Danish Golden Age

A vibrant survey of visual culture in Golden Age Denmark (1801-1864).

Published in conjunction with an exhibition organized by the Los Angeles County Museum of Art and the Metropolitan Museum of Art, this volume presents full-page, color reproductions (each accompanied by a biography and commentary) of 105 early 19th-century paintings by 17 Danish artists--landscapes, marines, portraits, scenes of everyday life, and figure studies--clearly linked to the mainstream of Northern Romanticism. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR

The historical circumstances of the Danish Golden Age are well known: the Napoleonic Wars, the bombardment of Copenhagen, the state bankruptcy in 1814 with the ensuing financial crisis, the Revolution of 1848, and the establishment of a parliamentary democracy in 1849. There were peasant reforms, religious upheavals, and changes in class and social structures. These events constituted the milieu in which the Golden Age was born and developed. The guiding idea of the present volume is that these different crises served not just as a backdrop or as obstacles but rather as catalysts for the flowering of culture in the Golden Age. Despite their many debates and polemics among themselves, the leading figures of Golden Age Denmark were generally in agreement about the fact that their age was in a state of crisis. The dramatic events spilled over into the various cultural spheres and shaped them in different ways. The articles in this volume trace the different crises as they appear in literature, criticism, religion, philosophy, politics and the social sciences. The contributing authors draw compelling parallels between the perceived crisis of the Golden Age and the acute issues of our own day. The articles collected here thus together show the continuing relevance of the Golden Age for readers of the 21st century.

"This broad, interdisciplinary work explores the little recognized contributions of women to the cultural life of the Danish Golden Age. Featuring chapters on the novelist Thomasine Gyllembourg, the actress Johanne Luise Heiberg and the feminist writer Mathilde Fibiger, this text spans three generations of women from the early to the late Golden Age and indeed beyond. Further it treats the notions about what was considered the proper role of women in Danish society at the time, including the views of male authors such as Søren Kierkegaard and Hans Lassen Martensen. This work provides a fascinating panorama of personalities, literary texts, theater performances, art works and social-political debates, which collectively give the reader a rich appreciation of the importance of women for the age."--Publisher's website.

"... the most important contribution to Kierkegaard studies to be published in English in recent years.... Not only is it a fascinating, surprising, and perceptive study of Kierkegaard within his time and world, Kirmmse has produced a research resource, a reference work, that is simply without parallel or equal." --Michael Plekon "It is a rare work of philosophy that not only clarifies its subject but also places it within an intellectual and historical context. In his study of 19th-century Danish philosopher Kierkegaard, Kirmmse accomplishes both, setting a standard... " --Library Journal "... an outstanding contribution to Kierkegaard research... The book is intellectual history of the highest calibre." --So slash]ren Kierkegaard Newsletter "This excellent book is recommended for all collections on Kierkegaard... For all readers." --Choice "This richly researched and readable book supplies an important contribution to the widespread reappropriation of Kierkegaard's thought currently taking place." --Theology Today "This book is a tour de force in intellectual history." --Review of Metaphysics "Kirmmse's book is a major work of scholarship that confers on Kierkegaard's social and intellectual universe a depth and a richness of detail that will permanently alter the familiar stereotypes about Kierkegaard's isolation from his fellow Danes and his supposedly fanatical campaign against philistine Denmark and its corrupt state church." --American Historical Review Against the background of Denmark's evolution from a mercantile economy to a broad-based agricultural economy, Kirmmse reinterprets Kierkegaard's thought as a reaction to the tensions within his society.

Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.