Dancing With The King

After the battle of Orakau in 1864 and the end of the war in the Waikato, Tawhiao, the second Maori King, and his supporters were forced into an armed isolation in the Rohe Potae, the King Country. For the next twenty years, the King Country operated as an independent state – a land governed by the Maori King where settlers and the Crown entered at risk of their lives. Dancing with the King is the story of the King Country when it was the King's country, and of the negotiations between the King and the Queen that finally opened the area to European settlement. For twenty years, the King and the Queen's representatives engaged in a dance of diplomacy involving gamesmanship, conspiracy, pageantry and hard headed politics, with the occasional act of violence or threat of it. While the Crown refused to acknowledge the King's legitimacy, the colonial government and the settlers were forced to treat Tawhiao as a King, to negotiate with him as the ruler and representative of a sovereign state, and to accord him the respect and formality that this involved. Colonial negotiators even made Tawhiao offers of settlement that came very close to recognising his sovereign authority. Dancing with the King is a riveting account of a key moment in New Zealand history as an extraordinary cast of characters – Tawhiao and Rewi Maniapoto, Donald McLean and George Grey – negotiated the role of the King and the Queen, of Maori and Pakeha, in New Zealand.

An epic generational tale of loves lost, promises kept, dreams broken, and monarchies shattered, To Dance with Kings is a story of passion and privilege, humble beginnings and limitless ambition. On a May morning in 1664, in the small village of Versailles, as hundreds of young aristocrats are coming to pay court to King Louis XIV, a peasant fan-maker gives birth to her first and only child, Marguerite. Determined to give her daughter a better life than the one she herself has lived, the young mother vows to break the newborn’s bonds of poverty and ensure that she fulfills her destiny—to dance with kings. Purely by chance, a drunken nobleman witnesses the birth and makes a reckless promise to return for Marguerite in seventeen years. With those fateful words, events are set into motion that will span three monarchies, affecting the lives of four generations of women. Marguerite becomes part of the royal court of the Sun King, but her fairy-tale existence is torn out from under her by a change of political winds. Jasmin, Marguerite’s daughter, is born to the life of privilege her grandmother dreamed of, but tempts fate by daring to catch the eye of the king. Violette, Marguerite’s granddaughter, is drawn to the nefarious side of life among the nobles at Versailles. And Rose, Violette’s daughter, becomes a lady-in-waiting and confidante to Marie Antoinette. Through Rose, a love lost generations before will come full circle, even as the ground beneath Versailles begins to rumble with the chaos of the coming revolution.

When he was twenty-five, Sam Aldrich danced with Queen Elizabeth II in London. By the time he was thirty-seven, he was marching with Martin Luther King Jr. in Selma. Recounting the journey between and beyond those two points, and musing over the irony of the contrast they represent, is the subject of this remarkable and entertaining memoir. After a cosseted childhood in New York's silk stocking district, including weekends on Long Island's Gold Coast and summers in Dark Harbor, Maine, Aldrich was expected to follow in his father's footsteps and pursue a career in high finance. "Dancing with the queen of England was just a small function of the privileged life and family into which I was born," he writes, "and events such as this would be a regular part of my upper-class, well-traveled social life." Instead, and to his parents' chagrin, he chose decades of hard work in the public sector, serving as deputy police commissioner in New York City, director of the New York State Division for Youth, executive assistant to Governor Nelson Rockefeller, president of the Brooklyn Center of Long Island University, and commissioner of the New York State Office of Parks, Recreation and Historic Preservation, before entering teaching full-time at midlife. Illustrated with photographs from Aldrich's personal collection, this lively memoir offers personal insights into New York State politics and history. Whether working to develop an effective system for rehabilitating juvenile offenders in New York City, trying to find an environmentally sound means for development in the Hudson River Valley, or teaching public policy at SUNY's Empire State College, Aldrich shows what it means to follow one's passions and interests, and to take the gifts one has been given and use them to try to make this world a better place.

The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne considers the life and times of the dancer known as Mr Isaac, performer, teacher and creator of prestigious dances for performance at the royal court. Includes facsimiles and discussion of his surviving dances and their context.

After the battle of Orakau in 1864 and the end of the war in the Waikato, Tawhiao, the second Maori King, and his supporters were forced into an armed isolation in the Rohe Potae, the King Country. For the next twenty years, the King Country operated as an independent state - a land governed by the Maori King where settlers and the Crown entered at risk of their lives.Dancing with the King is the story of the King Country when it was the King's country, and of the negotiations between the King and the Queen that finally opened the area to European settlement. For twenty years, the King and the Queen's representatives engaged in a dance of diplomacy involving gamesmanship, conspiracy, pageantry and hard headed politics, with the occasional act of violence or threat of it. While the Crown refused to acknowledge the King's legitimacy, the colonial government and the settlers were forced to treat Tawhiao as a King, to negotiate with him as the ruler and representative of a sovereign state, and to accord him the respect and formality that this involved. Colonial negotiators even made Tawhiao offers of settlement that came very close to recognising his sovereign authority.Dancing with the King is a riveting account of a key moment in New Zealand history as an extraordinary cast of characters - Tawhiao and Rewi Maniapoto, Donald McLean and George Grey - negotiated the role of the King and the Queen, of Maori and Pakeha, in New Zealand.

In the Central Himalayan region of Garhwal, the gods (devtas) enjoy dancing. Musicians - whether ritual specialists or musical specialists - are therefore an indispensable part of most entertainment and religious events. In shamanistic ceremonies, their incantations, songs and drumming 'make' the gods possess their mediums. In other contexts, such as dramatic theatrical renditions of stories of specific deities, actors 'dance' the role of their character having become possessed by the spirit of their character. Through the powerful sounds of their drumming, musicians cause the gods to dance. Music, and more particularly musical sound, is perceived in Garhwal as a powerful force. Andrew Alter examines music and musical practice in Garhwal from an analytical perspective that explores the nexus between musical sounds and performance events. He provides insight into performance practice, vocal techniques, notions of repertoire classification, instruments, ensembles, performance venues, and dance practice. However, music is not viewed simply as a system of organized sounds such as drum strokes, pitch iterations or repertoire items. Rather, in Garhwal, the music is viewed as a system of knowledge and as a system of beliefs in which meaning and spirituality become articulated through potent sound iterations. Alter makes a significant contribution to the discipline of ethnomusicology through a detailed documentation of musical practice in the context of ritual events. The book offers a traditionally thorough historical-ethnographic study of a region with the aim of integrating the local field-based case studies of musical practices within the broader Garhwali context. The work contains invaluable oral data, which has been carefully transliterated as well as translated. Alter blends a carefully detailed analysis of drumming in conjunction with the complex ritual and social contexts of this sophisticated and semantically rich musical practice.

First published in 1805, The Queen of Hearts is a beloved children's book that has been enjoyed by generations of readers. This charming tale features beautiful illustrations and a whimsical story that will capture the imaginations of children and adults alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.