Dance Consumerism And Spirituality

Dance has proliferated in movies, television, Internet, and retail spaces while the spiritual power of dance has also been linked with mass consumption. Walter marries the cultural studies of dance and the religious aspects of dance in an exploration of consumption rituals, including rituals of being persuaded to buy products that include dance.

Discos, clubs and raves have been focal points for the development of new and distinctive musical and cultural practices over the past four decades. This volume presents the rich array of scholarship that has sprung up in response. Cutting-edge perspectives from a broad range of academic disciplines reveal the complex questions provoked by this musical tradition. Issues considered include aesthetics; agency; 'the body' in dance, movement, and space; composition; identity (including gender, sexuality, race, and other constructs); musical design; place; pleasure; policing and moral panics; production techniques such as sampling; spirituality and religion; sub-cultural affiliations and distinctions; and technology. The essays are contributed by an international group of scholars and cover a geographically and culturally diverse array of musical scenes.

"Creative Spirituality is a fascinating, brilliant, and suggestive book, to be read and appreciated both for its spiritual insights and for the author's astute observations on artistic creativity and spiritual practice. Robert Wuthnow explores the intimate engagements of art and spirituality in their common quests for meaning. This volume represents a substantial contribution to the growing literature on art and religion in the United States and an intelligent appeal to the artist and the truth-seeker in each of us."—Sally M. Promey is author of Painting Religion in Public and coauthor of The Visual Culture of American Religions "Wuthnow's careful listening to the voices of working artists speaking of their work, and his analysis of the rich variety of their experiences, show the universally human, transforming power of creativity. Creative practice reveals itself here as a primary spiritual practice. While some of these artists follow a traditional religious path and make fascinating connections between their working experience and their religious faith others speak directly of spirituality as a discovering of the power of Spirit. Whether religious or not, their voices are witness to the holy power of human creativity and to the mystery in which it leads."—Reverend Donald Schell, St. Gregory of Nyssa Episcopal Church, San Francisco "Robert Wuthnow has written a brilliant, insightful exploration of how contemporary artists struggle to express their deepest spiritual yearnings. At a time when the notion of spirituality seems inchoate, artists, writers and musicians can often eloquently articulate the mysterious otherness of our lives. Especially powerful are the personal testimonials which reveal the empowerment of transcendence over alienation and disbelief."—Marci Whitney-Schenck, Publisher and Editor, Christianity and the Arts "Here one finds wonderful stories about artists and of the creative spirituality arising out of their work. Wuthnow goes beyond telling us simply that these are people living at the edges of our culture, suggesting that they are spiritual models for our time—people who cultivate spiritual depth through sustained practice, or doing something that is fresh, expressive, and worthwhile. The book addresses the serious, many-sided aspects of their search—indeed, of our search—for 'moments of transcendence' today."—Wade Clark Roof, J. F. Rowny Professor of Religion and Society, University of California at Santa Barbara and author of Spiritual Marketplace

Three dancers who changed the face of Modern Dance and liberated dancers from ballet’s rigidity to glorify the human body as a scared vessel: Isadora Duncan, 1877-1927, Ruth St. Denis, 1879-1968, and Martha Graham, 1894-1991. From youth, each recognized an organic urge for ecstatic human expression. This book explores their pioneering approaches to spiritual choreography and reveals unkown aspects of their lives and work: * each insisted upon her vision of dance as prayer * each was a mystic * each had a profound, personal devotion to the Virgin Mary * each choreographed work in her honor * each portrayed the Madonna in dance * each felt herself to be a priestess of dance * each worked to establish a school, where dance was the basis for an enlightened life The book contains quotes about and interviews with these women, including rare materials, restoring the understanding of dance as religious expression and placing these women in their rightful places among spiritual philosophers.

"A regional history of contact between Utes and white settlers, from 1879-2009, that examines the production of an idealized American religion in the American West through the intersection of religion, land, and cultural memory."--Provided by publisher.

LaMothe paves the way for new theories and methods in the study of religion and dance by critiquing and displacing a conceptual dichotomy between “religion” and “dance” forged in the colonial era that justified western Christian hostility towards dance traditions across six continents over six centuries.

Provocative insights into the nature of dancing as inseparable from human vitality and distinctiveness emerge from this spiraling study of specific cultural dance traditions brought into conversation with various philosophical/theoretical perspectives centering on the topics: movement, gesture, play, masking, ritual, seduction, performance, religion; each the subject of engaging innovative analysis. The author draws on experience as dancer and academic to address contemporary issues such as gender identity development and plasticity and acuity throughout the lifespan.

Achieve balance, connect to Spirit, and tap into the sacred power of dance with 365 daily movement meditations. Throughout human history, people all over the world have recognized dance as an age-old yet timeless connection to Spirit. In celebration, to mark moments of change, and in times of despair, dance has been used to seek the Divine, connect with the Earth, and call into being the sacred energy we each possess within ourselves. In Sacred Dance Meditations, Carla Walter, PhD, offers readers 365 dances--one for every day--rooted in traditions from around the globe. From Polynesia to Peru, each dance is different in origin and technique but connected in common purpose: as sacred conduits for hope, love, connection, community, and spirituality. Walter provides a theme each new day, drawn from mystical and spiritual principles that originate from pre-colonial religious traditions. Descriptions, video links, accessibility modifications, and invitations for deeper reflection allow the reader to engage their Spirit fully with the sacred power of dance, carrying it in their heart as they move throughout each day. Readers who want a more active style of meditative practice will discover powerful regenerative healing and a new way to awaken. Broken up day by day and month by month, Sacred Dance Meditations makes it simple and gratifying to practice each day's dance and fulfill its intended theme. Readers can begin at any "point of entry" section, and work their way throughout the year with a time commitment of just ten to twenty minutes a day. Importantly, each dance is designed to supplement any existing (or non-existent) religious or spiritual practice, allowing all to tap into the Divine through the spirit of dance.