Critical Essays On Native American Literature

These essays provide a historical and critical view of Native American literary materials from early myths and legends to contemporary novels and short stories. The essays are organized in three groups, beginning with an introduction placing them within the broad context of extant scholarship. The first section on historical and methodological perspectives deals with the mythology and folk tales of North American Indians, the structure of Zuni myth, the Clackamas Chinook myths, Canadian Cree narratives, and Chamula (Mexican) speech and performance. The section on traditional literature covers creation tales, trickster tales, and Eskimo poetry. The section on literature in English focuses on contemporary fiction--N.S. Momaday's House Made of Dawn, J. Welch's Winter in the Blood, and L. Silko's Ceremony. ISBN 0-8161-8687-1: $32.50.

A collection of essays discussing early American Indian authors.

The Handbook of Native American Literature is a unique, comprehensive, and authoritative guide to the oral and written literatures of Native Americans. It lays the perfect foundation for understanding the works of Native American writers. Divided into three major sections, Native American Oral Literatures, The Historical Emergence of Native American Writing, and A Native American Renaissance: 1967 to the Present, it includes 22 lengthy essays, written by scholars of the Association for the Study of American Indian Literatures. The book features reports on the oral traditions of various tribes and topics such as the relation of the Bible, dreams, oratory, humor, autobiography, and federal land policies to Native American literature. Eight additional essays cover teaching Native American literature, new fiction, new theater, and other important topics, and there are bio-critical essays on more than 40 writers ranging from William Apes (who in the early 19th century denounced white society's treatment of his people) to contemporary poet Ray Young Bear. Packed with information that was once scattered and scarce, the Handbook of Native American Literature -a valuable one-volume resource-is sure to appeal to everyone interested in Native American history, culture, and literature. Previously published in cloth as The Dictionary of Native American Literature

A compilation of essays and translations in which leading scholars in the fields of linguistics, folklore, ethnopoetics and literary criticism discuss the continuing American Indian oral tradition as literature. Native Americans invested the spoken word with reverence and power, and the oral literature that resulted from the fusing of language and event into vital force is extraordinarily rich and potent. Authors such as Dell Hymes, Karl Kroeber, Dennis Tedlock, Jarold Ramsey and John Bierhorst address the many aspects of the study of this literature, from the problem of translation and of the role of the literary critic to the interpretation of specific stories. ISBN 0-520-04902-0 : $12.95.

The Turn to the Native is a timely account of Native American literature and the critical writings that have grown up around it. Arnold Krupat considers racial and cultural “essentialism,” the ambiguous position of non-Native critics in the field, cultural “sovereignty” and “property,” and the place of Native American culture in a so-called multicultural era. Chapters follow on the relationship of Native American culture to postcolonial writing and postmodernism. Krupat comments on the recent work of numerous Native writers. The final chapter, “A Nice Jewish Boy among the Indians,” presents the author’s effort to balance his Jewish and working-class heritage, his adherence to Western “critical” ideals, and his ongoing loyalty to the values of Native cultures.

A collection of critical essays on the writing and films of American Indian author Sherman Alexie.

The Dictionary of Native American Literature is a unique, comprehensive, and authoritative guide to the oral and written literatures of Native Americans. It lays the perfect foundation for understanding the works of Native. The book features reports on the oral traditions of various tribes and topics such as the relation of the Bible, dreams, oratory, humor, autobiography, and federal land policies to Native American literature. Eight additional essays cover teaching Native American literature, new fiction, new theater, and other important topics, and there are bio-critical essays on more than 40 writers ranging from William Apes (who in the early 19th century denounced white society's treatment of his people) to contemporary poet Ray Young Bear. Packed with information that was once scattered and scarce, the Dictionary of Native American Literature -a valuable one-volume resource-is sure to appeal to everyone interested in Native American history, culture, and literature.

An entirely new approach to reading, understanding, and enjoying Native American fiction This book has been written with the narrow conviction that if Native American literature is worth thinking about at all, it is worth thinking about as literature. The vast majority of thought that has been poured out onto Native American literature has puddled, for the most part, on how the texts are positioned in relation to history or culture. Rather than create a comprehensive cultural and historical genealogy for Native American literature, David Treuer investigates a selection of the most important Native American novels and, with a novelist's eye and a critic's mind, examines the intricate process of understanding literature on its own terms. Native American Fiction: A User's Manual is speculative, witty, engaging, and written for the inquisitive reader. These essays—on Sherman Alexie, Forrest Carter, James Fenimore Cooper, Louise Erdrich, Leslie Marmon Silko, and James Welch—are rallying cries for the need to read literature as literature and, ultimately, reassert the importance and primacy of the word.