Curlew Moon

‘Focuses a razor light on the plight of one of our most iconic birds. Inspirational!’ Tim Birkhead Curlews are Britain’s largest wading bird, known for their evocative calls which embody wild places; they provoke a range of emotions that many have expressed in poetry, art and music.

Christians often don't know how to respond to the climate crisis and messages of possible destruction caused by human activity. Frances Ward shows how Christians can live and act with hope and faith in God in the face of eco-anxiety.

‘A must read for all wildlife lovers’ Dominic Dyer Foxes, buzzards, crows, badgers, weasels, seals, kites – Britain and Ireland’s predators are impressive and diverse and they capture our collective imagination. But many consider them to our competition, even our enemies.

In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms tragedy into a document of renewal and spiritual grace, resulting in a work that has become a classic.

In 2019, Gwen Wilkinson set herself the challenge of building a canoe and paddling it the length of Ireland, along a network of inland waterways. She set out from the shores of Lough Erne and navigated a 400 km journey to the tidal waters of the River Barrow in Ireland. More than just a travelogue, The Waters and the Wild explores the interwoven histories of the people and wildlife that shaped Gwen’s journey. As the adventure unfolds, she also shines a light on pioneering women who have left their mark on Ireland’s landscape – both natural and cultural. From wild camping on deserted islands to drifting on lakes in the company of restless lapwings, this book invites the reader to share an intense engagement with the natural world. The charming text is accompanied by the author’s own striking lino and woodcut prints, beautiful and though-provoking interpretations of the flora and fauna she observed on her travels.

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this third volume, Yeats’s poetry of the first decade of the twentieth century is brought into sharp focus, revealing the extent of his efforts to re-fashion a style that had already made him a well-known poet. All of the major modes in Yeats’s earlier work are subject to radical re-imagining in these years, from poetic narrative founded in Irish myth, in poems such as ‘Baile and Aillinn’ and ‘The Old Age of Queen Maeve’, to the symbolist drama-poetry of The Shadowy Waters, here edited in its two (completely different) versions of 1900 and 1906. In a decade when the theatre was one of Yeats’s principal concerns, his lyric poems, which were becoming increasingly explicit in personal terms, began to discover new intensities of conversational pitch and mythic resonance. Poems such as ‘The Folly of Being Comforted’, ‘Adam’s Curse’, ‘No Second Troy’, and ‘The Fascination of What’s Difficult’ are given close attention in this new edition, alongside topical and epigrammatic pieces that are often passed over in accounts of Yeats’s development. The evolving complexities of Yeats’s personal and political lives are crucial to his artistic growth in these years, and the commentary gives these generous attention, showing how the poetry both feeds upon and often transcends the circumstances of its composition. The volume offers strong evidence for this decade as a crucial one in Yeats’s poetic life, in which the poet created wholly new registers for his verse as well as new dimensions for his imaginative vision.

The Silver Curlew is one of Eleanor Farjeon's finest works, an intriguing re-telling of the classic story Rumpelstiltskin. Mother Codling lives with her children in a small, Norfolk windmill. One day, the Codlngs receive a surprise visit from the king of Norwich, who insists that eighteen-year-old Doll Codling must spin a certain amount of flax for him, or he will cut off her head. Doll, terrified of dying, makes a deal with a spindle-imp, in order to save herself and her family. The only clincher is, that he returns to the castle when Doll's daughter is born and insists that he take the newborn child as payment for his work. Doll, and her younger sister Poll, try desperately to keep the baby...

The captivating story of the search through Europe for the Slender-billed curlew which stands on the brink of extinction.