Dante And Epicurus

"Dante and Epicurus seem poles apart. Dante, a committed Christian, depicted in the Commedia a vision of the afterlife and God's divine justice. Epicurus, a pagan philosopher, taught that the soul is mortal and that all religion is vain superstition. And yet Epicurus is, for Dante, not only the quintessential heretic but an ethical ally. The key to this apparent paradox lies in the heterodox dualism - between man's two goals of secular felicity and spiritual beatitude - at the heart of Dante's ethical, political and theological thought. Corbett's full-length treatment of Dante's reception and polemical representation of Epicurus addresses a major gap in the scholarship. Furthermore the study's focus on fault lines in Dante's vision of the afterlife- where the theological tensions implicit in his dualism surface - opens a new way to read the Commedia as a whole in dualistic terms."

Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.

Presents a verse translation of Dante's "Inferno" along with ten essays that analyze the different interpretations of the first canticle of the "Divine Comedy."

Tackles specific issues in the Divine Comedy that seem particularly alien to modern ways of thinking and renders them compelling.

This book provides a recipe for healthy moral and personal transformation. Belliotti takes seriously Dante’s deepest yearnings: to guide human well-being; to elevate social and political communities; to remedy the poisons spewed by the seven capital vices; and to celebrate the connections between human self-interest, virtuous living, and spiritual salvation. By closely examining and analyzing five of Dante’s more vivid characters in hell—Piero della Vigna, Brunetto Latini, Farinata degli Uberti, Cavalcante de’ Cavalcanti, and Guido da Montefeltro—and extracting the moral lessons Dante intends them to convey, and by conceptually analyzing envy, arrogance, pride, and human flourishing, the author challenges readers to interrogate and refine their modes of living.

Dante Alighieri is one of the greatest poets in world history. His brilliant epic, "The Divine Comedy", an imagined journey through Heaven, Hell, and Purgatory, continues to captivate readers. This work provides an information on his life and work. It covers Dante's canon, including his love poems in "La Vita Nuova" and his philosophical works.

This book is devoted to a full and lucid exposition of Boyde's ideas. In the first two parts, the author presents a systematic account of the universe as Dante accepted it, and explains the processes of 'creation' and 'generation' as they operate in the non-human parts of the cosmos. Dr Boyde then shows how the two processes combine in Dante's theory of human embryology, and how this combination affects the issues of love, choice and freedom. The third and last part of the book consolidates these expository sections with a generous selection of quotations from Dante's authorities and from his own works in prose. At the same time, the book offers far more than a clear account of Dante's cosmology and anthropology. Dr Boyde is interested in Dante's ideas in so far as they inspired and gave shape to the Divine Comedy. Furthermore, in every chapter he demonstrates how the relevant concepts and habits of thought were transmuted into imagery, symbolism, and dramatic scenes, or simply transformed by the energy and concision of Dante's poetic style.