Cruel Deeds And Dreadful Calamities

The Illustrated Police News is often dismissed as a crude publication which aimed to thrill the undiscerning reader with gruesome pictures. Cruel Deeds and Calamities sets out to correct that belief by demonstrating the diversity of its subject matter, examining its social and political agenda and revealing the power and compassion in its images. The Illustrated Police News was a promoter of social change and a campaigner against the evils of cruelty, poverty, drink and crime. It anticipated by many years the features of today's journalism, in the rapidity with which it provided pictures of current news events, its appeal to the emotions, and the involvement of its readers in the reporting process. This is the first book exclusively about the Illustrated Police News to reproduce the pictures as high quality images, provide a balanced account of its content and cover the full period of its publication. There is substantial new research into how the paper was produced, the men who made it a success, and the stories behind the pictures.

Firs published in 2011 as Cruel deeds and dreadfull calamaties. This edition contains revised and edited material.

South London has a long and blood-spattered history of capital crime and many of its murder houses still stand today. There are many forgotten murders in South London, where only the murder house remains... Murder mysteries fill the pages of this book – some of them celebrated crimes, like the murder of Charles Bravo at Balham in 1876. Others remain forgotten tragedies, like the murder of Jane Soper in the Borough in 1875. This book will take you on a journey through some of the most notorious crimes in South London, including the Brixton Matricide, the Battersea Tragedy and the Tooting Horror.

The Dawn of the Cheap Press provides the first detailed study of the mid-Victorian campaign for the repeal of the taxes on knowledge for over a hundred years. Using the recently discovered papers of the Association for the Promotion of the Repeal of the Taxes on Knowledge and taking advantage of new forms of research made possible by the digitisation of nineteenth century newspapers, it assesses the impact of the removal of the last surviving legal disabilities on the newspaper industry, the nature of journalism, and the cultures and practices of newspaper reading. The book demonstrates that the campaign against the taxes on knowledge retained broad popular appeal, and played an important role in the politics of mid-Victorian budgets. It not only makes a seminal contribution to the history of the nineteenth century press and print culture, but also illuminates the culture and politics of mid-Victorian Britain, offers an important re-reading of the history of extra-parliamentary pressure group politics and provides new insights into the origins of Gladstonian Liberalism.

This monograph seeks to recover and assess the critically neglected comic strip work produced by the Irish painter Jack B. Yeats for various British publications, including Comic Cuts, The Funny Wonder, and Puck, between 1893 and 1917. It situates the work in relation to late-Victorian and Edwardian media, entertainment and popular culture, as well as to the evolution of the British comic during this crucial period in its development. Yeats’ recurring characters, including circus horse Signor McCoy, detective pastiche Chubblock Homes, and proto-superhero Dicky the Birdman, were once very well-known, part of a boom in cheap and widely distributed comics that Alfred Harmsworth and others published in London from 1890 onwards. The repositioning of Yeats in the context of the comics, and the acknowledgement of the very substantial corpus of graphic humour that he produced, has profound implications for our understanding of his artistic career and of his significant contribution to UK comics history. This book, which also contains many examples of the work, should therefore be of value to those interested in Comics Studies, Irish Studies, and Art History.

The fifth in a series of Victorian murder mysteries set in London with a clever and determined female sleuthLondon 1881: When a body is found in the Paddington canal basin, a woman with a hearing impairment claims that the remains are those of her missing husband, who disappeared three years ago. Unable to prove her case, she appeals to Frances Doughty, the lady detective, to investigate. In this, her fifth case, Frances soon learns that the missing man has secrets of his own, and, when another body is discovered and a witness is viciously attacked, it becomes clear that she must choose her allies wisely.

This book features fifty-six Victorian murder cases from the files of the Illustrated Police News.

London 1882: When a wealthy philanthropist disappears from a locked and guarded room, Frances Doughty is reluctantly drawn into a case that tears the veil of mystery from her own past. Can London’s very own Lady Detective solve this sinister new case before a murderer catches up with her and she becomes the next victim?