Dancing In Chains

Rejecting traditional distinctions between philosophy, history, and literature, this book traces a broad connection between political identity and narrative in the field of political theory.

Dante's Convivio, written 1304-07, is the first major prose document in the Italian language. This new translation is based on the recent Italian critical edition of Maria Simonelli and includes as well the text of the three Italian canzoni. Using approaches from cultural and social history, traces the psychological, social, intellectual, and moral development of the 19th century American novelist, and examines the middle-class values and behavior that shaped him, and which he portrayed with such discomfort in his mature work. Annotation copyrighted by Book News, Inc., Portland, OR

States around the world imprison people for their beliefs or politically-motivated actions. Oppositional movements of all stripes celebrate their comrades behind bars. Yet they are more than symbols of repression and human rights. Dance in Chains examines the experiences of political prisoners themselves in order to understand who they are, what they do, and why it matters. This is the first book to trace the history of modern political imprisonment from its origins in the mid-nineteenth century. The letters, diaries, and memoirs of political prisoners, as well as the records of regime policies, relate the contest in the prison cell to political conflicts between regime and opposition. Padraic Kenney draws on examples from regimes ranging from communist and fascist to colonial and democratic, including Ireland, the United Kingdom, Poland, and South Africa. They include the Fenian Brotherhood, imprisoned in England and Ireland in the 1860s, and their successors during the Irish War of Independence and the Northern Ireland Troubles; Afrikaaners suspected of treason during the Boer War; socialists fighting for Polish freedom in the Russian Empire, and then Communists denouncing "bourgeois" rule in newly-independent Poland; the opponents of apartheid South Africa and stalinist Poland; and those imprisoned by the United States in Guantanamo Bay detention camp today. Some prisons are well-known; in others, inmates suffered in obscurity. Through self-organization, education, and actions ranging from solitary non-cooperation to mass hunger strikes, these prisoners transform their incarceration and counter states' efforts to control them. While considering the international movements that have sought to publicize the plight of political prisoners, Dance in Chains examines the actions of the prisoners themselves to find universal answers to questions about the meaning and purpose of their imprisonment.

Expanded and updated 2nd edition of the book that covers the history and development of the modern derailleur bicycle-and the gadget that makes it tick: the derailleur gearing mechanism. The Dancing Chain picks up where other bicycle history books leave off: at the introduction of multiple-speed gearing mechanisms at the beginning of the 20th century. 384 pages of text with 1,200 black & white illustrations, including many new Daniel Rebour drawings never before published in any English-language publications.

The political prisoner is a creation of the modern era, in which states deploy police, courts, and prisons against organized opposition movements. 'Dance in Chains' traces the history of political imprisonment from the 1860s through the present day, using the struggles of opponents from a wide variety of regimes.

This early work on dancing is a fascinating read for any dance enthusiast or historian, and contains much information that is still useful and practical today. Contents Include: Dedication; Author's Preface; Introduction; The History of Latin-American Dancing in this Country; List of Abbreviations Used; the Rumba; The Samba; The Paso Doble; The Jive (Swing); The Blues Jive; The Congo; Examination Work; Latin-American Dances for Class Teaching; The Training of Medallists in the Latin-American Dancers; Music for Latin-American Dances; The Character of the Latin-American Dances and How to Obtain It; Postscript; and Index. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In this volume the author explores the relationships between music and early modernism in the Austro-German sphere.