Dancing Along The Deadline

Explores a selection of the issues surrounding foreign aid as conditions change for both donor and recipient countries. Among them are aid conditionality, local institutional reform, independent development funds, and the relative effectiveness of non-government organizations. The 11 studies were presented at a conference in Berlin in September 1993. No index. Paper edition (unseen), $22.50. Distributed in the US by ISBS. Annotation copyright by Book News, Inc., Portland, OR

A bibliographical guide to recently published Civil War diaries, journals, letters, and memoirs.

During his first inaugural address, Abraham Lincoln expressed hope that the "better angels of our nature" would prevail as war loomed. He was wrong. The better angels did not, but for many Americans, the evil ones did. War Is All Hell peers into the world of devils, demons, Satan, and hell during the era of the American Civil War. It charts how African Americans and abolitionists compared slavery to hell, how Unionists rendered Confederate secession illegal by linking it to Satan, and how many Civil War soldiers came to understand themselves as living in hellish circumstances. War Is All Hell also examines how many Americans used evil to advance their own agendas. Sometimes literally, oftentimes figuratively, the agents of hell and hell itself became central means for many Americans to understand themselves and those around them, to legitimate their viewpoints and actions, and to challenge those of others. Many who opposed emancipation did so by casting Abraham Lincoln as the devil incarnate. Those who wished to pursue harsher war measures encouraged their soldiers to "fight like devils." And finally, after the war, when white men desired to stop genuine justice, they terrorized African Americans by dressing up as demons. A combination of religious, political, cultural, and military history, War Is All Hell illuminates why, after the war, one of its leading generals described it as "all hell."

Live your life to the fullest In Dancing through Life, Allen Brown offers his unique perspective: All life starts with the question Wouldn’t it be great if . . .? Allen believes that a true, authentic life begins with this simple question because it signals an awakening to the possibility of more. We can be more than we think we are, and we can do more than we think we’re capable of doing. And the sense of wonder and possibility contained in Wouldn’t it be great if . . .? isn’t just for the young. It’s for everyone! This book will inspire you to start living the lives you’ve always wanted to live. The author offers his advice on such topics as— • trusting your intuition • broadening your horizons and getting out of your comfort zone • understanding the power of your own thoughts • adopting a growth mind-set • setting and achieving goals An entrepreneur and self-made millionaire, Allen became an amateur ballroom dancing champion in his mid-eighties. Through the insight he provides in Dancing through Life, you will be reminded that if the music is playing, you should be dancing. We only have one life, and we should live it with gusto!

Deep within, every woman longs for her own Cinderella experience: to rise from her humble past, discover the best in herself, and be appreciated by a true, lasting love. Yet, her own efforts to fill the yearning often end in tatters. And no man can rescue her. In Dancing in the Arms of God, the Cinderella fairy tale provides a powerful allegory for women's deepest hopes and dreams and the God who longs to fill them. It's a message proved true in the life of author Connie Neal. For all of us who have wrestled with disillusionment, abandonment, our own limitations, and the lies that whisper we're not beautiful, Connie's true-life insights reveal what it means to dance with God . . . following his lead until every promise he's ever made proves true.

How do anthropologists write their texts? What is the nature of creativity in the discipline of anthropology? This book follows anthropologists into spaces where words, ideas and arguments take shape and explores the steps in a creative process. In a unique examination of how texts come to be composed, the editors bring together a distinguished group of anthropologists who offer valuable insight into their writing habits. These reflexive glimpses into personal creativity reveal not only the processes by which theory and ethnography come, in particular cases, to be represented on the page but also supply examples that students may follow or adapt.

In recent years, site-specific dance has grown in popularity. In the wake of groundbreaking work by choreographers who left traditional performance spaces for other venues, more and more performances are cropping up on skyscrapers, in alleyways, on trains, on the decks of aircraft carriers, and in a myriad of other unexpected locations worldwide. In Site Dance, the first anthology to examine site-specific dance, editors Melanie Kloetzel and Carolyn Pavlik explore the work that choreographers create for nontraditional performance spaces and the thinking behind their creative choices. Combining interviews with and essays by some of the most prominent and influential practitioners of site dance, they look at the challenges and rewards of embracing alternative spaces. The close examinations of the work of artists like Meredith Monk, Joanna Haigood, Stephan Koplowitz, Heidi Duckler, Ann Carlson, and Eiko Otake provide important insights into why choreographers leave the theatre to embrace the challenges of unconventional venues. Site Dance also includes more than 80 photographs of site-specific performances, revealing how the arts, and movement in particular, can become part of and speak to our everyday lives. Celebrating the often unexpected beauty and juxtapositions created by site dance, the book is essential reading for anyone curious about the way that these choreographers are changing our experience of the world one step at a time.