Curly Grandma S Letters

Communicating is fun and easy. Find out how simple it is in this easy-to-understand guide to penning your life story. A great gift for grandparents!

Linda Thomas expected that when she grew old, she'd be a quaint little grandmathe kind that sits in a rocking chair and knits blankets for new grandbabies. But God and her husband had other ideas: Africa! This is Linda's story of her first four years working in Africa as a missionary. In this narrative, uniquely told through letters to her granddaughters, Linda shares how she stumbles into adventures most grandmas could not imaginea hippo charges her, a Maasai elder spits at her, and a baboon poops in her breakfast. As she faithfully answers Gods callingand its challengesshe recounts both hilarious and frightful incidents, joys and heartaches, answered prayers, and those God seemed to leave unanswered. While drinking tea from a pot cleaned with cows urine, suffering through an embarrassing breast exam, and narrowly escaping a carjacking by a murderer wielding an assault rifle, Linda falls in love with Africa, its people, and the work God presented her. Grandmas Letters from Africa is a chronicle of Gods heart, His delightful creativity, and His amazing power to help those in need.

This carefully crafted ebook: "The Complete Works of Katherine Mansfield: Short Stories, Poetry, Letters, Diary, Essays & Book Reviews" is formatted for your eReader with a functional and detailed table of contents: Short Story Collections Bliss, and Other Stories The Garden Party, and Other Stories The Doves' Nest, and Other Stories Something Childish, and Other Stories In a German Pension, and Other Stories The Aloe Unfinished Stories Poems Poems: 1909- 1910 Poems: 1911-1913 Poems at the Villa Pauline: 1916 Poems: 1917-1919 Child Verses: 1907 Letters Journal Essays & Book Reviews Biography: The Life of Katherine Mansfield by Ruth E. Mantz & J. Middleton Murry Kathleen Mansfield Murry (1888–1923) was a prominent New Zealand modernist short story writer who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. At 19, Mansfield left New Zealand and settled in the United Kingdom, where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf. Like Woolf, Mansfield was also interested in the feelings and thoughts of her characters rather than plot development and hence her short stories show the complexities of a character's interior life in all its various shades.

Virginia Woolf wrote that she was jealous of Mansfield's story-telling skills, and probably the only person of whom the former was in jealous awe of. So who was Katherine Mansfield? Presented here is a fine collection of Mansfield's non-fictional works, the ones that got saved through her friend's and husband's (J. M. Murry's) efforts, to give an insight into the mind of the renowned modernist short stories writer. Content: Biography The Life of Katherine Mansfield by Ruth E. Mantz & J. Middleton Murry Letters and Journal The Letters of Katherine Mansfield Vol. 1 The Letters of Katherine Mansfield Vol. 2 Journal of Katherine Mansfield Essays and Book Reviews Novels and Novelists Kathleen Mansfield Murry (1888–1923) was a prominent New Zealand modernist short story writer who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. At 19, Mansfield left New Zealand and settled in the United Kingdom, where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf. John Middleton Murry (1889-1957) was a famous editor and husband of Katherine Mansfield. He is responsible for collecting and editing all of Mansfield's manuscripts, in spite of the tumultuous relationship between the two, during and after Mansfield's lifetime.

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different - if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived? Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian émigrés and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. 'If I were allowed one simple cry to God,' she wrote in one of her last letters, that cry would be I want to be REAL.'

EASTWICK LETTERS transcribes and illustrates 117 individual sheets written 1844–51 by Andrew McCalla Eastwick, his wife Lydia, their children, and business associates as the family set up works, and home in 19th century St. Petersburg, Russia. Eastwick was one of three partners in the Philadelphia firm of Harrison, Winans & Eastwick. The business had been awarded a $3 million/ five-year contract to build rolling stock, (locomotive engines and cars) for Czar Nicholas I for a railroad to connect St. Petersburg and Moscow. The enterprise required Eastwick and partners to take possession of a large Imperial industrial complex on the Neva River, known as Alexandroffsky Head Mechanical Works. Once in operation they were to use serf labor and Russian materials to fulfill the contract. Concurrently, Major George Washington Whistler (West Point civil engineer and father of the famous artist), was to oversee the construction of the 420 miles of railway track and railbed required. Presented chronologically and extensively illustrated, EASTWICK LETTERS opens a window into the private emotions of the writers, and illustrates a colorful story of Russian life and times at the dawn of the Industrial Revolution. More so than early photographs, the letters vividly reveal the inner thoughts of each writer, and what they observed in a foreign land. In 1851 the Eastwick family returned to Philadelphia where Andrew purchased Bartram’s Garden along the Schuylkill River and saved it from industrial development. Years later after Andrew’s passing, Lydia Eastwick bequeathed the property to the City of Philadelphia where today, Bartram’s Garden is a landmark. The conservatory is open to the public and carries on the legacy of John Bartram, first American botanist to the Colonies.