Cultural Transfer Of Music Between Byzantium And The West

This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.

The Mediterranean world is a model that serves the analysis of the dynamic process of cultural identity through approximation and differentiation, through openness and self-assertion, through a constant contact - by way of travel - to foreign regions, cultures and societies. For ancient Greek culture, mobility seems to be a specific characteristic. The same can be said for the Christian, Judaic and Islamic Middle Ages, however, under different or changed circumstances. This publication presents the contributions to an international workshop in cultural analysis, which focused on mobility as a proof of the historical flexibility of Mediterranean cultural systems.

Greece Between East and West looks at the central geopolitical situation of Greece, and its pivotal role in the Balkans and the Levant. The trend towards “modernisation” and “westernisation” is examined in the light of traditional values in culture, language, history and politics which reflect Greece’s eastern legacy and the continuing presence of that legacy in contemporary society. It features original creative writing, an interview with a leading film-maker, provocative accounts of political and cultural agitation on the Aegean islands, aspects of Greek music and drama, plus historical accounts of Greek cities like Smyrna/Izmir and Alexandria, and the new phenomenon of China’s re-creation of the historic “Silk Road”. Additionally, Greece Between East and West features a Foreword by Roderick Beaton, one of the most distinguished scholars and commentators on Greek history and social affairs, and current Chair of the British School at Athens.

A comprehensive introduction to medieval vocal and choral music, with their rich variety of genres and regional and linguistic traditions.

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume one include: A lost guide to Tinctoris's teachings recovered; two English motets on Simon de Montfort; the Mary Magdalene scene in the Visitatio sepulchri ceremonies; and European politics and the distribution of music in the early fifteenth century.