Dancing The Skies And Falling With Style

At the dawn of the Jet Age, flying was romantic, exciting and exclusive. Drab post-war austerity surrendered to a less restrained, less politically correct, more vibrant era. Britain prospered with a newfound sense of optimism, business flourished and airlines expanded. Colin Fairdale, an insecure public schoolboy, stumbles into a career as a pilot with BOAC at the end of the Swinging Sixties. He is a boy in a man's world of hard-drinking, boorish wartime pilots and a naïf among wild, carousing cabin crew . The high-pressure, high-octane lifestyle plays a heavy toll on his relationships as he blunders through life. The terrorist attacks on New York heralded a more serious, rigid age. Everything changed, forever...

The second of live volumes planned to give a systematic account of Japanese literature from its beginnings to the death of the modern novelist Mishima, this book establishes the character of the literature of the early Middle Ages, from the ninth to the mid-twelfth century. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The Friend gives a fresh, simple understanding of happiness as a state of Being, and unhappiness as a reflection of our distance from our own Being. In modern language, it shows how we have come to be separated from our own being. The Friend is both guide book and a Journey book. It teaches skills and understanding for navigating through the personality self to find the core states of Being. In the journey we find challenges, tasks, learning, and the precious inner treasures that open to our willingness to be with our self.

Jandy Nelson's beloved, critically adored debut is now an Apple TV+ and A24 original film starring Jason Segel, Cherry Jones, Grace Kaufman, and Jacques Colimon. “Both a profound meditation on loss and grieving and an exhilarating and very sexy romance." —NPR Adrift after her sister Bailey’s sudden death, Lennie finds herself torn between quiet, seductive Toby—Bailey’s boyfriend who shares Lennie’s grief—and Joe, the new boy in town who bursts with life and musical genius. Each offers Lennie something she desperately needs. One boy helps her remember. The other lets her forget. And she knows if the two of them collide, her whole world will explode. As much a laugh-out-loud celebration of love as a nuanced and poignant portrait of loss, Len­nie’s struggle to sort her own melody out out the noise around her makes for an always honest, often uproarious, and absolutely unforgettable read.

An action-packed thriller from global bestseller Wilbur Smith The Syrian plane disintegrated, evaporating in a gush of silvery smoke, rent through with bright white lightning, and the ejecting pilot's body was blown clear of the fuselage. For an instant it was outlined ahead of David's screen, cruciform in shape with arms and legs thrown wide, the helmet still on the head, and the clothing ballooning in the rush of air.' He chose this life. And it may cost him everything. From a young age it's clear that David Morgan is 'bird'-a natural pilot, most at home in the air. In the South African Air Force he receives plaudits beyond his years, and even his family begins to accept that David will do anything to stay away from the Morgan billion-dollar business, and to keep flying instead. Following his dream and in pursuit of Debra, a beautiful young Israeli writer, David soon joins the Israeli Defence Force and finds himself caught up in the country's struggles. But when he pays a terrible price for his choices, will he be able to become the man he always hoped -or will he choose to disappear into the skies?

Offers vivid first hand accounts of encounters with fellow socialists following the fall of the Soviet Union Most westerners glimpsed the breakup of the Soviet Union at a great distance, through a highly distorted lens which equated the expansion of capitalism with the rise of global democracy. But there were those, like Helena Sheehan, who watched more keenly and saw a world turning upside down. In her new autobiographical history from below, Until We Fall, Sheehan shares what she witnessed first-hand and close-up, as hopes were raised by glasnost and perestroika, only to be swept away in the bitter and brutal counterrevolutions that followed. In Until We Fall, we come along on Sheehan’s travels as she tracks the fallout from the transition from flawed forms of socialism to a particularly predatory form of capitalism. As a sequel to Navigating the Zeitgeist — which captured 1950s cold-war America, the 1960s new left, the 1970s social movements and communist parties of Europe — Until We Fall takes us through Eastern Europe from the 1980s onward and moves on to offer vivid accounts of encounters with fellow socialists in many other places, such as Britain, Greece, and Mexico. It includes an entire chapter on South Africa, where Sheehan participated in its political and intellectual life for extended intervals of the post-apartheid period. And it offers her unique take on her birthplace, the United States, along with the unfolding realities confronting her chosen home, Ireland. She also reveals major changes in the culture of academe in the decades she has taught in universities. As a philosopher, she scrutinizes the various intellectual currents prevailing, particularly positivism and postmodernism, and makes a persuasive case for the explanatory and ethical superiority of Marxism. As she moves through time and space, Sheehan pursues the perspectives of the vanquished in a world where the triumphalist narratives of the victors hold sway. The central storyline of the book is her political activism as waves of history swept through the left and challenged it in ever more formidable ways, bringing some victories but many defeats. She raises questions of how to keep going in this time of monsters, when the old is dying and the new cannot be born, when capitalism is decadent yet still dominant.