Cuban Confederate Colonel

In doing so, de la Cova sheds new light on the connections between Southern and Cuban society, the workings of coastal defenses during the Civil War, and the vicissitudes of Reconstruction for a Cuban expatriate."--Jacket.

The role of Cubans in the American Civil War is seldom appreciated. This work is the first to provide a close look at the often distinguished services they performed. Although Cubans are recorded in the rosters of both Union and Confederate forces, Cuban ties with the Confederacy were particularly strong, partly because Cuban patriots fighting for liberation from Spain tended to identify with the Southern cause as a revolutionary struggle. This work will focus on the biographies of three Cubans who served the Confederate army in the War Between the States. Darryl E. Brock offers a detailed portrait of Jose Agustin Quintero, who served as the South's most effective diplomat. Michel Wendell Stevens writes on Ambrosio Jose Gonzales, who rose to the rank of colonel and served some of the Confederacy's best-known generals. Finally, Richard Hall provides an intimate sketch of Loreta Janeta Velazquez, a soldier and spy for the Confederacy who infiltrated (as a double agent) the operations of Northern spymaster Lafayette C. Baker.

The first full-length biography of a saloon-brawling braggart and frontier opportunist turned justice of the peace Henry Theodore Titus (1822-1881) was the quintessential adventurer, soldier of fortune, and small-time entrepreneur, a man for whom any frontier—geographical, cultural, social—was an opportunity for advancement. Although born in Trenton, New Jersey, and raised in New York and Pennsylvania, Titus bore no allegiance to his native soil or the Yankee values of his ancestors. In the 1850s he became a staunch defender of southern slavery, United States expansionism into the Caribbean Basin, and ultimately the Confederacy's war of disunion. In Colonel Henry Theodore Titus, the first full-length biography of Titus, Antonio Rafael de la Cova reveals a man whose life and adventures offer glimpses into nineteenth-century America not often examined; these indicate the extent to which personal and collective violence, racial prejudice, and moral ambiguities shaped the country at the time. Belligerent, intemperate, egomaniacal, and of imposing stature, Titus was the bête noire of the abolitionist press. Despite his northern roots, he became a caricature of the southern braggart and frontier opportunist. National newspapers followed his reckless exploits during most of his adult life. Titus fought brawls in the saloons of luxury hotels and narrowly escaped the hangman's noose as a Border Ruffian leader in Bleeding Kansas, a Nicaraguan firing squad as a filibuster, and death in a Comanche ambush in Texas. He nearly prompted an international incident between the United States and Great Britain when he was arrested in Nicaragua for threatening to shoot a British naval officer and disparaging the queen of England. The colonel was jailed in New York City for disorderly conduct and trying "to organize the desperate classes for a riot." During his lifetime Titus held more than a dozen occupations, including sawmill owner, postal inspector, soldier of fortune, grocer, planing mill salesman, farmer, slave overseer, turtler, bartender, land speculator, and hotel keeper. He pursued silver mining in the Gadsden Purchase portion of the Arizona Territory where his brother was killed and their hacienda destroyed by Apaches. Despite his violent character and his pro-Confederate values, Titus was politically savvy. He did not take up arms during the Civil War. After a brief stint as assistant quartermaster in the Florida militia, he returned to civilian life and sold foodstuffs and slave labor to the Confederacy. Florida Reconstruction governors later appointed him as notary public and justice of the peace. Rheumatism and gout kept Titus bound to a wheelchair during the last few years of his life when he became an avid civic leader. His greatest legacy was ironically his most benign. Borrowing today's equivalent income value sum of half a million dollars, he established a grocery store and a sawmill in a hardscrabble Florida frontier settlement that became the city of Titusville, the county seat of Brevard County and tourist gateway to Cape Canaveral and the Kennedy Space Center.

The account of Fidel Castro's rise to power is not complete without mention of the failed atacks of July 26, 1953, on the Cuban army garrisons at Moncada and Bayamo. This text views this initial overthrow attempt as a propaganda victory that marked the start of Castro's ascent to national power.

Reprint of the original, first published in 1875.

Seventies “Hispanics,” identifying with Latin American emergence and increasing immigration to the U.S., adopted the epithet 'latino', soon written as Latino. Media fast-tracked, English Latino would eventually tilt presidential elections, advocate national programs, and protest policies, with native and immigrant subgroups presumed homogenous. Enunciated identically as 'latino' and presumed to be 'latino' or its exact translation, “Latino” proved to be a transliteration that since its coining started diverging from 'latino'. Latino became the political mask of unity over discrete subgroups; its primary agenda identity politics as a racialized, brown consciousness divested of its Hispanic cultural history. In contrast, 'latino' retains its Spanish transracial semantics, invoking an 'hispano' cultural history. Nationally Latino represents the entire Hispanic demographic while internecinely not all subgroups identify as Latinos. Latino is defined by immediate sociopolitical issues yet when needed invokes the 'latino' cultural history it presumably disowns. Intellectual inconsistency and semantic amorphousness make Latino a confusing epithet that subverts both speech and scholarship. Collective critical thinking on its semantic dysfunction, deferring to solidarity, is displaced with politically correct but circumventing tweaks, creating Latino/a, Latin@, Latinx. On the other hand, Latino exists because its time had come, expressing an aspiration for a more participatory identity in a multicultural America. Julio Marzán, author of 'The Spanish American Roots of William Carlos Williams', suspends solidarity to articulate the intellectual challenges of his Latino identity. Writing to academic standards in a style accessible to the general reader, Marzán argues that from 'latino' roots Latino evolved into an American identity as a demographic summation implying a culture that actually origin cultures provide, ambiguously an ethnicity and a nostalgic assimilation. “Latino” are American-germane sociopolitical extrapolations of 'latino' experiential details, the often-conflicted distinction illustrated in Marzán’s equally engaging essays that revisit iconic personages and personal events with more nuance than seen as Latino.

In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued--through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country's future. Meanwhile, politics in Washington--Barack Obama's opening to the island, Donald Trump's reversal of that policy, and the election of Joe Biden--have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an ambitious chronicle written for an era that demands a new reckoning with the island's past. Spanning more than five centuries, Cuba: An American History reveals the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the influence of the United States on Cuba and the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba. Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States--as well as the author's own extensive travel to the island over the same period--this is a stunning and monumental account like no other. --

Winner, 2020 Herbert H. Lehman Prize for Distinguished Scholarship in New York history Honorable Mention, 2019 CASA Literary Prize for Studies on Latinos in the United States, given by La Casa de las Américas The dramatic story of the origins of the Cuban community in nineteenth-century New York. More than one hundred years before the Cuban Revolution of 1959 sparked an exodus that created today’s prominent Cuban American presence, Cubans were settling in New York City in what became largest community of Latin Americans in the nineteenth-century Northeast. This book brings this community to vivid life, tracing its formation and how it was shaped by both the sugar trade and the long struggle for independence from Spain. New York City’s refineries bought vast quantities of raw sugar from Cuba, ultimately creating an important center of commerce for Cuban émigrés as the island tumbled into the tumultuous decades that would close out the century and define Cuban nationhood and identity. New York became the primary destination for Cuban émigrés in search of an education, opportunity, wealth, to start a new life or forget an old one, to evade royal authority, plot a revolution, experience freedom, or to buy and sell goods. While many of their stories ended tragically, others were steeped in heroism and sacrifice, and still others in opportunism and mendacity. Lisandro Pérez beautifully weaves together all these stories, showing the rise of a vibrant and influential community. Historically rich and engrossing, Sugar, Cigars, and Revolution immerses the reader in the riveting drama of Cuban New York. Lisandro Pérez analyzes the major forces that shaped the community, but also tells the stories of individuals and families that made up the fabric of a little-known immigrant world that represents the origins of New York City's dynamic Latino presence.