Daito Ryu Aikijujutsu

The book reveals the secrets of the technique of Daito-ryu Aikijujutsu - a famous and popular style of martial arts. It is a continuation of the book: "Daito-ryu Aikijujutsu: Martial Art of Samurais". It describes in detail the methods of Hiden Mokuroku - Nikajo (the second group of base techniques of the Daito-ryu school). The book contains a large number of illustrations with a detailed description of the features of the style techniques and will be useful for everybody who studies martial arts. Contents: Introduction Chapter 1. Nikajo - Idori Chapter 2. Nikajo - Hanza Handachi Chapter 3. Nikajo - Tachiai Chapter 4. Nikajo - Ushiro dori Conclusion

The book discovers secrets of Daito-ryu Aikijujutsu technique – a style that is an origin of Aikido – a famous and popular type of martial arts for the first time. The work describes in detail the main technique of the school, presents information about the history, philosophy and psychophysical aspects of Daito-ryu. The book contains the large number of illustrations with detail presentation of peculiarities of the style technique and will be useful for all, who studies martial arts. Contents: Introduction: Generation and formation of Daito-ryu Aikijujutsu Chapter 1. Base technique Chapter 2. Daito-ryu Aikijujutsu main technique Ikkajo Ikkajo Tachiai Ikkajo Idori Ikkajo Hanza-Handachi Ikkajo Ushiro-Dori Chapter 3. Selected Techniques Hiden Mokuroku Nikajo - Gokajo Nikajo (Review of selected techniques) Sankajo (Review of selected techniques) Yonkajo (Review of selected techniques) Gokajo (Review of selected techniques) Chapter 4. Aiki no Jutsu (Review of selected techniques) Conclusion

This work introduces the techniques of a little-known ancient art. Like otherartial arts, Aiki Jujutsu Daitoryu relies not on a practitioner's physicalize or strength, but on turning the force used by an opponent against him.iki Jujitsu Daitoryu originated in the 12th century.

In this 216-page manual we show the history, lineage and technique of the Matsuda den line of the Daito Ryu Aikijujutsu school. There are several books and manuals specialized in Daito ryu, but it was missing one of the most important and completes lines of this great art. The lineage coming from Hosaku Matsuda is a program tremendously rich and it preserves and diffuses excellence and technical refinement in in all its forms. Nowadays, thanks to the director of Renshinkan, the teacher Michio Takase, many students from both Japan and the West can be trained in this great ancient art. In this study we review its history, the main exponents of the transmission line and show the technique, including some principles and concepts.

The book reveals the secrets of the technique of Daito-ryu Aikijujutsu - a famous and popular style of martial arts. It is a continuation of the books: "Daito-ryu Aikijujutsu: Martial Art of Samurais" and "Daito-ryu Aikijujutsu: Hiden Mokuroku – Nikajo". It describes in detail the methods of Hiden Mokuroku - Sankajo (the third group of base techniques of the Daito-ryu school). The book contains a large number of illustrations with a detailed description of the features of the style techniques and will be useful for everybody who studies martial arts. Contents: Introduction Chapter 1. Sankajo - Idori -Tsuri Otoshi -Temakura -Soto Gote -Maki Zume -Kobushi Gaeshi -Kakae Kujiki -Karami Zume -Kiriha -Uchi Ude Gaeshi -Gasso Udori Chapter 2. Sankajo - Hanza Handachi -Maki Zume -Hiji Kujiki -Kataha Gaeshi -Ashi Jime -Waki Kujiki Chapter 3. Sankajo - Tachiai -Tsuri Otoshi -Soto Gote -Maki Zume -Waki Zume -Ganseki Otoshi -Kubiwa -Uchi Ude Gaeshi -Shichiri Biki -Ippon Katsugi -Shiho Nage Chapter 4. Sankajo - Ushiro dori -Makizume Otoshi -Ude Gaeshi -Waki Garami -Kiriha -Kata Ude Nage Conclusion

Aiki-Jujutsu: Mixed Martial Art of the Samurai is essential reading for practitioners and instructors of mixed martial arts, the traditional Asian martial arts and those who seek to learn more about the techniques, philosophy and history of the fighting arts of the Samurai. Using easy to follow, step-by-step photography and text, 10th Dan Cary Nemeroff demonstrates how to perform the throws, hand strikes, grappling/groundwork manoeuvres, blocks, break-falls, kicks and sword-disarming techniques of the complete Aiki-Jujutsu system, including Kempo-Jutsu, Aiki-Jutsu and Ju-Jutsu. It also provides a concise history of the concepts and systems surrounding Aiki-Jujutsu's development, such as Budo and Bujutsu, enabling the practitioner to gain a more comprehensive understanding of the art. Essential reading for all practitioners and instructors of mixed martial arts. Covers the hand strikes, throws, kicks and sword-disarming techniques of the complete Aiki-Jujutsu system and provides a concise history of the concepts surrounding Aiki-Jujutsu's development, such as Budo and Bujutsu. Superbly illustrated with around 830 step-by-step photographs. Cary Nemeroff is a 10th Dan in Aiki-Jujutsu (Jujutsu) with thirty-five years of training to his credit.

The book reveals the secrets of the technique of Daito-ryu Aikijujutsu - a famous and popular style of martial arts. It is a continuation of the book: "Daito-ryu Aikijujutsu: Martial Art of Samurais". It describes in detail the methods of Hiden Mokuroku - Nikajo (the second group of base techniques of the Daito-ryu school). The book contains a large number of illustrations with a detailed description of the features of the style techniques and will be useful for everybody who studies martial arts.Contents: IntroductionChapter 1. Nikajo - IdoriChapter 2. Nikajo - Hanza HandachiChapter 3. Nikajo - TachiaiChapter 4. Nikajo - Ushiro doriConclusion

TRANSLATOR' S INTRODUCTION We would like to begin by thanking Doshu Ueshiba Kisshomaru and the Aikikai Foundation for making this family treasure available for publication. We also wish to express our appreciation to those teachers who gave their invaluable help in explaining difficult passages. Due to the historical nature of this work certain difficulties arose, especially in deciding to what degree we should try to produce clear and precise English. Any precise translation could easily become a personal translation, limiting the contents and range of the translator's individual understanding at this particular point in his or her training. Therefore, after consulting some of the highest Sensei in Aikido and other arts it was decided to strive for a translation that would both preserve the simplicity of the original expression and at the same time leave open to the reader at least the possibility of coming up with the broad set of ideas and associations indicated in the Japanese. This book appeared in 1933 and is the first published account of O-Sensei's art. Although not actually written down by him, it is a transcription of lectures and explanations which was later reviewed by the founder and approved as a teacher's manual. The political and historical context of the times should be kept in mind. No attempt has been made to edit the text. The original copy has O-Sensei's title which was simply "Budo Renshu", i.e. "Budo Training". Later the second Doshu annotated this with the word "Aikido". The Dojo decided on using the original name here despite the fact that most Japanese copies are entitled Aikijujutsu Ogi", or "The Secrets of Aikijujutsu". The latter is actually an interpretive heading used by the copyists. The original was hand-written and illustrated. Later this was copied out several times, using tracing paper to reproduce the illustrations. During this process errors easily crept in. By comparing various copies, most of the poems could be deciphered despite their flowerly writing style. However only a few of the tracing mistakes have been corrected here. In other cases the terms 'left' and 'right' had been reversed. This seems to be the result of confusing Nage's point of view Uke's. In this edition these obvious errors have been corrected to match the illustrations. The poems presented the biggest problems. Much effort was spent to offer the reader a translation which presents as closely as possible the same degree of lee- ay for interpretation, insight and error, as appears in the original. Two versions are offered. One reflects the 5-7-5-7-7 syllabic structure of five line, Japanese Waka poetry. Each line in English contains the same groups of words found in the corresponding line of Japanese. The second attempt is to put the poem into a somewhat clearer English syntax. Another interesting point about the poems is that not all of them are original compositions of O-Sensei. At least a few can be traced to other martial traditions. Please note that the parentheses indicate the insertion, for your reference, of a Japanese word used in the text for the preceding English word (except for a few cases in the technique section where O-Sensei used parentheses in the original). Square brackets are the translator's insertions for the sake of the English. By simply deleting the sections enclosed by them, they allow readers to refer to O-Sensei's exact words, if they choose to do so. Although not for the beginner, it is hoped that access to this historically important text will be useful in understanding Aikido and its origins for those who have taken Budo as their 'Way'. Larry E. Bieri Seiko Mabuchi