Cultural Encounters Between East And West 1453 1699

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This is the first study to explore the relationship between Christianity, Judaism and Islam in the Early Modern period. Contributors debate the complicated terms in which these 'Religions of the Book' interacted. The collection illuminates this area of European culture from the late Middle Ages to the end of the Seventeenth century.

This book explores how the figure of the Prophet Muhammad was misrepresented in English and wider Christian culture between 1480 and 1735. By tracing the ways in which 'Mahomet' was written and rewritten, contested and celebrated, this study explores notions of identity and religion, and the resonances of this history today.

This volume examines East-West rhetoric in several different historical contexts, seeking to problematise its implicit assumptions and analyse its consequences.

Early Quaker encounters with Muslims in the seventeenth century helped generate some of the most distinctive and, at times, sympathetic Christian responses to Islam found in the early modern era. Texts such as George Fox's To the Great Turk (1680), in which he engaged in extensive, constructive exegesis of the Qur'an, demonstrate a conception of Islam and Muslims that disrupts many prevailing assumptions of the period. Some responses are all the more striking as they came about as a reaction to the enslavement of a number of Quakers by Muslims in North Africa, where, paradoxically, they often experienced religious freedom denied them at home. This study seeks to understand how and why this heterodox Christian sect created such unusual interpretations of Islam by analyzing the experience of these slaves and scrutinizing the distinctive, oppositional culture of the movement to which they belonged. The work has implications that go beyond the specific subject of study and raises questions about the role that such things as apocalypticism and sectarianism can play in interreligious encounters, and the analytical limitations of Orientalism in characterizing Christian representations of Islam in the early modern period.

An exploration of early modern encounters between Christian Europe and the (Islamic) East from the perspective of performance studies and performativity theories, this collection focuses on the ways in which these cultural contacts were acted out on the real and metaphorical stages of theatre, literature, music, diplomacy and travel. The volume responds to the theatricalization of early modern politics, to contemporary anxieties about the tension between religious performance and belief, to the circulation of material objects in intercultural relations, and the eminent role of theatre and drama for the (re)imagination and negotiation of cultural difference. Contributors examine early modern encounters with and in the East using an innovative combination of literary and cultural theories. They stress the contingent nature of these contacts and demonstrate that they can be read as moments of potentiality in which the future of political and economic relations - as well as the players' cultural, religious and gender identities - are at stake.

Histories of the Turks were a central means through which English authors engaged in intellectual and cultural terms with the Ottoman Empire, its advance into Europe following the capture of Constantinople (1454), and its continuing central European power up to the treaty of Karlowitz (1699). Writing the Ottomans examines historical writing on the Turks in England from 1480-1700. It explores the evolution of this discourse from its continental roots, and its development in response to moments of military crisis such as the Long War of 1593-1606 and the War of the Holy League 1683-1699, as well as Anglo-Ottoman trade and diplomacy throughout the seventeenth century. From the writing of central authors such as Richard Knolles and Paul Rycaut, to lesser known names, it reads English histories of the Turks in their intellectual, religious, political, economic and print contexts, and analyses their influence on English perceptions of the Ottoman world.

The English Renaissance and the Far East: Cross-Cultural Encounters is an original and timely examination of cultural encounters between Britain, China, and Japan. It challenges accepted, Anglocentric models of East-West relations and offers a radical reconceptualization of the English Renaissance, suggesting it was not so different from current developments in an increasingly Sinocentric world, and that as China, in particular, returns to a global center-stage that it last occupied pre-1800, a curious and overlooked synergy exists between the early modern and the present. Prompted by the current eastward tilt in global power, in particular towards China, Adele Lee examines cultural interactions between Britain and the Far East in both the early modern and postmodern periods. She explores how key encounters with and representations of the Far East are described in early modern writing, and demonstrates how work of that period, particularly Shakespeare, has a special power today to facilitate encounters between Britain and East Asia. Readers will find the past illuminating the present and vice versa in a book that has at its heart resonances between Renaissance and present-day cultural exchanges, and which takes a cyclical, “long-view” of history to offer a new, innovative approach to a subject of contemporary importance.