Culture Diaspora And Modernity In Muslim Writing

Fiction by writers of Muslim background forms one of the most diverse, vibrant and high-profile corpora of work being produced today - from the trail-blazing writing of Salman Rushdie and Hanif Kureishi, which challenged political and racial orthodoxies in the 1980s, to that of a new generation including Mohsin Hamid, Nadeem Aslam and Kamila Shamsie. This collection reflects the variety of those fictions. Experts in English, South Asian, and postcolonial literatures address the nature of Muslim identity: its response to political realignments since the 1980s, its tensions between religious and secular models of citizenship, and its manifestation of these tensions as conflict between generations. In considering the perceptions of Muslims, contributors also explore the roles of immigration, class, gender, and national identity, as well as the impact of 9/11. This volume includes essays on contemporary fiction by writers of Muslim origin and non-Muslims writing about Muslims. It aims to push beyond the habitual populist 'framing' of Muslims as strangers or interlopers whose ways and beliefs are at odds with those of modernity, exposing the hide-bound, conservative assumptions that underpin such perspectives. While returning to themes that are of particular significance to diasporic Muslim cultures, such as secularism, modernity, multiculturalism and citizenship, the essays reveal that 'Muslim writing' grapples with the same big questions as serve to exercise all writers and intellectuals at the present time: How does one reconcile the impulses of the individual with the requirements of community? How can one 'belong' in the modern world? What is the role of art in making sense of chaotic contemporary experience?

Fiction by writers of Muslim background forms one of the most diverse, vibrant and high-profile corpora of work being produced today - from the trail-blazing writing of Salman Rushdie and Hanif Kureishi, which challenged political and racial orthodoxies in the 1980s, to that of a new generation including Mohsin Hamid, Nadeem Aslam and Kamila Shamsie. This collection reflects the variety of those fictions. Experts in English, South Asian, and postcolonial literatures address the nature of Muslim identity: its response to political realignments since the 1980s, its tensions between religious and secular models of citizenship, and its manifestation of these tensions as conflict between generations. In considering the perceptions of Muslims, contributors also explore the roles of immigration, class, gender, and national identity, as well as the impact of 9/11. This volume includes essays on contemporary fiction by writers of Muslim origin and non-Muslims writing about Muslims. It aims to push beyond the habitual populist 'framing' of Muslims as strangers or interlopers whose ways and beliefs are at odds with those of modernity, exposing the hide-bound, conservative assumptions that underpin such perspectives. While returning to themes that are of particular significance to diasporic Muslim cultures, such as secularism, modernity, multiculturalism and citizenship, the essays reveal that 'Muslim writing' grapples with the same big questions as serve to exercise all writers and intellectuals at the present time: How does one reconcile the impulses of the individual with the requirements of community? How can one 'belong' in the modern world? What is the role of art in making sense of chaotic contemporary experience?

Muslim Diaspora identifies those aspects of migratory experience that shatter or reinforce a group’s attachment to its homeland and affect its readiness to adapt to a new country. The contributors to this collection examine many dimensions of life in the Diaspora and demonstrate that identity is always constructed in relation to others. They show how religious identity in diaspora is mediated by many other factors such as: Gender Class Ethnic origin National status A central aim is to understand Diaspora as an agent of social and cultural change, particularly in its transformative impact on women. Throughout, the book advances a more nuanced understanding of the notions of ethnicity, difference and rights. It makes an important contribution to understanding the complex processes of formation and adoption of transnational identities and the challenging contradictions of a world that is being rapidly globalized in economic and political terms, and yet is increasingly localized and differentiated, ethically and culturally. Muslim Diaspora includes contributions from outstanding scholars and is an invaluable text for students in sociology, anthropology, geography, cultural studies, Islamic studies, women’s studies as well as the general reader.

Scientific Essay from the year 2017 in the subject Literature - Canada, , course: Englische Literatur, language: English, abstract: In the past four decades the literary reflection of Muslim life in East and West has been characterized by the West with skewed perceptions of Islam and Muslim existence. The events of 9/11 and its aftermath have worsened the traditional negative and stereotyped perception and treatment of Islam. The consequence from this was a negative treatment of Muslim existence by Western and Muslim writers alike. Many novelists disposing of a Muslim background were and (still) are trapped in the negative notion of 'the clash of civilizations' which is so often embedded in many novels be it in the presentation of the characters or simply a negative portrayal of the Muslim world. In contrast to many migrant writers with a British background who are labelled in terms such as 'Postcolonial', 'Migrant Writing', 'British Muslim Fiction', 'Muslim Narrative Writing' or 'Muslim Writing' American and Canadian based Muslim writers face a harder position since they are (historically, culturally and literarily speaking) not that deeply established as their British counterparts. This is partly due to the fewer number of writers and the shorter period of their literary presentation and a (logical) shorter literary tradition resulting from this. Open questions emerging from this here are if critics and readers alike see Islamic English literature as being literature written by Americans or Canadians or if it is basically Muslim or Islamic? It goes without saying that fiction is not only a reflection of reality but also a mode of tearing down the above mentioned stereotypes of Muslim existence as such. It is interestingly speaking matters of identity which function as key elements of 'Muslim Writing' in Britain, America and Canada a clear indication for the fact that treatment and representations of Muslims have not only been neglected so far but also offer a wide field of possibilities.

This book explores whether the post-9/11 novels of Rushdie, Hamid, Aslam and Shamsie can be read as part of an attempt to revise modern ‘knowledge’ of the Islamic world, using globally-distributed English-language literature to reframe Muslims’ potential to connect with others. Focussing on novels including Shalimar the Clown, The Reluctant Fundamentalist, The Wasted Vigil, and Burnt Shadows, the author combines aesthetic, historical, political and spiritual considerations with analyses of the popular discourses and critical discussions surrounding the novels; and scrutinises how the writers have been appropriated as authentic spokespeople by dominant political and cultural forces. Finally, she explores how, as writers of Indian and Pakistani origin, Rushdie, Hamid, Aslam and Shamsie negotiate their identities, and the tensions of being seen to act as Muslim representatives, in relation to the complex international and geopolitical context in which they write.

Scientific Essay from the year 2015 in the subject English Language and Literature Studies - Literature, Comenius University in Bratislava, language: English, abstract: The key position of Muslim writers in the contemporary English speaking novel is undoubted. Muslim writing itself is a logical consequence of postcolonial writing which has been marked by Carribean, African and Muslim authors at the same time. Whereas Carribean writers focus on concepts such as nation or nationalism,.Black writers seem to reflect a notion which is widely understood by 'cultural memory'. Muslim writing on its behalf centers on the catchphrase 'identity' since it considers Islam as a perfect identity marker for the novel. This (Muslim) 'otherness' is rooted in a religion which has for too long been looked upon from Said's concept of 'otherness' which is based on Foucault's notion of 'power and knowledge'. lt is here where the dualistic concept of East and West is constructed which sees both sides as antagonistic spheres. lt also in this background where author and reader finally have to discuss this Muslim 'otherness' apart from their minds. lt is therefore this (religious) 'otherness' based on religion which makes it extremely difficult for Western readers to fully understand Muslim characters. This is due to the fact that Islam is not only a religious idea of the world, it is also a total concept of Muslim existence since it covers all spheres of Muslim existence, the religious, the social, the legal and the political. The intention of this essay therefore is to give a short survey of Muslim writing over the last 30 years. The aim is to shortly reflect the incorporation of Islam into the novel , a development which has been marked by Nünning/Nünning with the term 'cross-fertilization' thus refering to the close link between narration and religion. The focus of the chosen novels hoowever lies on 'identity', a term marked by the concept of modern man being a migrant or a nomad, thus also reflecting the consequences of migration waves and the phenomenon of globalization. The paper starts with a sociological and religious background before it shortly deals with "The Satanic Verses", "The Black Album", "Brick Lane", "The Reluctant Fundamentalist" and "Guantanamo Boy". The aim ist o give a short survey oft he question of Muslim identity during the last 30 years.

Literary, cinematic and media representations of the disputed category of the ‘South Asian Muslim’ have undergone substantial change in the last few decades and particularly since the events of September 11, 2001. Here we find the first book-length critical analysis of these representations of Muslims from South Asia and its diaspora in literature, the media, culture and cinema. Contributors contextualize these depictions against the burgeoning post-9/11 artistic interest in Islam, and also against cultural responses to earlier crises on the subcontinent such as Partition (1947), the 1971 Indo-Pakistan war and secession of Bangladesh, the 1992 Ayodhya riots , the 2002 Gujarat genocide and the Kashmir conflict. Offering a comparative approach, the book explores connections between artists’ generic experimentalism and their interpretations of life as Muslims in South Asia and its diaspora, exploring literary and popular fiction, memoir, poetry, news media, and film. The collection highlights the diversity of representations of Muslims and the range of approaches to questions of Muslim religious and cultural identity, as well as secular discourse. Essays by leading scholars in the field highlight the significant role that literature, film, and other cultural products such as music can play in opening up space for complex reflections on Muslim identities and cultures, and how such imaginative cultural forms can enable us to rethink secularism and religion. Surveying a broad range of up-to-date writing and cultural production, this concise and pioneering critical analysis of representations of South Asian Muslims will be of interest to students and academics of a variety of subjects including Asian Studies, Literary Studies, Media Studies, Women’s Studies, Contemporary Politics, Migration History, Film studies, and Cultural Studies.

In 1962, the Commonwealth Immigrants Act hastened the process of South Asian migration to postcolonial Britain. Half a decade later, now is an opportune moment to revisit the accumulated writing about the diasporas formed through subsequent settlement, and to probe the ways in which the South Asian diaspora can be re-conceptualised. Writing the City in British Asian Diasporas takes a fresh look at such matters and will have multi-disciplinary resonance worldwide. The meaning and importance of local, multi-local and trans-local dynamics is explored through a devolved and regionally-accented comparison of five British Asian cities: Bradford, the East End of London, Manchester, Leicester and Birmingham. Analysing the ‘writing’ of these differently configured cities since the 1960s, its main focus is the significant discrepancies in representation between differently-positioned texts reflecting both dominant institutional discourses and everyday lived experiences of a locality. Part I offers a comprehensive, yet still highly contested, reading of each city’s archives. Part II examines how the arts and humanities fields of History, Religion, Gender and Literary/Cultural Studies have all written British Asian diasporas, and how their perspectives might complement the better-established agendas of the social sciences. Providing an innovative analysis of South Asian communities and their multi-local identities in Britain today, this interdisciplinary book will be of interest to scholars of South Asian Studies, Migration, Ethnic and Diaspora Studies, as well as Sociology, Anthropology, and Geography.