Crown Hall Deans Dialogues 2012 2017

Crown Hall Dean’s Dialogues: 2012-2017 collects incisive, intimate thoughts from leading contemporary architects in dialogue with students from the Illinois Institute of Technology, College of Architecture. This title collects the voices of 18 esteemed architects, designers, educators and theorists in dialogue with students from the Illinois Institute of Technology, College of Architecture. Voices ranging from Phyllis Lambert to David Adjaye to Rafael Vinoly expound and express their thoughts freely, digging deeply into essential themes that drive their work, study and process. This title provides intimate insight directly from leading architectural and design practitioners, who in the process of being interviewed, further the academic discourse conducted at IIT College of Architecture. Features interviews with leading architects and luminaries including Kazuyo Sejima, William Baker, Wiel Arets, Junya Ishigami, Stefano Boeri, Peter Eisenman, Rafael Viñoly, Ben van Berkel, Pezo von Ellrichshausen, Phyllis Lambert, Riken Yamamoto, Herman Hertzberger, Armand Mevis, David Adjaye, Erwin Olaf, Dominique Perrault, Stan Allen, and Bernard Khoury. Published by Actar Publishers & IITAC

No one demands that people move to cities; people tend to do so, on their own. People choose to move to cities for opportunity. Such choices are often made unconsciously, as they are based on rules, traditions, and local communities–or a combination of all three. Un-Conscious-City explores and unravels Dutch architect Wiel Arets’ kaleidoscopic viewpoints on the ways the collective, unconscious decisions taken by the world’s citizens throughout time–a process that remains invisible to the naked eye–are now working to transform and shift the physical, sensory, and emotional experiences of human beings, as they navigate and live in today’s metropolises as well as the countryside. People tend to only belong to one religion, one society, or one club–which completely defines their existence. One day most human beings will live in a global­nomadic-urban-condition; this will soon be amplified to unknown heights. Un-Conscious-City raises questions, predicaments, and ideals regarding the future of our cities, while recognizing their limitations. Wiel Arets–renowned architect, writer, and thinker–identifies this condition as the Un-Conscious-City.

MCHAP: The Americas' brings together leading architects and academics in a dialogue exploring the current state of architecture throughout the Americas and explores themes raised by the seven finalist projects (designed by Herzog & de Meuron, Álvaro Siza, Steven Holl Architects, OMA/ LMN? Rem Koolhaas and Joshua Prince-Ramus, Smiljan Radic, Cristián Undurraga, Rafael Iglesia) from the inaugural Mies Crown Hall Americas Prize cycle recognizing the best built work in the Amercas from 2000 through 2013. 0As part of the Mies Crown Hall Americas Prize (MHCAP) program, established by Dean Wiel Arets at IIT Architecture Chicago, recognizing the best built work in the Americas from 2000 through 2013, MCHAP is publishing 'MCHAP BOOK ONE', as well as publications by the authors of MCHAP 2000-2008 winner, Álvaro Siza, the MCHAP 2009-2013 winner, Herzog & de Meuron, and the MCHAP.emerge 2000-2013 winner, Pezo von Ellrichshausen.

"NOWNESS FILES charts the evolution of the College of Architecture at the Illinois Institute of Technology, under the deanship of distinguished architect Wiel Arets, from 2012-2018. NOWNESS FILES is the second publication in the NOWNESS series from Illinois Institute of Technology's College of Architecture-announcing and documenting the college's activities. Whereas NOWNESS set the college's new educational, and urban-centric theme-"Rethinking Metropolis"-and sought to announce new initiatives instituted under then new dean Wiel Arets; NOWNESS FILES documents the effect of those changes on the college's curriculum. Its pages chart the evolution of the Mies Crown Hall Americas Prize (MCHAP), first awarded in 2014, expound on the numerous publications produced at the college from 2012-2018, reflects on lectures and lecturers, and highlights the college's new digital media outlets, as the website, and archiving system PROTOCOL. Special attention is given to the revised and expanded degrees the college offers, and to the activities of its faculty, staff, and students- who compose the college's community. Like the original publication; NOWNESS FILES closes with a visual essay by the late photographer Michael Wolf-with a selection of images from his "Transparent City" series-documenting Chicago's glass skyscrapers, and life within them."--Provided by publisher.

MCHAP: The Americas brings together leading architects and academics in a dialogue exploring the current state of architecture throughout the Americas and analyzes themes raised by the seven finalist projects (designed by Herzog & de Meuron, Álvaro Siza, Steven Holl Architects, OMA/ LMN – Rem Koolhaas and Joshua Prince-Ramus, Smiljan Radić, Cristián Undurraga, Rafael Iglesia) from the inaugural Mies Crown Hall Americas Prize recognizing the best built works in the Americas from 2000 through 2013. The book includes contributions from the inaugural MCHAP jury (IITAC Dean Wiel Arets, Kenneth Frampton, Jorge Francisco Liernur, Dominique Perrault, Sarah Whiting) as well as essays by Fabrizio Gallanti, Pedro Alonso, Luis Castañeda, Felipe Correa, Pier Paolo Tamburelli, Horacio Torrent, Molly Wright Steenson, Mimi Zeiger. Co-published with IITAC Press.

The result of research PRODUCTORA initiated as winners of the Mies Crown Hall Americas Prize for Emerging Practice at Illinois Institute of Technology, Being the Mountain examines the relationship between architecture and the ground it occupies, an interaction so obvious-a building must touch the ground-that it often remains underexplored. Richly illustrated contributions by Carlos Bedoya, Frank Escher, Wonne Ickx, Véronique Patteeuw, and Jesús Vassallo revisit significant moments in architectural history that cast new light on the techniques and legacies of modernism, especially in settings like Mexico and California, where architects such as Ricardo Legorreta and John Lautner incorporated dramatic natural topography in their agendas. Additional essays investigate the role of the ground in the thought of Kenneth Frampton in the 1980s and Luis Moreno Mansilla in the 1990s, as well as point to important parallels between premodern land practices, twentieth-century art, and today's architecture.

Publisher Description

"This book documents a unique experience of a journey by Alvaro Siza Vieira, Vincent Mentzel and Kenneth Frampton to the early work of Siza in Porto. The book includes a conversation between Kenneth Frampton and Alvaro Siza and photos by Vincent Mentzel."--Site web de l'éditeur.