Cult Filmmakers

Discover the iconic personalities behind cult classic films, from David Lynch and Roger Corman to Sofia Coppola, Gordon Parks, John Waters, and more. Whether pioneering in their craft, fiercely unique, or critically divisive, cult filmmakers come in all shapes and guises. Some gain instant fame or notoriety while many others remain anonymous until a cultural shift propels their work into the limelight. In Cult Filmmakers, Ian Haydn-Smith picks a selection of brilliant directors you should know—from industry heavyweights like Tim Burton and David Lynch, to brilliant but lesser-known auteurs such as Alejandro Jodorowsky and Ana Lily Amirpour. With biographical background and critical insight, you’ll discover the minds behind such beloved features as Melancholia, Easy Rider, Lost in Translation and more. Featuring: Ana Lily Amirpour Darren Aronofsky John Carpenter Park Chan-Wook David Cronenberg Terry Gilliam Dennis Hopper Jim Jarmusch Harmony Korine Russ Meyer Gaspar Noe Quentin Tarantino Melvin van Peebles Lars von Trier, John Waters And many others

What makes a cult filmmaker? Whether pioneering in their craft, fiercely and undeniably unique, or critically divisive, cult filmmakers come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight. Cult Filmmakers handpicks 50 notable figures in the world of cinema and explores the creative genius that earned them the 'cult' label, while celebrating the movies that made their names. The book features both industry heavyweights like Tim Burton and David Lynch to the strange and surreal imaginings of filmmakers such as Alejandro Jodorowsky and Ana Lily Amirpour. Discover the minds behind such beloved features as Melancholia, Easy Rider, Lost in Translation and more. From little knowns with small, devout followings, to superstars walking the red carpet, each is special in their individuality and their ability to inspire, antagonise and delight. Cult Filmmakers is an essential addition to any film buff's archive, as well as an entertaining introduction to the weird and wonderful world of cinema.

This book bridges the gap between film theory and filmmakers' thoughts and poetics, and proposes a new way to address and elaborate film theory. It brings together primary sources by filmmakers themselves, drawing on their films, interviews, books, texts, and manifestos. Divided into three parts, the book covers the main aspects of this approach. Part one discusses the concepts of 'author' and 'filmmaker'. Part two evaluates the creative processes of a broad range of filmmakers, including Víctor Gaviria (Colombia), Kleber Mendonça Filho (Brazil), Jean-Luc Godard and Agnès Varda (France), Abbas Kiarostami (Iran) Pa. Ranjith (India), Andy Warhol (USA), Maya Deren (Ukraine-USA) and Nuri Bilge Ceylan (Turkey). The final part examines filmmakers' various techniques, particularly the use of multi-images, after-(dialectical)-images, and the use of sound as a sensorial and narrative tool. This curated selection of writings, with contributors from a range of countries including the USA, UK, India, China, Portugal, Brazil, Belgium and New Zealand, reflects the global perspective of this new approach. The volume also discusses the ways in which filmmakers influence each other, the spectator as seen by filmmakers, and ways to critically address a filmography that takes into account filmmakers other than the director.

A celebration of maverick directors and the offbeat, quirky, innovative, enigmatic, and outrageous movies we call cult films. From films like Young Einstein to Annie Hall to Vampyros Lesbos, and including such directors as Woody Allen, Tim Burton, and David Zucker, this compelling compendium features more than 300 of the greatest triumphs of cult movie history. Each entry includes a comprehensive film review, with plot synopsis, cast and credits; details of its cult following and the reasons for its cult status; trivia and memorable dialogue, along with notable soundtrack information; video and DVD availability; and illustrations of key scenes. All this, plus its profiles of renowned cult directors, make this encyclopedic treasury a must for all movie lovers.

WHAT MAKES A CULT WRITER? Whether pioneering in their craft, fiercely and undeniably unique or critically divisive, cult writers come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight. Cult Writers introduces 50 novelists deserving of a cult status. The literary genres and subjects explored within these writers’ pages are rich and diverse – acting as mirrors of their genius minds. FromIrvine Welsh’s gritty Edinburgh streets, to Ken Kesey’s drug-fuelled madness; from feminist trailblazer Sylvia Plath to the magical realism of Angela Carter – discover little knowns with small, devout followings and superstars gracing the covers of magazines. Each writer is special in their individuality and their ability to inspire, antagonise and delight. Cult Writers is an essential addition to any book lover's library, as well as an entertaining introduction to our weird and wonderful world of literature. Also in the series: Cult Artists, Cult Filmmakers + Cult Musicians The writers: Kathy Acker, James Baldwin, J.G. Ballard, Mikhail Bulgakov, Charles Bukowski, William S. Burroughs, Octavia E. Butler, Italo Calvino, Albert Camus, Angela Carter, Colette, Maryse Conde, Julio Cortazar, Philip K. Dick, Douglas Coupland, Marguerite Duras, Ralph Ellison, Elena Ferrante, Janet Frame, Jean Genet, Joseph Heller, Michel Houellebecq, James Joyce, Franz Kafka, Ken Kesey, Chris Kraus, Milan Kundera, Ursula K. Le Guin, Doris Lessing, Cormac McCarthy, Carson McCullers, Yukio Mishima, Haruki Murakami, Anais Nin, Sylvia Plath, Thomas Pynchon, Raymond Queneau, Ayn Rand, Pauline Reage, Jean Rhys, Juan Rulfo, Francoise Sagan, J.D. Salinger, Arkady and Boris Strugatsky, Donna Tartt, Jim Thompson, J.R.R. Tolkien, Kurt Vonnegut, Virginia Woolf, Irvine Welsh.

From their heyday in the 1950s and 1960s, B movies declined in popularity through the 1970s. As the big Hollywood studios began to make genre films with sky-high budgets, independent producers of low-budget movies could not compete in theaters. The sale of American International Pictures in 1979 and New World Pictures in 1983 marked the end of an era. The emergence of home video in the 1980s marked the beginning of a new phase, as dozens of B movies were produced each year for the small screen, many becoming cult classics of science fiction, horror and fantasy. Through numerous interviews with producers, directors, photographers and actors, this book sheds light on an overlooked corner of film history with behind-the-scenes stories of 28 low-budget favorites from the 1980s.

CULT PEOPLE features a selection of interviews, conducted by Nicanor Loreti, with many of the world’s most fascinating and renowned stars of crossover and cult cinema, including amazing first-hand accounts of the making of ALIENS, SUSPIRIA, A NIGHTMARE ON ELM STREET & countless other classic pictures. Exclusive interviews with the leading lights of cult cinema; 30 stars and directors; the coolest of the cool. Loreti’s knowledge and enthusiasm opens up his subjects on the unbelievable world of the alternative Hollywood as never before. As well as being a great source of cinema history, CULT PEOPLE is also enormously entertaining, with tales of mass zombie auditions, crews and casts stranded in distant lands without funding, and perilous attempts to make a low budget movie in the North Pole. INTERVIEWS WITH THE FOLLOWING CULT DIRECTORS/ACTORS/ SCREENWRITERS DAVID CARRADINE (Kill Bill, Kung Fu), WES CRAVEN (Last House on the Left, Scream), MICHAEL ROOKER (Henry Portrait of a Serial Killer, JFK), LANCE HENRIKSON (Aliens), MICHAEL IRONSIDE (Starship Troopers), ALBERT PYUN (Dollman), ANTHONY TAYLOR (Incubus), BILL MCKINNEY (Deliverance) BILLY DRAGO (The Untouchables), BRUCE DAVISON (X Men), DAN O’BANNON (Alien, Return Of The Living Dead), IRVIN KIRSHNER (The Empire Stikes Back), MICHAEL IRONSIDE (V, Total Recall), WILLIAM SANDERSON (Bladerunner).

Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.