D J Vu

Déjà vu, which doubles and confuses our experience of time, is a psychological phenomenon with peculiar relevance to our contemporary historical circumstances. From this starting point, the acclaimed Italian philosopher Paolo Virno examines the construct of memory, the passage of time, and the “end of history.” Through thinkers such as Bergson, Kojève and Nietzsche, Virno shows how our perception of history can become suspended or paralysed, making the distinction between “before” and “after,” cause and effect, seem derisory. In examining the way the experience of time becomes historical, Virno forms a radical new theory of historical temporality.

Sergey Zybolov was born in 1970 in Chelyabinsk. He graduated from Chelyabinsk State University with a degree in Journalism. In the South Urals, many people know Sergey as a surrealist artist who actively participates in exhibitions. Today you have a unique opportunity to discover Sergey from a new perspective. Modern work “Deja vu. Love “is Sergey’s first novel, which took 20 years to write.

Most of us have been perplexed by a strange sense of familiarity when doing something for the first time. We feel that we have been here before, or done this before, but know for sure that this is impossible. In fact, according to numerous surveys, about two-thirds of us have experienced déjà vu at least once, and most of us have had multiple experiences. There are a number of credible scientific interpretations of déjà vu, and this book summarizes the broad range of published work from philosophy, religion, neurology, sociology, memory, perception, psychopathology, and psychopharmacology. This book also includes discussion of cognitive functioning in retrieval and familiarity, neuronal transmission, and double perception during the déjà vu experience.

Fiction. Alden Homer and Blake Whitman are traveling their own paths, which seem to cross more frequently than usual for two dissimilar guys on the road in Asia. Their thoughts and experiences are pieces of a puzzle that one can assemble, as this work allows the reader to participate in the construction of the narrative. "A rare book that combines modernist formal experimentation with excellent post-modernist content and prose; this novel is as much about form as it is about plot. Part bildungsroman part travelogue, both funny and serious, a blend of facts, fictions, and dreams; DEJA VU risks comparison with novels like Cortazar's Hopscotch and Perec's Life: a User's Manual, and I think it stands up very well. Saying that I actually preferred this to either of them would sound pretentious; but the content of this novel is more to my liking than that of the others"--R. Russo.

Referring to a past that never was, déjà vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp examines the genealogy and history of the singular and unrepeatable experience of déjà vu. This provocative book offers a refreshing counterpoint to the clichéd celebrations of cultural memory and forces us do a double take on the sanctimonious warnings against forgetting so common in our time.Disturbances of cultural memory-screen memories, false recognitions, premonitions-disrupt the comfort zone of memorial culture: strictly speaking, déjà vu is neither a failure of memory nor a form of forgetting. Krapp's analysis of such disturbances in literature, art, and mass media introduces, historicizes, and theorizes what it means to speak of an economy of attention or distraction. Reaching from the early psychoanalytic texts of Sigmund Freud to the plays of Heiner Müller, this exploration of the effects of déjà vu pivots around the work of Walter Benjamin and includes readings of kitsch and aura in Andy Warhol's work, of cinematic violence and certain exaggerated claims about shooting and cutting, of the memorial character of architecture, and of the high expectations raised by the Internet.Peter Krapp, lecturer in the Department of Cultural Studies and Comparative Literature at the University of Minnesota, coedited "Medium Cool," a special issue of the South Atlantic Quarterly on contemporary media theory. He has published in the fields of German studies, media studies, and literary theory and, since 1995, has acted as editor of the Hydra Web site for theories of literature and media.

DejaVu The 16th Murray Barber P.I.Case. With a complicated love life and the company of an annoying spirit by the name of Jake, Murray manages to solve another deadly case. When an old classmate of his brothers' asks for help Murray finds himself investigating a number of deaths at a residential home but something similar was happening some forty years before when Pentowen Grange was a private asylum.

Déjà vu is one of the most complex and subjective of all memory phenomena. It is an infrequent and striking mental experience, where the feeling of familiarity is combined with the knowledge that this feeling is false. While until recently it was an aspect of memory largely overlooked by mainstream cognitive psychology, this book brings together the growing scientific literature on déjà vu, making the case for it as a metacognitive phenomenon. The Cognitive Neuropsychology of Déjà Vu reviews clinical, experimental and neuroimaging methods, focusing on how memory disorders and neurological dysfunction relate to the experience. Examining déjà vu as a memory phenomenon, Chris Moulin explores how the experience of déjà vu in special populations, such as healthy aging or those with schizophrenia, provides new insights into understanding this phenomenon. He considers the extensive data on déjà vu in people with epilepsy, dementia and other neurological conditions, assessing neuropsychological theories of déjà vu formation. Essential reading for all students and researchers interested in memory disorders, this valuable book presents the case for déjà vu as a ‘healthy’ phenomenon only experienced by people with sufficient cognitive resources to oppose and detect the false feeling of familiarity.

The Mumford-Shah functional was introduced in the 1980s as a tool for automatic image segmentation, but its study gave rise to many interesting questions of analysis and geometric measure theory. The main object under scrutiny is a free boundary K where the minimizer may have jumps. The book presents an extensive description of the known regularity properties of the singular sets K, and the techniques to get them. It is largely self-contained, and should be accessible to graduate students in analysis. The core of the book is composed of regularity results that were proved in the last ten years and which are presented in a more detailed and unified way.