Critique Of The Power Of Judgment

The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.

Kant's attempt to establish the principles behind the faculty of judgment remains one of the most important works on human reason. This third of the philosopher's three Critiques forms the very basis of modern aesthetics.

Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant’s aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.

Includes twelve of the most important modern critical discussions of the Critique of the Power of Judgment, written by the leading Kant scholars and aestheticians of the twentieth century.

These selections provide a brief but comprehensive introduction to Fichte's philosophical system and his place in the history of German Idealism. In addition to some of Fichte's most influential texts, such as the First and Second Introductions to the Wissenschaftslehre and The Basis of Our Belief in a Divine Governance of the World, Breazeale has translated, for the first time into English, several other writings from the same period, including Attempt at a New Presentation of the Wissenschaftslehre, Other short essays, including Fichte's replies to the charge of atheism, extend the discussions of the Introductions and respond to criticisms. Breazeale's substantial Introduction supplies the context needed for a sound appreciation of Fichte's enterprise and achievement.

The Critique of the Quantum Power of Judgement analyzes the a priori principles which underlie the empirical knowledge provided by quantum theory. In contrast to other transcendental approaches to quantum physics, none of the transcendental principles established by Kant is modified in order to cope with the new epistemological situation that arises with the asumption of the quantum postulate. Rather, by considering Bohr’s views, it is argued that classical concepts provide the mathematical formalism of quantum theory with physical reference through symbolic analogies in the strict Kantian sense. The main result of the investigation is the determination of the highest principle under which quantum objects are subsumed. This principle states that the conditions of the possibility of the systematic unity of contextual experience are at the same time the conditions of the possibility of quantum objects. Upon this principle rests the possibility of any a priori synthetic knowledge of quantum objects. Therefore, the Critique of the Quantum Power of Judgement yields the prolegomena to any future quantum metaphysics.

Kant famously argues that our experience of the empirical world is shaped by our cognitive faculties. But an important part of this story is yet to be told. This book explores the final instalment of Kant's transcendental undertaking, tying closely together his elusive discussions of natural beauty and teleology.