Critical Essays On John O Hara

The series anthologizes the most important criticism on a wide variety of topics and writers in American literature. This comprehensive collection of essays on modern writer O'Hara (1905-1970) contains both early reviews and more modern scholarship. Among the authors of reprinted articles and reviews are R.P. Blackmur, Dorothy Canfield Fisher, Malcolm Cowley, Mark Schorer, Leslie Fiedler, and John Cheever. In addition to a substantial introduction, there are also two original essays commissioned specifically for publication in this volume. Distributed by Macmillan. Annotation copyright by Book News, Inc., Portland, OR

Collected for the first time, the New York stories of John O'Hara, "among the greatest short story writers in English, or in any other language" (Brendan Gill, Here at The New Yorker) Collected for the first time, here are the New York stories of one of the twentieth century’s definitive chroniclers of the city—the speakeasies and highballs, social climbers and cinema stars, mistresses and powerbrokers, unsparingly observed by a popular American master of realism. Spanning his four-decade career, these more than thirty refreshingly frank, sparely written stories are among John O’Hara’s finest work, exploring the materialist aspirations and sexual exploits of flawed, prodigally human characters and showcasing the snappy dialogue, telling details and ironic narrative twists that made him the most-published short story writer in the history of the New Yorker. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Writing with equal insight about New York City, Hollywood, and the small-town Pennsylvania world where he grew up, John O’Hara cultivated an unsentimental and often unsparing realism, aiming, he said, “to record the way people talked and thought and felt . . . with complete honesty.” Praised by contemporaries including Ernest Hemingway and Dorothy Parker, he wrote about sex, drinking, and social class with a frankness ahead of its time. The fiction he published in The New Yorker (more than any other writer to this day) came to epitomize the kind of short story featured in that magazine, and his impeccable ear and skillful dialogue have influenced later writers such as Raymond Carver. Bringing together sixty stories written over four decades—the largest, most comprehensive collection of O’Hara’s stories ever published—former New York Times Book Review editor Charles McGrath presents a fresh and arresting new perspective on one of American literature’s master storytellers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Providing a synthesis of New York's artistic and literary worlds, this book uses social and philosophical problems involved in reading a coterie to propose a language for understanding the poet, art critic, and Museum of Modern Art curator, Frank O'Hara.

Deftly written and emotionally powerful, Drowning Ruth is a stunning portrait of the ties that bind sisters together and the forces that tear them apart, of the dangers of keeping secrets and the explosive repercussions when they are exposed. A mesmerizing and achingly beautiful debut. Winter, 1919. Amanda Starkey spends her days nursing soldiers wounded in the Great War. Finding herself suddenly overwhelmed, she flees Milwaukee and retreats to her family's farm on Nagawaukee Lake, seeking comfort with her younger sister, Mathilda, and three-year-old niece, Ruth. But very soon, Amanda comes to see that her old home is no refuge--she has carried her troubles with her. On one terrible night almost a year later, Amanda loses nearly everything that is dearest to her when her sister mysteriously disappears and is later found drowned beneath the ice that covers the lake. When Mathilda's husband comes home from the war, wounded and troubled himself, he finds that Amanda has taken charge of Ruth and the farm, assuming her responsibility with a frightening intensity. Wry and guarded, Amanda tells the story of her family in careful doses, as anxious to hide from herself as from us the secrets of her own past and of that night. Ruth, haunted by her own memory of that fateful night, grows up under the watchful eye of her prickly and possessive aunt and gradually becomes aware of the odd events of her childhood. As she tells her own story with increasing clarity, she reveals the mounting toll that her aunt's secrets exact from her family and everyone around her, until the heartrending truth is uncovered. Guiding us through the lives of the Starkey women, Christina Schwarz's first novel shows her compassion and a unique understanding of the American landscape and the people who live on it.

Originally published: New York: Grove Press, 1957.

'O'Hara is the only American writer to whom America presents itself as a social scene in the way it once presented itself to Henry James, or France to Proust' The New York Times When the beautiful, imperious and moneyed Grace Caldwell Tate wants something she goes after it, men included. Her affair scandalises Pennsylvania's elite and she must face the costs to her marriage and the man she really loves. A bestseller on publication in 1949, A Rage to Live is a candid tale of idealists and libertines, tradesmen and crusaders, men of violence and goodwill, and women of fierce strength and tenderness.