Cut Me Loose

In the vein of Prozac Nation and Girl, Interrupted, an electrifying memoir about a young woman's promiscuous and self-destructive spiral after being cast out of her ultra-Orthodox Jewish family Leah Vincent was born into the Yeshivish community, a fundamentalist sect of ultra-Orthodox Judaism. As the daughter of an influential rabbi, Leah and her ten siblings were raised to worship two things: God and the men who ruled their world. But the tradition-bound future Leah envisioned for herself was cut short when, at sixteen, she was caught exchanging letters with a male friend, a violation of religious law that forbids contact between members of the opposite sex. Leah's parents were unforgiving. Afraid, in part, that her behavior would affect the marriage prospects of their other children, they put her on a plane and cut off ties. Cast out in New York City, without a father or husband tethering her to the Orthodox community, Leah was unprepared to navigate the freedoms of secular life. She spent the next few years using her sexuality as a way of attracting the male approval she had been conditioned to seek out as a child, while becoming increasingly unfaithful to the religious dogma of her past. Fast-paced, mesmerizing, and brutally honest, Cut Me Loose tells the story of one woman's harrowing struggle to define herself as an individual. Through Leah's eyes, we confront not only the oppressive world of religious fundamentalism, but also the broader issues that face even the most secular young women as they grapple with sexuality and identity.

"Years after the Great Recession, the economy is still weak, and an unprecedented number of workers have sunk into long spells of unemployment, increasingly unlikely to get another good job in their lifetimes. Based on a careful crossnational comparison, "Cut Loose" describes the experiences of American and Canadian unemployed workers and the impact of the different social policies meant to help them. It focuses on a historically important group: autoworkers. Their well-paid factory jobs built a strong middle class in the decades after World War II. But today, they find themselves lost and beleaguered in a changed economy of greater inequality and risk, one that favors the well-educated--or well-connected. Their declining fortunes tell us something about what the white-collar workforce should expect in the years ahead, as job-killing technologies and the shipping of work overseas take away even more good jobs. Their frustrating experiences with retraining question whether education is really the cure-all it is made out to be. And their grim prospects in the job market reveal today's frenzied competition and harsh culture of judgment that has trickled down to a group long known for its strong belief in equality. "Cut Loose" provides a poignant look at how the long-term unemployed struggle in today's unfair economy to support their families, rebuild their lives, and cope with shame and self-blame. Yet it is also a call to action--a blueprint for a new kind of politics, one that offers a measure of grace in a society of ruthless advancement."--Provided by publisher.

From New York Times bestselling author Susan Andersen, a classic tale of a good girl, a bad boy and the chemistry they can't resist… Jane thinks nothing can make her lose her cool. But the princess of propriety blows a gasket the night she meets the contractor restoring the Wolcott mansion. Devlin Kavanagh's rugged sex appeal may buckle her knees, but the man is out of control! Jane had to deal with theatrics growing up—she won't tolerate them in someone hired to work on the house she and her two best friends have inherited. Dev could renovate the mansion in his sleep. But ever since the prissy owner spotted him jet-lagged and hit hard by a couple of welcome-home drinks, she's been on his case. Yet there's something about her. Jane hides behind conservative clothes and a frosty manner, but her seductive blue eyes and leopard-print heels hint at a woman just dying to cut loose!

This book is part of my story and part of my imagination for you to read, to ponder and to make-believe. This book may be more than you can unravel or understand, it may have more twist and turns than you dare to see. This book is a journey through a jungle full of predators that will challenge your thoughts about what you think of me. This book has a rhythm, a pulse, and a life of its own, and a beautiful soul that will forever live and breathe. What I put down in black ink will always last forever. I’m not talking about my arm; I’m talking about pen and paper. The judges can see the meaning and interpret what they want. I’m not talking about the courts; I’m talking about story and plot. You may uncover some fiction, but it will be worth your while. You may discover some true connections; I hope this book makes you smile.

Detective Simms of the Pinkerton Detective Agency receives orders for another mission. Desperadoes are taking advantage of the fledgling railroads that cut through the endless plains, and the Pinkertons are charged with protecting the valuable cargo. After a powerful group sets their eyes on the scarcely guarded carriages, Simms begins to shadow the train robbers. But soon, he realizes that someone is hunting him instead. One of them will end up six feet under... by the bullet.

Final work by internationally acclaimed Australian author Gerald Murnane, reflecting on his career as a writer, and the fifteen books which have led critics to praise him as ‘a genius on the level of Beckett’. A book which will appeal equally to Murnane’s legion of fans, and to those new to his work, attracted by his reputation as a truly original Australian writer. In the first days of spring in his eighty-second year, Gerald Murnane began a project which would round off his career as a writer – he would read all of his books in turn and prepare a report on each. His original intention was to lodge the reports in two of his legendary archives, the Chronological Archive, which documents his life as a whole, and the Literary Archive, which is devoted to everything he has written. But as the reports grew, they themselves took on the form of a book, Last Letter to a Reader. The essays on each of his works travel through the capacious territory Murnane refers to as his mind: they dwell on the circumstances which gave rise to the writing, images, associations, reflections on the theory of fiction, and memories of a deeply personal kind. The final essay is on Last Letter to a Reader itself: it considers the elation and exhilaration which accompany the act of writing, and offers a moving ending to what must surely be his last work as death approaches. ‘Help me, dear one, to endure patiently my going back to my own sort of heaven.’ ‘No living Australian writer, not even Les Murray, has higher claims to permanence or a richer sense of distinction’ — Sydney Morning Herald ‘The emotional conviction...is so intense, the somber lyricism so moving, the intelligence behind the chiseled sentences so undeniable, that we suspend all disbelief.’ — J.M. Coetzee

A heartfelt and inspiring personal account of a woman raised as a Lubavitcher Hasid who leaves that world without leaving the family that remains within it. Even as a child, Chaya Deitsch felt that she didn’t belong in the Hasidic world into which she’d been born. She spent her teenage years outwardly conforming to but secretly rebelling against the rules that tell you what and when to eat, how to dress, whom you can befriend, and what you must believe. Loving her parents, grandparents, and extended family, Chaya struggled to fit in but instead felt angry, stifled, and frustrated. Upon receiving permission from her bewildered but supportive parents to attend Barnard College, she discovered a wider world in which she could establish an independent identity and fulfill her dream of an unconfined life that would be filled with the secular knowledge and culture that were largely foreign to her friends and relatives in Crown Heights, Brooklyn. As she gradually shed the physical and spiritual trappings of Hasidic life, Chaya found herself torn between her desire to be honest with her parents about who she now was and her need to maintain a loving relationship with the family that she still very much wanted to be part of. Eventually, Chaya and her parents came to an understanding that was based on unqualified love and a hard-won but fragile form of acceptance. With honesty, sensitivity, and intelligence, Chaya Deitsch movingly shows us that lives lived differently do not have to be lives lived apart.

"" We've all been laughed at one time in our lives. We've all been jealous of a sibling, We have felt pain and suffered, just as he suffered, And we've all longed-just-once for the power to crush our enemies! We pity him. We hate him. We fear him. All because there is a little of him in each of us, though we admit it to ourselves only in the darkest part of night."" Margaret Wies Tracy Hickman