Culture And Transcendence

The spectrum of religious experience and spirituality in contemporary postmodern, postsecular and religiously pluralized Western culture is extremely broad. Is it possible to trace the development, the shifts, breaches and patterns of religious and spiritual transcendence in this deeply diversified context? In this volume, a heuristic model of four types of transcendence is proposed and discussed. The four types are immanent transcendence, radical transcendence, radical immanence and transcendence as alterity. Of each type two examples from contemporary cultural discourses, ranging from theology and philosophy to popular culture are presented and the viability of the model as such is critically assessed. The pairs of examples show how different kinds of content are given to the same type. By illuminating this dialectic between formal categories of notions of transcendence and their specific content in various areas of culture, the book can aid further exploration of the preconditions, possibilities, difficulties and limitations of relating to and expressing (a) sense(s) of transcendence within a postmodern world.

From the Internet to the iPhone, digital technology is no mere cultural artifact. It affects how we experience and understand our world and ourselves at the deepest levels-it is a fundamental condition of living. The digitization of modern life constitutes an essential field of religious concern because it impacts our individual and cultural sensibilities so profoundly. Despite this, it has yet to be thematized as the subject of religious or theological reflection. The Crisis of Transcendence remedies this by asking a single significant question: How is digital technology impacting the moral and spiritual depth of culture? How can something as ineffable and nebulous as the depth of culture be known and articulated, let alone critiqued? Author J. Sage Elwell suggests that an answer lies in the arts. The arts have historically acted as a barometer of the depth of culture, reflecting the spiritual impulses and inclinations at the heart of society. He argues that if the arts matter at all, they will illuminate more than themselves. Through an experimental interpretation of digital art, Elwell offers a critical reflection on how digital technology is changing us and the world we live in at a level of religious significance. Employing a theological aesthetic of digital art, this book shows how the advent of digital technology as a revolutionary cultural medium is transforming the ways we think about God, the soul, and morality.

Hopper's historical-theological study not only illuminates the past but also sheds light on the tumultuous present, revealing how a recaptured understanding of God's transcendence can confront the thoughtless tolerance and inward-facing spiritual consumerism of our own time and radically transform both theology and culture today. --Book Jacket.

In the tradition of Guns, Germs, and Steel and Sapiens, a winner of the Royal Society Prize for Science Books shows how four tools enabled has us humans to control the destiny of our species "A wondrous, visionary work." --Tim Flannery, scientist and author of the bestselling The Weather Makers What enabled us to go from simple stone tools to smartphones? How did bands of hunter-gatherers evolve into multinational empires? Readers of Sapiens will say a cognitive revolution -- a dramatic evolutionary change that altered our brains, turning primitive humans into modern ones -- caused a cultural explosion. In Transcendence, Gaia Vince argues instead that modern humans are the product of a nuanced coevolution of our genes, environment, and culture that goes back into deep time. She explains how, through four key elements -- fire, language, beauty, and time -- our species diverged from the evolutionary path of all other animals, unleashing a compounding process that launched us into the Space Age and beyond. Provocative and poetic, Transcendence shows how a primate took dominion over nature and turned itself into something marvelous.

Religion is undergoing a transformation in current Western society. In addition to organized religions, there is a notable movement towards spirituality that is not associated with any institutions but in which experiences and notions of transcendence are still important. Transcendence can be described as God, the absolute, Mystery, the Other, the other as alterity, depending on one’s worldview. In this book, these shifts in the views of transcendence in various areas of culture such as philosophy, theology, art, and politics are explored on the basis of a fourfold heuristic model (proposed by Wessel Stoker). In conversation with this model, various authors, established scholars in their fields, explain the meaning and role, or the critique, of transcendence in the thought of contemporary thinkers, fields of discourse, or cultural domains. Looking Beyond? will stimulate further research on the theme of transcendence in contemporary culture, but can also serve as a textbook for courses in various disciplines, ranging from philosophy to theology, cultural studies, literature, art, and politics.

This innovative collection examines the transnational movements, effects, and transformations of religion in the contemporary world, offering a fresh perspective on the interrelation between globalization and religion. Transnational Transcendence challenges some widely accepted ideas about this relationship—in particular, that globalization can be understood solely as an economic phenomenon and that its religious manifestations are secondary. The book points out that religion's role remains understudied and undertheorized as an element in debates about globalization, and it raises questions about how and why certain forms of religious practice and intersubjectivity succeed as they cross national and cultural boundaries. Framed by Thomas J. Csordas's introduction, this timely volume both urges further development of a theory of religion and globalization and constitutes an important step toward that theory.

Digital Existence: Ontology, Ethics and Transcendence in Digital Culture advances debates on digital culture and digital religion in two complementary ways. First, by focalizing the themes ‘ontology,’ ‘ethics’ and ‘transcendence,’ it builds on insights from research on digital religion in order to reframe the field and pursue an existential media analysis that further pushes beyond the mandatory focus in mainstream media studies on the social, cultural, political and economic dimensions of digitalization. Second, the collection also implies a broadening of the scope of the debate in the field of media, religion and culture – and digital religion in particular – beyond ‘religion,’ to include the wider existential dimensions of digital media. It is the first volume on our digital existence in the budding field of existential media studies.

Examines the issues of self (including gender), truth, and transcendence in classical Chinese and Western philosophy.