Cultural And Political Imaginaries In Putin S Russia

In Cultural and Political Imaginaries in Putin’s Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Törnquist-Plewa, and Yuliya Yurchuk.

The developments in Russian official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000.

An international collection of papers focused on media, culture and society in postcommunist Russia. Contributors deploy a wealth of primary data in examining the kinds of issues that are central to our understanding of the kind of system that has been established in the world's largest country after a period of far-reaching change.

What explains Putin's enduring popularity in Russia? In The Red Mirror, Gulnaz Sharafutdinova uses social identity theory to explain Putin's leadership. The main source of Putin's political influence, she finds, lies in how he articulates the shared collective perspective that unites many Russian citizens. Under his tenure, the Kremlin's media machine has tapped into powerful group emotions of shame and humiliation--derived from the Soviet transition in the 1990s--and has politicized national identity to transform these emotions into pride and patriotism. Culminating with the annexation of Crimea in 2014, this strategy of national identity politics is still the essence of Putin's leadership in Russia. But victimhood-based consolidation is also leading the country down the path of political confrontation and economic stagnation. To enable a cultural, social, and political revival in Russia, Sharafutdinova argues, political elites must instead focus on more constructively conceived ideas about the country's future. Integrating methods from history, political science, and social psychology, The Red Mirror offers the clearest picture yet of how the nation's majoritarian identity politics are playing out.

During his tenure as Russia's President and subsequently as Prime Minister, Putin transcended politics, to become the country's major cultural icon. This book explores his public persona as glamorous hero--the man uniquely capable of restoring Russia's reputation as a global power. Analysing cultural representations of Putin, the book assesses the role of the media in constructing and disseminating this image and weighs the Russian populace's contribution to the extraordinary acclamation he enjoyed throughout the first decade of the new millennium, challenged only by a tiny minority.

This book examines television culture in Russia under the government of Vladimir Putin. In recent years, the growing influx into Russian television of globally mediated genres and formats has coincided with a decline in media freedom and a ratcheting up of government control over the content style of television programmes. All three national channels (First, Russia, NTV) have fallen victim to Putin’s power-obsessed regime. Journalists critical of his Chechnya policy have been subject to harassment and arrest; programmes courting political controversy, such as Savik Shuster’s Freedom of Speech (Svoboda slova) have been taken off the air; coverage of national holidays like Victory Day has witnessed a return of Soviet-style bombast; and reporting on crises, such as the Beslan tragedy, is severely curtailed. The book demonstrates how broadcasters have been enlisted in support of a transparent effort to install a latter-day version of imperial pride in Russian military achievements at the centre of a national identity project over which, from the depths of the Kremlin, Putin’s government exerts a form of remote control. However, central to the book's argument is the notion that because of the changes wrought upon Russian society after 1985, a blanket return to the totalitarianism of the Soviet media has, notwithstanding the tenor of much western reporting on the issue, not occurred. Despite the fact that television is nominally under state control, that control remains remote and less than wholly effective, as amply demonstrated in the audience research conducted for the book, and in analysis of contradictions at the textual level. Overall, this book provides a fascinating account of the role of television under President Putin, and will be of interest to all those wishing to understand contemporary Russian society.

Bringing together leading scholars from Russia and outside experts on Russia, this book looks at the difference between the image Russia has of itself and the way it is viewed in the West. It discusses the historical, cultural and political foundations that these images are built upon, and goes on to analyse how contested these images are, and their impact on Russian identity. The book questions whether differing images explain fractiousness in Western-Russian relations in the new century, or whether distinct 'imaginary solitudes' offer a better platform from which to negotiate differences. Providing an innovative comparative study of contemporary images of the country and their impact, the book is a significant contribution to studies of globalisation and international relations.

Vladimir Putin has had a major domestic and international impact since being elected Russian President in March 2000 and yet remarkably little is known about the man in the West. Putin: Russia's Choice, written by one of the UK's leading scholars of Russian politics, is the first major study of the man and his politics. Sakwa's discussion provides the biographical and political context to explain Putin's astonishing rise from anonymous KGB apparatchik to leader of one of the world's most important and significant countries.