Dancing In The Vortex

Paris at the turn of the century - Art Nouveau, Renoir, Toulouse-Lautrec and the Folies Bergere. This was the atmosphere which nurtured the artistic development of the remarkable dancer and choreographer Ida Rubinstein.This long-awaited biography gives us a unique insight into the life of a remarkable woman, responsible for a fascinating chapter of our artistic heritage. She was a chameleon, a diva, who lived many lives, overcoming the anti-Semitism of her times to enchant and captivate the highest of societies. Untrained as a dancer, Ida Rubinstein's charisma attracted collaborators such as Debussy, Stravinsky, Ravel, Cocteau, Bakst, and Benois.

Elsie Levy was born in the Jewish East End of London, came to Sydney with her family when she was 14, and joined the Communist Party of Australia when she was a young woman. In this book, her son explores her disaporic Jewish identity, both English and Australian, and in the process journeys into Jewish cultural histories. We meet important cultural figures such as Leonard Woolf, Freud, Schnitzler, Veza Canetti and Ida Rubinstein. This journey leads also to English anti-Semitism, including, shockingly, Bloomsbury. In turning to Communism and marrying out, Elsie Levy became one of history's undutiful daughters.

Ida Rubinstein (1883–1960) captivated Paris's dancers, composers, artists, and audiences from her time in the Ballets Russes in 1909 to her final performances in 1939. Trained in Russia as an actress and a dancer, her life spanned the artistic freedom of the Belle Époque through the ravages of World War I, the Depression, and finally World War II. This critical biography carefully examines aspects of Rubinstein's life and career that have previously received little attention. These include her early life in Russia, her writing about performance aesthetics, her curated approach to acting and dancing roles, and her encumbered position as a woman and a Jew. Rubinstein used her considerable fortune to produce dozens of plays, lyric creations, and ballets, making her one of the foremost producers of the first half of the twentieth century. Employing the greatest scenic artists, Léon Bakst and Alexander Benois; the distinguished composers Igor Stravinsky, Arthur Honegger, and Claude Debussy; celebrated writers including Paul Valéry and André Gide; and the brilliant choreographer Bronislava Nijinska, Rubinstein transformed twentieth-century theater and dance.

Kierkegaard’s Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard’s writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard’s thought. Concepts have been selected on the basis of their importance for Kierkegaard’s contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.

Once a highly cosmopolitan profession, law was largely domesticated by the demands of the Westphalian state. But as the walls between sovereign states are lowered, law is globalizing in a way that is likely to change law, lawyering and legal education as much over the next 30 years – when the students entering law schools today reach the peak of their profession – as it has over the last 300. This book provides a sustained investigation of the theoretical and practical aspects of legal practice and education, synthesizing and developing nearly thirty years of Professor Sampford’s critical thought, analysis and academic leadership. The book features two major areas of investigation. First, it explains the significance of the ‘critical’, ‘theoretical’ and ‘ethical’ dimensions of legal education and legal practice in making more effective practitioners – placing ethics and values at the heart of the profession. Second, it explores the old/new challenges and opportunities for ethical lawyers. Challenges include those for lawyers working in large organisations dealing with issues from international tax minimisation to advising governments bent on war. Opportunities range from the capacity to give client’s ethical advice to playing a key role in the emergence of an international rule of law as they had to the ‘domestic’ rule of law. The book should stimulate great interest and occasional passion for legal practitioners, students, teachers and researchers of law, lawyering, legal practice and legal institutions. Its inter-disciplinary approaches should be of interest to those with interests in education theory, international relations, political science and government, professional ethics, sociology, public policy and governance studies.

"This book explores what art can tell us about "the self," or the sense of interiority that each of us, as separate individuals, experience. Today the "self" is often dismissed because it seems to ignore the ways in which we are all defined by structures and categories of identity (from capitalism and the family to constructs of gender and race). Yet, as Rachel Haidu observes, our feelings that we are singular and individuated--regardless of the structures we belong to--can be intensified, deepened, and negotiated by art. Artworks not only elicit feelings in the viewer that she is profoundly herself, but some even examine how interior lives come to feel private and unique. Haidu investigates this sense of interiority through the work of six contemporary artists who consciously want to provoke the experience in viewers: painters Philip Guston and Amy Sillman; film/media artists James Coleman and Steve McQueen; and contemporary dancers/choreographers Anne Teresa De Keersmaeker and Yvonne Rainer"--

In "Dancing Within the Vortex," readers will take an incredible journey beyond time and space with the author as she shares her unique spiritual journey beyond society's imposed limitations to discover her true potential, value, and self-mastery.