Dancers Of The Dawn

Malnig examines exhibition ballroom dance as both a theatrical genre and a cultural and social phenomenon, promoting new cultural standards, including the emancipation of women and a new casualness and spontaneity between the sexes. A lively and thorough account of a dance form that has found renewed popularity in recent years.

The first in a sumptuous slow-burn romantasy duology from a stunning new voice 'Enchanting.' Katharine Corr, co-author of Daughter of Darkness Deep in the desert, a storm is brewing. Deep in the desert, under the blazing sun, an elite troupe of dancers are trained to harness their magic. They are the queen’s most formidable assassins. Aasira has one of the rarest talents – for she is a flame-wielder. Feared by all and envied by some, she uses her power to execute enemies of the crown. Aasira’s greatest wish is to serve her queen. But on the eve of her graduation, with tensions rising among the dancers and secrets stirring in the shifting sand dunes, she begins to question whether she was truly born to kill… ‘A sweeping adventure of secrets, betrayals and alternate histories.’ Kendare Blake, author of Champion of Fate ‘Completely addictive. An absolute must read.’ Rosie Talbot, author of Sixteen Souls

As the nomadic hunters and gatherers of the ancient Near East turned to agriculture for their livelihood and settled into villages, religious ceremonies involving dancing became their primary means for bonding individuals into communities and households into villages. So important was dance that scenes of dancing are among the oldest and most persistent themes in Near Eastern prehistoric art, and these depictions of dance accompanied the spread of agriculture into surrounding regions of Europe and Africa. In this pathfinding book, Yosef Garfinkel analyzes depictions of dancing found on archaeological objects from the Near East, southeastern Europe, and Egypt to offer the first comprehensive look at the role of dance in these Neolithic (7000-4000 BC) societies. In the first part of the book, Garfinkel examines the structure of dance, its functional roles in the community (with comparisons to dance in modern pre-state societies), and its cognitive, or symbolic, aspects. This analysis leads him to assert that scenes of dancing depict real community rituals linked to the agricultural cycle and that dance was essential for maintaining these calendrical rituals and passing them on to succeeding generations. In the concluding section of the book, Garfinkel presents and discusses the extensive archaeological data—some 400 depictions of dance—on which his study is based.

"Undergrad text for general-education courses helps students fulfill fine arts credits. This text will help students form a connection to and appreciation for dance as both an art form and a lifetime physical activity, no matter their primary course of study or eventual career path"--

The hilarious story of an unlikely group of Indigenous dancers who find themselves thrown together on a performance tour of Europe The Tour is all prepared. The Prairie Chicken dance troupe is all set for a fifteen-day trek through Europe, performing at festivals and cultural events. But then the performers all come down with the flu. And John Greyeyes, a retired cowboy who hasn't danced in fifteen years, finds himself abruptly thrust into the position of leading a hastily-assembled group of replacement dancers. A group of expert dancers they are not. There's a middle-aged woman with advanced arthritis, her nineteen-year-old niece who is far more interested in flirtations than pow-wow, and an enigmatic man from the U.S. -- all being chased by Nadine, the organizer of the original tour who is determined to be a part of the action, and the handsome man she picked up in a gas-station bathroom. They're all looking to John, who has never left the continent, to guide them through a world that he knows nothing about. As the gang makes its way from one stop to another, absolutely nothing goes as planned and the tour becomes a string of madcap adventures. The Prairie Chicken Dance Tour is loosely based -- like, hospital-gown loose -- on the true story of a group of Indigenous dancers who left Saskatchewan and toured through Europe in the 1970s. Dawn Dumont brings her signature razor-sharp wit and impeccable comedic timing to this hilarious, warm, and wildly entertaining novel.

Do you believe in love after life?

It is sometime after the turn of the century in Lamptown, Ohio, a working-class town filled with factory girls. Every Thursday night at the Casino Dance Hall above Bauer's Chop House and across the street from Elsinore Abbott's Bon Ton Hat Shop and Bill Delaney's Saloon and Billiard Parlor, women and a few men gather to escape their pedestrian lives in fantasy, and sometimes to live out these fantasies. Observing all are the novel's two young protagonists, Morry, who dreams of becoming an architect and developer, and Jen, an unsentimental orphan of fourteen who, abandoned by her mother, dreams of escape.

A celebrated storyteller-poet-naturalist explores a year of dawns in her most personal book to date. In an eye-opening sequence of personal meditations through the cycle of seasons, Diane Ackerman awakens us to the world at dawn—drawing on sources as diverse as meteorology, world religion, etymology, art history, poetry, organic farming, and beekeeping. As a patient and learned observer of animal and human physiology and behavior, she introduces us to varieties of bird music and other signs of avian intelligence, while she herself “migrates” from winter in Florida to spring, summer, and fall in upstate New York. Humans might luxuriate in the idea of being “in” nature, Ackerman points out, but we often forget that we are nature—for “no facet of nature is as unlikely as we, the tiny bipeds with the giant dreams.” Joining science’s devotion to detail with religion’s appreciation of the sublime, Dawn Light is an impassioned celebration of the miracles of evolution—especially human consciousness of our numbered days on a turning earth.