, may view their moral standing with certainty but clash with the established mores of their culture. Featuring essays on Japanese, Filipino, Indian, and Colombian mystery fiction, as well as American and British fiction, this volume analyzes social guilt and justice across cultures, showing how individuals grapple with the certainty, and, at times, the moral ambiguity, of their respective cultures.

An elite squad detective from the future travels back in time to hunt down a time escapee. Across the city of Tokyo, liquids are turning blue, and elsewhere a Tamil actress is kidnapped. The gruesome murder of an adult industry star spirals into a web of deceit and leads to a bizarre revelation. A journalist races against time to find the missing link between the deaths of a daily soap actress, a classical vocalist and a famous painter. And more... The first-ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits spread across two volumes. Hybrid, self-reflexive and experimental forms of writing that blur the boundaries between genres, with supernatural mysteries, serial murders and at times absurd crimes jostling for the attention of both amateur and professional detectives in these stories. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long-haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction!

The professionals meet the amateurs in this first–ever anthology of Indian detective fiction. Volume 1 An elite squad detective from the future travels back in time to hunt down a time escapee. Across the city of Tokyo, liquids are turning blue, and elsewhere a Tamil actress is kidnapped. The gruesome murder of an adult industry star spirals into a web of deceit and leads to a bizarre revelation. A journalist races against time to find the missing link between the deaths of a daily soap actress, a classical vocalist and a famous painter. And more... Volume 2 A detective delves into a cold case; a ship that disappeared in the Bay of Bengal in the year 1913. A man is bludgeoned to death in an apartment and a piece of paper with the word 'STOP!' is nailed to his forehead. Six deaths under mysterious circumstances and the only common link is a box of arsenic–laced sweets. A soldier's homecoming dredges up memories of a murder that took place a decade ago in the family. And more... The first–ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits, supernatural mysteries, serial murders and absurd crimes spread across two volumes. Through hybrid, self–reflexive and experimental forms of writing (including translations from Bengali and Tamil), this collection invites readers to unravel mysteries with every turn of the page, masterfully showcasing distinctive instances of the genre. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long–haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction! Featuring the works of: Volume 1 Satyajit Ray * Gopa Majumdar * Saradindu Bandopadhyay * Gopa Majumdar * Ambai * Gita Subramanian * Ankush Saikia * Meeti Shroff Shah * Suchitra Bhattacharya * Radha Chakravarty * Sujan DasGupta * Chandana Dutta * Anirudh Kala * Tamilvanan * Rabindranath Tagore * Shampa Roy * Anil Menon * Tanuj Solanki * Timeri Murari * Navin Weeraratne * Kehkashan Khalid * Sumit Bardhan * Kiran Manral * Shweta Taneja * Saad Z. Hossain Volume 2 Rajarshi Das Bhowmik * Arunava Sinha * Vikram Chandra * Giti Chandra * Swati Kaushal * Ajay Chowdhury * Shirshendu Mukhopadhyay * Debaditya Mukhopadhyay * Vish Dhamija * Salil Desai * Mahendra Jakhar * Sharatchandra Sarkar * Shampa Roy * Vaseem Khan * Nev March * Anuradha Kumar * Madhulika Liddle * Arjun Raj Gaind * Shashi Warrier * Avtar Singh For detailed content, please look inside the book. * Illustration continuity across covers and spine * 2–volume collectible (Royal 8vo hardback set) * A magnetic clasp box–wrap * Detective–element themed sprayed edges * Endpaper artwork by Manjula Padmanabhan

This volume maps the breadth and domain of genre literature in India across seven languages (Tamil, Urdu, Bangla, Hindi, Odia, Marathi and English) and nine genres for the first time. Over the last few decades, detective/crime fiction and especially science fiction/fantasy have slowly made their way into university curricula and consideration by literary critics in India and the West. However, there has been no substantial study of genre fiction in the Indian languages, least of all from a comparative perspective. This volume, with contributions from leading national and international scholars, addresses this lacuna in critical scholarship and provides an overview of diverse genre fictions. Using methods from literary analysis, book history and Indian aesthetic theories, the volume throws light on the variety of contexts in which genre literature is read, activated and used, from political debates surrounding national and regional identities to caste and class conflicts. It shows that Indian genre fiction (including pulp fiction, comics and graphic novels) transmutes across languages, time periods, in translation and through publication processes. While the book focuses on contemporary postcolonial genre literature production, it also draws connections to individual, centuries-long literary traditions of genre literature in the Indian subcontinent. Further, it traces contested hierarchies within these languages as well as current trends in genre fiction criticism. Lucid and comprehensive, this book will be of great interest to academics, students, practitioners, literary critics and historians in the fields of postcolonialism, genre studies, global genre fiction, media and popular culture, South Asian literature, Indian literature, detective fiction, science fiction, romance, crime fiction, horror, mythology, graphic novels, comparative literature and South Asian studies. It will also appeal to the informed general reader.

Sherlock Holmes, Byomkesh Bakshi, and Feluda: Negotiating the Center and the Periphery presents a postcolonial reading of Conan Doyle’s canonical detective texts—Sherlock Holmes adventures, and some lesser known detective texts written by two Bengali (Indian) writers—Sharadindu Bandyopadhyay (1899-1970), and Satyajit Ray (1921-1992). The book proposes that in a postcolonial reading situation, the representation of Holmes problematizes the act of reading and also the act and discourse of inquiry. The fact that the Holmes adventures contribute to the hegemonic culture of “Anglo/Eurocentrism” is seen as a reinforcement of racial superiority among the “colonized.” This book studies how literary texts function as a signifier of a particular national identity, and can indicate the cultural construct of a state. It contends that only those texts which cater to the standards of global hierarchy are considered canonical, and indigenous texts, however significant, remain as "Other" literature. The book highlights colonial and postcolonial discourse in the Bengali detective texts and examines, how far Holmes has been able to reinforce racial dominance over the Indian detectives Byomkesh Bakshi and Feluda.