Cross Culturalism In Indian English Novels

Study of Kamala Markandaya, b. 1924, and Ruth Prawer Jhabvala, b. 1927, Indian women novelists.

In Recent Years, The Indian English Literature Has Made Conspicuous Progress In All Its Forms, Mainly In Fiction And Poetry. The Present Anthology Aims At Presenting An In-Depth Study Of Nineteen Authors Who Are Both Established As Well As Upcoming Writers: Toru Dutt, Nissim Ezekiel, Jayanta Mahapatra, R.C. Shukla, Rajendra Singh, Mulk Raj Anand, Kamala Markandaya, Amitav Ghosh, Arundhati Roy, Shashi Tharoor, Shiv K. Kumar, Shobha De, Intizar Husain And Mahesh Dattani. Although The Present Anthology Contains Articles On Indian English Poetry, Fiction And Drama, But Fiction Enjoys A Prominent Place.Since Most Of The Authors Included In The Present Volume For Discussion Are Prescribed In The English Syllabus In The Various Indian Universities, It Is Hoped That Both The Teachers And Students Will Find The Book Extremely Useful. Even The General Readers Who Are Interested In Literature In English Will Find It Intellectually Stimulating.

In this ground-breaking interdisciplinary study of terrorism, insurgency and the literature of colonial India, Alex Tickell re-envisages the political aesthetics of empire. Organized around key crisis moments in the history of British colonial rule such as the ‘Black Hole’ of Calcutta, the anti-thug campaigns of the 1830s, the 1857 Rebellion, anti-colonial terrorism in Edwardian London and the Amritsar massacre in 1919, this timely book reveals how the terrorizing threat of violence mutually defined discursive relations between colonizer and colonized. Based on original research and drawing on theoretical work on sovereignty and the exception, this book examines Indian-English literary traditions in transaction and covers fiction and journalism by both colonial and Indian authors. It includes critical readings of several significant early Indian works for the first time: from neglected fictions such as Kylas Chunder Dutt’s story of anticolonial rebellion A Journal of Forty-Eight Hours of the Year 1945 (1835) and Sarath Kumar Ghosh’s nationalist epic The Prince of Destiny (1909) to dissident periodicals like Hurrish Chunder Mookerji’s Hindoo Patriot (1856–66) and Shyamaji Krishnavarma’s Indian Sociologist (1905–14). These are read alongside canonical works by metropolitan and ‘Anglo-Indian’ authors such as Philip Meadows Taylor’s Confessions of a Thug (1839), Rudyard Kipling’s short fictions, and novels by Edmund Candler and E. M. Forster. Reflecting on the wider cross-cultural politics of terror during the Indian independence struggle, Tickell also reappraises sacrificial violence in Indian revolutionary nationalism and locates Gandhi’s philosophy of ahimsa or non-violence as an inspired tactical response to the terror-effects of colonial rule.

The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, bio­graphy, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publish­ing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

Bharati Mukherjee Is One Of The Major Novelists Of Indian Diaspora Who Have Achieved Enviable Positions Within A Comparatively Short Creative Span. As An Expatriate In The United States, She Has Captured Evocatively The Indian Immigrant Experience In Her Five Novels And Two Collections Of Short-Fiction. The Creative Odyssey That Started With The Tiger S Daughter (1972) And Produced Leave It To Me (1997) Recently Has Kept Her Seriously Involved In Exploring The Complexities Of Cross-Cultural Interactions.The Present Volume Is The First Full-Length Study Of Mukherjee S Creative Corpus From A Cross-Cultural Perspective. The Book, Divided In Six Chapters, Opens With An Exhaustive Account Of The Major Concepts Of Culture And It Ingeniously Traces The Nature Of Formative Influences On Her Psyche In The Second Chapter. Mukherjee S Fiction Has Been Examined In Three Well-Marked Phases Expatriation, Transition, Immigration In Three Substantive Chapters. The Quality Of Cultural Conflict In All Its Multiplicity Forms The Crux Of Her Accomplishments As A Creative Artist. She Has An Esteemed Place In The Luminous Galaxy Of Indian Men Of Letters Writing Abroad With Native Ethos Providing Them A Living Ambience. The Fiction Of Bharati Mukherjee : A Cultural Perspective Marks A Milestone In The Critical Scholarship On The Third World Literature.

Postmodernism In Indian English Literature Refers To The Works Of Literature After 1980. If Raja Rao S Kanthapura (1938) Marks Modernism, Salman Rushdie S Midnight S Children (1981) And Nissim Ezekiel S Latter-Day Psalms (1982) Mark Postmodernism In Indian English Literature. In This Book, Dr. Bijay Kumar Das Has Analysed Postmodern Indian English Literature Genre-Wise Poetry, Novel, Short Story, Drama And Autobiography. This Is A Critical History Of Indian English Literature In The Postmodern Period, Meant For Students, Researchers As Well As Teachers Who Seek An Introduction To It.

This research work spins around the issue of cultural allotropy, which we all have experienced at different levels; however, a conscious realization regarding it might be missing to some extent. Centuries of political intervention and subjugation by foreign countries results in the presence of a mixed culture and this side-by-side flourishing of two cultures seems now an accepted fact, a part of mans consciousness. But the presence of two contradictory sets of valuesone not fully accepted and the other not totally rejectedgives rise to a difficult situation in the face of the conflicting claims of the two. This gives rise to a mixing of cultures, a blend which in other words may be called cultural allotropythat is, existence of the culture of a particular region in two or more forms, having different and mixed properties at the emotional or intellectual level at a given point of time. Going beyond the political subjugation in the era of globalization, it has now become a matter of economic and cultural subjugation. Undoubtedly, our cultural allotropy is a byproduct of modern economic compulsions also. Through different Indian English novelists, I have tried to intrigue the issues via different portrayals and characters and finally posed a question, What is it to be an Indian?