Culture Power And Authoritarianism In The Indonesian State

Culture, Power, and Authoritarianism in the Indonesian State is a critical history of cultural policy in one of the world’s most diverse nations across the tumultuous twentieth century. It charts the influence of momentous political changes on the cultural policies of successive states, including colonial government, Japanese occupation, the killing and repression of the left and their affiliates, and the return of representative government, and examines broader social changes like nationalism and consumer culture. The book uses the concept of authoritarian cultural policy, or cultural policy that was premised on increased state control, tracing its presence from the colonial era until today. Tod Jones’ use of historical and case study chapters captures the central state’s changing cultural policies and its diverse outcomes across Indonesia.

The fact that the Malaysian state has managed to maintain a relatively democratic regime, while an authoritarian regime came to power in Indonesia has never been the focus of historical and comparative analyses despite certain cultural, social, and historical affinities between these two countries. This book takes a look at contrasting class structures and alliances, elite cohesion, state strength, as well as differences in political challenges to the state in order to understand two different paths to post-colonial state formation.

In these studies, scholars from the United States and Indonesia identify some of the cultural roots of Indonesian political behavior. The authors, representing the fields of anthropology, history, and political science, explore the ways in which traditional institutions, beliefs, values, and ethnic origins affect notions of power and rebellion, influence political party affiliations, and create new modes of cultural expression. Using two different but contemporary approaches, the authors show what can be learned about Indonesia through use of the Western concepts of "culture" and "politics". Professors Lev, Liddle, and Sartono illustrate how much can be gained from presenting Indonesian life in Western terms, while Professors Abdullah and Anderson contrast Indonesian and Western ideas. In an Afterword, Clifford Geertz reflects on the questions raised in these essays by discussing the tense relationships between Indonesian political institutions and the cultural framework in which they exist. CLAIRE HOLT was, until her death in 1970, Senior Research Associate of the Modern Indonesia Project, Cornell University. In Indonesia she served as assistant to the late Dr. W.F. Stutterheim, the noted archaeologist and cultural historian. She lectured extensively in Europe, the Far East, and the United States on Indonesian culture, and worked as a researcher and training specialist for the US Department of State.

The fact that the Malaysian state has managed to maintain a relatively democratic regime, while an authoritarian regime came to power in Indonesia has never been the focus of historical and comparative analysis despite certain cultural, social, and historical affinities between these two countries. This study looks at how the interplay of three factors, that is, elite cohesion, internal state strength and armed resistance, led to two different outcomes: authoritarian and democratic post-colonial states in Indonesia and Malaysia respectively. The historical background is presented to assess the impact of colonialism on pre-capitalist society in these two colonies. This provides the context in which to understand the development of the Indonesian and Malaysian states in terms of differences in the degree of elite cohesion, state strength, and the nature of urban and rural resistance against the state. In this way two different paths to state forms can be mapped.

In this lively book, Benedict R. O'G Anderson explores the cultural and political contradictions that have arisen from two critical facts in Indonesian history—that while the Indonesian nation is young, the Indonesian state is ancient, originating in the early seventeenth-century Dutch conquests; and that contemporary politics are conducted in a new language, Bahasa Indonesia, by peoples (especially the Javanese) whose cultures are rooted in medieval times. Analyzing a spectrum of examples from classical poetry to public monuments and cartoons, Anderson deepens our understanding of the interaction between modern and traditional notions of power, the meditation of power by language, and the development of national consciousness.This volume brings together eight of Anderson's most influential essays written over the past two decades. Most of the essays address aspects of Javanese political culture—from the early nineteenth century, when the Javanese did not yet have words for politics, colonialism, society, or class, through the early nationalism of the 1900s, to the era of independence after World War II, when deep internal tensions exploded into large-scale massacres. In the first group of essays Anderson considers how power was imagined in traditional Javanese society, and how these imaginings shaped Indonesia's modern politics. Other essays focus on the significance of the incongruences between the egalitarian, ironizing national language through which modern Indonesia has been imagined and the powerful influence of the hierarchical, authoritarian Javanese official culture. Finally, two essays on consciousness illuminate the crucial eras before and after the rise of Indonesia's nationalist movement. One reflects on Javanese intellectuals' phantasmagoric efforts to keep imagining "Java" as the island was overrun by colonial capitalism and absorbed into the huge, heterogeneous Netherlands East Indies; the second traces the transition from old culture to new nation through the autobiography of an eminent Javanese first-generation nationalist politician.

This book examines popular culture in Indonesia, the world’s most populous Muslim nation, and the third largest democracy. It provides a full account of the key trends since the collapse of the authoritarian Suharto regime (1998), a time of great change in Indonesian society more generally. It explains how one of the most significant results of the deepening industrialization in Southeast Asia since the 1980s has been the expansion of consumption and new forms of media, and that Indonesia is a prime example of this development. It goes on to show that although the Asian economic crisis in 1997 had immediate and negative impacts on incumbent governments, as well as the socioeconomic life for most people in the region, at the same time popular cultures have been dramatically reinvigorated as never before. It includes analysis of important themes, including political activism and citizenship, gender, class, age and ethnicity. Throughout, it shows how the multilayered and contradictory processes of identity formation in Indonesia are inextricably linked to popular culture. This is one of the first books on Indonesia's media and popular culture in English. It is a significant addition to the literature on Asian popular culture, and will be of interest to anyone who is interested in new developments in media and popular culture in Indonesia and Asia.

Increased interest in Indonesian culture and politics is reflected in this work's effort to advance and reject various notions of what it means to be Indonesian. It also addresses perceptions of how Indonesia's citizens and state officials should interact. Because, in recent times, the Indonesian state has been so strong, much of the book is about state-sanctioned and state-supported notions of Indonesian identity and culture and efforts to come to terms with--or sometimes to challenge these official or dominant notions. The contributions presented here represent a wide range of disciplines, points of view, and ideological orientations. Taken together they convey the notion that much might be gained if the idea were abandoned that a single understanding of what constitutes Indonesian culture is possible or desirable.

Challenging Authoritarianism in Southeast Asia is one of the first substantial comparative studies of contemporary Indonesia and Malaysia, homes to the world's largest Muslim population. Following the collapse of New Order rule in Indonesia in 1998, this book provides an in-depth examination of anti-authoritarian forces in contemporary Indonesia and Malaysia, assessing their problems and prospects. The authors discuss the roles played by women, public intellectuals, arts workers, industrial workers as well as environmental and Islamic activists. They explore how different forms of authoritarianism in the two countries affect the prospects of democratization, and examine the impact and legacy of the diverse social and political protests in Indonesia and Malaysia in the late 1990s.