Crossing Jerusalem Other Plays

Includes the plays Crossing Jerusalem, The Golem, Year Zero and St Joan Crossing Jerusalem describes 24 hours in the life of an Israeli family in March 2002, as they cross Jerusalem at the beginning of the latest intifada. Over this 24 hours, personal and political history burst into the present. A complex family drama explodes in the most politically tense city in the world. The Golem is inspired by the medieval Yiddish legend. This story, set in Prague, explores what happens when a monster is contructed to defend his community. This version is written for children. Year Zero is a bitter-sweet satire inspired by interviews conducted in the north of France, where Communists, Gaulists, collaborators and those who were children during the 1940s, provided the original source of material. The play exposes the day to day experiences of the men and women who suffered or profited from those zero years. Joan of Arc has, over five centuries, proved an irresistible and enduring icon for an extremely diverse group of people both within and without France. St Joan is a satire based on a Jewish Black Londoner who dreams she is the legendary Catholic Saint.

Crossing Jerusalem describes a day in the life of an Israeli family at the beginning of the latest intifada.

The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies.

Jerusalem is not an ordinary city and Crossing Jerusalem is not a standard telling of its story. At once a traditional travelogue, a questioning of spiritual values, and an examination of the beliefs that have sustained Jerusalem’s populations through centuries of conflict and division, this book offers an unusual yet penetrating perspective of the city and its inhabitants.

Pedagogical resource to help faculty prepare courses on the Arab-Israeli conflict in any discipline.

*From the Pulitzer Prize-winning coauthor of American Prometheus—the inspiration for the Academy Award-winning film Oppenheimer* Now with a new introduction, Kai Bird’s fascinating memoir of his early years spent in Israel, Jordan, Egypt, Saudi Arabia, and Lebanon provides an original and illuminating perspective into the Arab-Israeli conflict. In 1956, four-year-old Kai Bird, son of a charming American diplomat, moved to Jerusalem with his family. Kai could hear church bells and the Muslim call to prayer and watch as donkeys and camels competed with cars for space on the narrow streets. Each day on his way to school, Kai was driven through Mandelbaum Gate, where armed soldiers guarded the line separating Israeli-controlled West Jerusalem from Arab-controlled East. Bird would spend much of his life crossing such lines—as a child in Jerusalem, Saudi Arabia, and Egypt, and later, as a young man in Lebanon. In Crossing Mandelbaum Gate, a narrative that “rips along like a spy novel” (The New York Times Book Review), Bird’s retelling of “events such as Suez in 1956, the Six Day War of 1967, and Black September in 1970 are as clear and fresh as yesterday” (The Spectator, UK). Bird vividly portrays emblematic figures like George Antonius, author of The Arab Awakening; Jordan’s King Hussein; the Palestinian hijacker Leila Khaled; Salem bin Laden; Saudi King Faisal; President Nasser of Egypt; and Hillel Kook, the forgotten rescuer of more than 100,000 Jews during World War II. Bird, his parents sympathetic to Palestinian self-determination and his wife the daughter of two Holocaust survivors, has written a “kaleidoscopic and captivating” (Publishers Weekly) personal history of a troubled region and an indispensable addition to the literature on the modern Middle East.

With over 500 entries on the most important plays and playwrights performed today, The Theatre Guide provides an authoritative A - Z of the contemporary theatre scene. From Aristophanes to Mark Ravenhill, The Alchemist to The Talking Cure, the Guide is both biographically detailed and critically current, while an extensive cross-referencing system allows for wider perspectives and new discoveries. Stimulating, observant and informative, The Theatre Guide is an essential companion and reference tool for anyone with an active interest in drama.

The Encyclopedia of Modern Jewish Culture is an extensively updated revision of the very successful Companion to Jewish Culture published in 1989 and has now been updated throughout. Experts from all over the world contribute entries ranging from 200 to 1000 words broadly, covering the humanities, arts, social sciences, sport and popular culture, and 5000-word essays contextualize the shorter entries, and provide overviews to aspects of culture in the Jewish world. Ideal for student and general readers, the articles and biographies have been written by scholars and academics, musicians, artists and writers, and the book now contains up-to-date bibliographies, suggestions for further reading, comprehensive cross referencing, and a full index. This is a resource, no student of Jewish history will want to go without.