Daniel James Mysteries

An assassin? In Devanville? Who would ever believe that anyone in Devanville would hire a hitman? Daniel found it hard to believe that someone in this quiet, peaceful town that he had come to love so much would actually do such a thing, much less even know how. Yes, there were the routine murders that had increased in the past year that he attributed to the stress that the foreclosures had put on so many families when the Denim Company outsourced to another country, but to actually hire an assassin? Daniel could hardly believe what the evidence was showing them, but it was clear. He usually worked alone but was glad to have Gavin for a partner on this one as there were occasions that required a second officer, and Gavin was proving to be a good detective. Daniel barely has time to sleep before a call comes in sending him out to another crime scene. Who is this assassin that stays one step ahead of Devanville’s finest, and why is he staying in this small, tight knit community?

Daniel was third generation law enforcement and proud of it. In the five years Daniel had been in Devanville, there had been very few major crimes. But something told him things were about to change. He hated to leave his parents, but he didn’t miss the city where he was raised. He much preferred the small-town way of life anytime. As he sensed, it didn’t take long for the change to come about as the body of a homeless man was found in the snow just blocks from the Shelter of Good Hope. Who was this poor homeless person? Why would anyone want to murder such a pitiful old man who possessed nothing worth killing him for? Daniel had more questions than answers, and as he searched for the murderer who was killing the homeless of Devanville, he learned there were more surprises in store.

A deep investigation into historical documents that prove the notorious outlaw Jesse James faked his own death • Presents the legend of Jesse James and counters it with the real story, based on family records • Provides photographic evidence, a journal of Jesse James’s, and historical records that prove James faked his death, verified by experts and civic authorities • Debunks the 1995 DNA test results of James’s supposed remains The story of the notorious outlaw Jesse James’s assassination at the hands of Robert Ford has been clouded with mystery ever since its inception. Now, James’s great-great-grandchildren Daniel and Teresa Duke present the results of more than 20 years of exhaustive research into state and federal records, photographs, newspaper reports, diaries, and a 1995 DNA test in search of the truth behind Jesse James’s demise. Explaining how the accepted version of the history of Jesse James is wrong, the authors confirm their family’s oral tradition that James faked his own death in 1882 and lived out his remaining days in Texas. They methodically unravel the legend surrounding his death, with evidence vetted by qualified experts and civic authorities. They share the journal of their great-great-grandfather, kept from 1871 to 1876 and verified to be written in James’s handwriting. They reveal forensically confirmed photographs of James before and after his supposed killing, including one of James attending his own funeral. Examining James’s life both before and after his faked death, they provide an account of where he lived and who he associated with, including his interactions with secret societies. They compare the contradictory newspaper reports of James’s death with accounts by his family and associates, which support that the man buried as James was actually his cousin, and reveal how James tricked authorities into believing he had been killed. Further supporting their claim, the authors debunk the DNA test results of the exhumation of James’s body in 1995. The Dukes detail the ways in which the test was fraudulent, an assertion supported by the deputy counselor for Clay County at the time of the testing. Backed by a wealth of evidence, the descendants of Jesse James conclusively prove what really happened to America’s Robin Hood.

Thirty years after James Hamilton was forcibly migrated to New Zealand as an orphan child, an unexpected inheritance draws him back to Cornwall, where he stumbles on a long-dormant WWII secret concealed in the shared memory of the small fishing village he once considered home. Mystery deepens when James begins clearing out the cottage he has inherited and uncovers a bundle of letters that imply the owner of the cottage, a retired lieutenant commander in the Royal Navy, participated in a clandestine operation that has remained suppressed in the core of the village and has direct links to James’s true identity. Determined to get to the truth of his past, James digs into the background and context of the letters he’s found and it’s more disturbing than he ever imagined. His attempts to unravel the past reveal a shadowy world of British Intelligence, the French Maquis and Nazi sympathisers within Allied ranks. Against the backdrop of WWII exploits spanning North Africa and France, Operation Traction is a story of divided loyalties and extreme courage. A story of love, of deceit and of sacrifice.

On September 1, 1894 two forest fires converged on the town of Hinckley, Minnesota, trapping over 2,000 people. Daniel J. Brown recounts the events surrounding the fire in the first and only book on to chronicle the dramatic story that unfolded. Whereas Oregon's famous "Biscuit" fire in 2002 burned 350,000 acres in one week, the Hinckley fire did the same damage in five hours. The fire created its own weather, including hurricane-strength winds, bubbles of plasma-like glowing gas, and 200-foot-tall flames. In some instances, "fire whirls," or tornadoes of fire, danced out from the main body of the fire to knock down buildings and carry flaming debris into the sky. Temperatures reached 1,600 degrees Fahrenheit--the melting point of steel. As the fire surrounded the town, two railroads became the only means of escape. Two trains ran the gauntlet of fire. One train caught on fire from one end to the other. The heroic young African-American porter ran up and down the length of the train, reassuring the passengers even as the flames tore at their clothes. On the other train, the engineer refused to back his locomotive out of town until the last possible minute of escape. In all, more than 400 people died, leading to a revolution in forestry management practices and federal agencies that monitor and fight wildfires today. Author Daniel Brown has woven together numerous survivors' stories, historical sources, and interviews with forest fire experts in a gripping narrative that tells the fascinating story of one of North America's most devastating fires and how it changed the nation.

A NEW YORK TIMES BESTSELLER One of NPR's "Books We Love" of 2021 Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography Winner of the Christopher Award “Masterly. An epic story of four Japanese-American families and their sons who volunteered for military service and displayed uncommon heroism… Propulsive and gripping, in part because of Mr. Brown’s ability to make us care deeply about the fates of these individual soldiers...a page-turner.” – Wall Street Journal From the #1 New York Times bestselling author of The Boys in the Boat, a gripping World War II saga of patriotism and resistance, focusing on four Japanese American men and their families, and the contributions and sacrifices that they made for the sake of the nation. In the days and months after Pearl Harbor, the lives of Japanese Americans across the continent and Hawaii were changed forever. In this unforgettable chronicle of war-time America and the battlefields of Europe, Daniel James Brown portrays the journey of Rudy Tokiwa, Fred Shiosaki, and Kats Miho, who volunteered for the 442nd Regimental Combat Team and were deployed to France, Germany, and Italy, where they were asked to do the near impossible. Brown also tells the story of these soldiers' parents, immigrants who were forced to submit to life in concentration camps on U.S. soil. Woven throughout is the chronicle of Gordon Hirabayashi, one of a cadre of patriotic resisters who stood up against their government in defense of their own rights. Whether fighting on battlefields or in courtrooms, these were Americans under unprecedented strain, doing what Americans do best—striving, resisting, pushing back, rising up, standing on principle, laying down their lives, and enduring.

LATE NIGHT, EARLY MOURN-ING SAT-HER-DAY I wrote this book of prose n poems after I moved to Cape Cod to take a job n live by the ocean after leaving the Maine-lands with 7 years of bar hoping, basket passing coffee houses, walking the cobblestone parking lot of Portland, Maine where I saw poetry in motion three hundred and sixty five days per year and I walked naked and flowing in the moment all over that beautiful city. Of course it takes true happiness to write happy and snappy and low down blues to play this game. "DANIEL JAMES WEBB" is a book of poems n prose n journal-eskkk freight train rambles. It stars the true American boy as our narrator and through his experiences and visions and illuminations, we walk across American culture where it belongs, in the mind of a sharp, cynical, angry, mad, existing poet of the mountains. This blue book blows bugles n balcony riddles, crying in the midnight moonlight trying for so many years to please the paper, the people, the mind, the love struck poet in Cape Cod puddles, babe, drunk without worry or wicked sins deep down in six feet of ground, boy, cause I've got a woman I can love. Lord, Lord, tell the whole world what I can do! I've been so wild baby! It seems the talks all over town -Daniel James Webb Cape Cod, Ma

A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture. Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence--and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.