Crossing The Deadline

When Stephen's father passes away in 1861, he and his mother and brother are left at the mercy of a cruel uncle. As the Civil War intensifies to the south, Stephen's brother enlists to fight for the Union and help support the family. The war drags on and Stephen, an accomplished bugler in the town band, is witness to the sad consequences of slavery. The opportunity to enlist as Colonel Eli Lilly's personal bugler arises and Stephen jumps at the chance. After surviving the Battle of Sulphur Trestle in Alabama, Stephen is sent to a Confederate prison camp to await the end of the war. The trials of prison camp are severe but at war's end Stephen is set to be sent home to Indiana aboard the steamboat Sultana. However, disaster strikes and the ship catches fire and capsizes in America's largest maritime disaster. Through luck and fortitude Stephen survives, but his Civil War journey is one that will engage readers of all ages. Based on historical facts and characters, Stephan's story truly captures the essence of the era.

Ben Wolf has big things planned for his senior year. Had big things planned. Now what he has is some very bad news and only one year left to make his mark on the world. How can a pint-sized, smart-ass seventeen-year-old do anything significant in the nowheresville of Trout, Idaho? First, Ben makes sure that no one else knows what is going on—not his superstar quarterback brother, Cody, not his parents, not his coach, no one. Next, he decides to become the best 127-pound football player Trout High has ever seen; to give his close-minded civics teacher a daily migraine; and to help the local drunk clean up his act. And then there's Dallas Suzuki. Amazingly perfect, fascinating Dallas Suzuki, who may or may not give Ben the time of day. Really, she's first on the list. Living with a secret isn't easy, though, and Ben's resolve begins to crumble . . . especially when he realizes that he isn't the only person in Trout with secrets.

"This book discusses the environmental, societal, and cultural implications related to Civil War prisons and the latest finds at prison excavation sites"--

This electrifying sequel from the New York Times bestselling author of Feed reenters a world of zombies, geeks, politics, social media, and the virus that runs through them all. Shaun Mason is a man without a mission. Not even running the news organization he built with his sister has the same urgency as it used to. Playing with dead things just doesn't seem as fun when you've lost as much as he has. But when a CDC researcher fakes her own death and appears on his doorstep with a ravenous pack of zombies in tow, Shaun has a newfound interest in life. Because she brings news—he may have put down the monster who attacked them, but the conspiracy is far from dead. Now, Shaun hits the road to find what truth can be found at the end of a shotgun. More from Mira Grant: Newsflesh Feed Deadline Blackout Feedback Rise Praise for Feed: "I can't wait for the next book."―N.K. Jemisin "It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club "Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) “Feed is a proper thriller with zombies.” —SFX "Deft cultural touches, intriguing science, and amped-up action will delight Grant's numerous fans." —Publishers Weekly (starred review)

One day, Frankie Roberts hears a preacher pronounce that a woman’s place is in the home, not in the pulpit. But this mother of four daughters and wife of a pastor in New Jersey won’t hear of it; she knows she has a special calling. In 1959, Frankie packs up her children, leaves her husband, and moves to Sioux City, Iowa, to start a ministry. In this memoir, one of Frankie’s daughters, the author Debra Roberts Torres-Reyes narrates her mother’s story. Availing herself of both humor and honesty, Torres-Reyes describes being raised by Pentecostal Holiness Ministers and living with a fanatical preacher mother who inflicts both physical and verbal abuse on her offspring. The author reflects on how the church’s views and actions—speaking in tongues, casting out demons, and dancing in the spirit—caused her to grow up with poor self-esteem, to suffer panic attacks, and to live in constant mental and emotional torment about The Rapture, demons, the devil, and hell. The Evangelical’s Daughter describes how Torres-Reyes ultimately breaks out of a self-destructive lifestyle, joins the military, and later attends college and law school, finally becoming an attorney. This is one woman’s true story about finding God and leaving religious dogma behind.

Explores a selection of the issues surrounding foreign aid as conditions change for both donor and recipient countries. Among them are aid conditionality, local institutional reform, independent development funds, and the relative effectiveness of non-government organizations. The 11 studies were presented at a conference in Berlin in September 1993. No index. Paper edition (unseen), $22.50. Distributed in the US by ISBS. Annotation copyright by Book News, Inc., Portland, OR

The "deadlines" were boundaries prisoners had to stay within or risk being shot. Just as a prisoner would take the daring challenge in "crossing the deadline" to attempt escape, Crossing the Deadlines crosses those boundaries of old scholarship by taking on bold initiatives with new methodologies, filling a void in the current scholarship of Civil War prison historiography, which usually does not go beyond discussing policy, prison history and environmental and social themes. Due to its eclectic mix of contributors--from academic and public historians to anthropologists currently excavating at specific stockade sites--the collection appeals to a variety of scholarly and popular audiences. Readers will discover how the Civil War incarceration narrative has advanced to include environmental, cultural, social, religious, retaliatory, racial, archaeological, and memory approaches. As the historiography of Civil War captivity continues to evolve, readers of Crossing the Deadlines will discover elaboration on themes that emerged in William Hesseltine's classic collection, Civil War Prisons, as well as inter- connections with more recent interdisciplinary scholar- ship. Rather than being dominated by policy analysis, this collection examines the latest trends, methodologies, and multidisciplinary approaches in Civil War carceral studies. Unlike its predecessor, which took a micro approach on individual prisons and personal accounts, Crossing the Deadlines is a compilation of important themes that are interwoven on broader scale by investigating many prisons North and South. Although race played a major role in the war, its study has not been widely integrated into the prison narrative; a portion of this collection is dedicated to the role of African Americans as both prisoners and guards and to the slave culture and perceptions of race that perpetuated in prisons. Trends in environmental, societal, and cultural implications related to prisons are investigated as well as the latest finds at prison excavation sites, including the challenges and triumphs in awakening Civil War prisons' memory at historical sites.