Cultural Property Security

The protection and security of cultural properties is of primary concern to the thousands of federal, state, county, city, and private institutions entrusted with housing and displaying our national heritage and history of our society. Cultural property security is of global importance as well, with tens of thousands of institutions internationally tasked with protecting and maintaining relics and artifacts of social, cultural, and historical significance. Cultural Property Security offers powerful protection guidelines to security departments tasked with safeguarding popular historical sites, museums, and libraries and the historical artifacts they house. Presenting practical, ready-to-implement solutions in a clear writing style, the book: Provides a working definition of cultural properties Identifies the threats against cultural properties from crime and terrorism, particularly in regions with political or civil unrest Offers guidance in threat assessment Identifies the physical security measures and technology that can be used to protect such institutions Presents guidelines for establishing a protective service department for cultural properties Describes proper arrest and post-arrest protocols Includes a list of online resources for further information related to the protection of cultural properties Complete with dozens of photos, the book establishes leading industry best practices to identify the various threats to cultural properties and protect them. Dr. Daniel J. Benny has more than 35 years of security management experience and has served as a Director of Protective Services for the state of Pennsylvania’s Historic and Museum Commission. His insight is invaluable to those responsible for securing these institutions from internal and external threats.

Over the past two centuries, abuse of antiquities and fine art has evolved from the “spoils of war” into a medium for conducting terrorism which strives to erase the cultural heritage of “the other”. At the same time, the growth of the art market over the past fifty years has created opportunities for exploitation of cultural property. Since World War II, there has been maturing international awareness that armed conflict and looting pose a threat to cultural property; but simultaneously, art trafficking and the politics of cultural property create opportunities amidst risks in developed “collecting nations” and emerging “source nations”. This is the first book in the literature that touches on the interrelation of the financial value, politics, and security of cultural property and suggests the implications for the power of culture in global affairs. The intersection of these issues forms the basis for a new field which this book examines — cultural security. As part of the changing significance of cultural property in foreign relations, Cultural Security assesses corresponding security threats and opportunities for diplomacy. This book will take readers through the concepts and issues surrounding cultural property, cultural currency and cultural power, leaving readers with invaluable insights on the political economy of cultural property and the resulting source of “alternative power” in global affairs. Contents: Cultural Property — From Wartime Plunder to Tactical Exploitation:Art and International SecurityPlunderer and Protector of Cultural PropertyConflict ArtCultural Currency — Practical Significance of Cultural Property:Collecting Cultural IntelligenceArt Sales as Cultural IntelligenceStrategic Value of African Tribal ArtCultural Power — Emerging Political Clout of Cultural Property:Artifacts of Wartime Art CrimeArt-Intelligence ProgramsCultural Property and Foreign PolicyConclusion:Alternative Power Readership: Undergraduates, postgraduates, researchers, and academics in various fields such as Art History, Archaeology, Anthropology, Law, Political Science, Economics and Security Studies, as well as lawyers, museum administrators and policymakers interested in cultural security. Key Features:The first book to examine the interrelation of the financial value, politics, and security of cultural property and the implications for the power of culture in global affairsProvides invaluable insights on the new field of cultural security, which is an increasingly critical topic of discussion after World War IIKeywords:Art Market; Antiquities;Culture;Cultural Property;Foreign Policy;Foreign Relations;Monuments;Looting;Plunder;Political Violence;Power;Restitution;Repatriation;Security;Trafficking

Safeguarding Cultural Properties is a step-by-step guide for creating and maintaining a comprehensive security program in any cultural facility or public institution. Author Stevan P. Layne, the leading expert in the field of cultural property protection, draws from his many years of experience providing protection training and planning to more than 350 cultural and public institutions around the world. Designed especially for those with limited security budgets, the book provides a proven and effective program for hiring the right security personnel, selecting the appropriate electronic security systems, and coordinating critical emergency response, along with all the other security issues unique to the needs of a cultural institution. For individuals responsible for the protection of the people, assets, and collections, Safeguarding Cultural Properties saves time and money by providing the essential resources needed for creating a short- and long-term protection plan. The only how-to manual written specifically for security managers of museums, libraries, zoos, and other public and private historic sites Suitable for both large and small cultural institutions, it covers topics such as personnel security, fire protection, physical security, emergency response, theft protection, and more Provides actionable, cost-effective solutions for institutions with limited security budgets and resources

A nation's cultural heritage represents its past, its present and its path to the future, but for many years, the cultural heritage in or adjacent to war and conflict zones has been subject to continual assault, both deliberate and unintended. This book presents papers delivered at the NATO Advanced Research Workshop entitled “Cultural heritage’s safety and security in zones of war or instability”, hosted online by the University of Rome from 25 to 27 November 2020. NATO has always been a leading player in the protection of cultural property (CPP) in the areas in which it intervenes, indeed, the protection of cultural property and common heritage is part of NATO’s core values. In addition to this, the illicit trade in antiquities and archaeological finds represents another danger to cultural heritage and can help to finance the terrorist groups that manage to seize these assets. The workshop aimed to explore ways to protect and safeguard cultural heritage in war zones or from terrorist attacks, and a group of international experts were invited to contribute presentations on selected topics of direct relevance to the processes in NATO with regard to CPP. Topics included: the experiences of international institutions; conservation and restoration; and countermeasures, technologies and examples of successful interventions. The book raises awareness of the importance of safeguarding cultural heritage and sets out ways of tackling the problem. It will be of interest to all those working in the field of protecting cultural heritage in unstable areas.

Acknowledged as the international standard text for basic security procedures in museums.

The protection and security of cultural properties is of primary concern to the thousands of federal, state, county, city, and private institutions entrusted with housing and displaying our national heritage and history of our society. Cultural property security is of global importance as well, with tens of thousands of institutions internationally

In Cultural Property Crime various experts in the fields of criminology, art law, heritage studies, law enforcement, forensic psychology, archaeology, art history and journalism provide multidisciplinary perspectives on today’s concept of cultural property crime, including art crime. In addition, the volume deals with international, legal and practical developments regarding the increasing criminalization of acts against cultural property in times of conflict. Attention is paid to the changing status and fluctuating appraisal of cultural property as subject to classical art crimes generally in peacetime and as an identity-related symbolic target during conflict. The book covers a wide range of topics such as forgeries, white-collar crime, archaeological looting and the impact of war on cultural heritage.