Dante S Decision

At Levi’s request, Dante, with misgivings, returns to the one place he swore he never would come back to—Billings, Montana. The place where he lost his wife and daughter many years ago. If returning gives him a sense of peace or at least a way to reconcile what happened so he can move on, then fine. As it is, he finds more surprises in that department than he expected. Laura needed a job. She had rent to pay and a teenager to feed. After being summarily ejected from her government-sensitive position, she was forced into teaching. But, when she sees something beyond odd in the high school website code, she knows someone has found her. Even worse, it’s likely to be the same person who messed up her life the last time. Maybe Dante can help her out, but it seems like he has bigger problems than she has, … until her world flips completely out of control, and she needs him more than ever.

Dante Alighieri, the medieval Italian lyric poet, has long been the province of right-wing scholars with conservative standards. However, recently, an English conservative prime minister changed all that (probably unbeknown to him) when he declared publicly that he believed in gay marriages because he believed in marriage, thus lifting the interdict on Dantes sexual identity, clearing it of the idealistic mist in which it had been clouded for centuries with the support of relevant texts susceptible of a loaded interpretation as if a sexual issue could demean such a genius or take anything away from the pathos of The Divine Comedy.

Welcome to the captivating journey through the life and legacy of Dante Alighieri, a name that echoes across the centuries. In this book, we'll unravel the fascinating tale of a man whose words ignited the flames of thought, bridging worlds of literature, philosophy, and culture. Dante Alighieri (May 21 or June 21, 1265 – September 13 or 14, 1321) was a renowned Italian poet and author, widely considered to be one of the greatest writers in the Italian language and one of the fathers of Italian literature. His epic poem "The Divine Comedy" is an allegorical journey through the afterlife, exploring themes of sin, redemption, and divine love. Dante Alighieri, born in the charming city of Florence, Italy, in the year 1265, was not merely a poet or writer – he was a visionary whose thoughts etched upon pages transformed the way we perceive the world. His life was woven into the fabric of an era marked by political upheaval, intellectual ferment, and spiritual quest. Imagine a young boy, with curious eyes and eager ears, soaking in the stories and lessons of his time. This humble beginning laid the foundation for a literary masterpiece that would endure the test of ages – "The Divine Comedy." Through its verses, Dante embarked on a journey of the soul, venturing through the fiery depths of Hell, the cleansing paths of Purgatory, and the celestial heights of Paradise. But Dante's journey was not confined to the realms of his imagination. It traversed the landscapes of his reality – the tumultuous politics of Florence, his exile from the city he loved, and his encounters with fellow thinkers, both friendly and hostile. Each chapter of his life is a thread intricately woven into the tapestry of human history. As we embark on this journey together, I, a historian with over four decades of exploration in the realms of history, am here to guide you. My deep-rooted knowledge and passion for unraveling the past will illuminate the corners of Dante's life that have often remained in the shadows. So, let's embark on this adventure – a voyage that will navigate through the twists and turns of Dante's life, reveal the wisdom embedded in his words, and reflect upon the relevance of his thoughts in our modern world. As we turn the pages, let us absorb the essence of a man whose influence knows no bounds, a poet whose verses continue to resonate across the ages.

Archetypal images, Carl Jung believed, when elaborated in tales and ceremonies, shape culture’s imagination and behavior. Unfortunately, such cultural images can become stale and lose their power over the mind. But an artist or mystic can refresh and revive a culture’s imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, carefully establishing the date at which it came to him (Good Friday, 1300), and maintaining the perspective of that time and place, throughout the work, upon unfolding history. Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche. Some of Dante’s innovations (admission of virtuous pagans to Limbo) and individualized scenes (meeting personal friends in the afterlife) more likely spring from unconscious inspiration than conscious didactic intent. For modern readers, a focus on Dante’s personal dream-journey may offer the best way into his poem.

Musa's extensive annotation as well as his prose introduction to each of the cantos reveal the hand of the careful scholar and craftsman.

Translation and commentary are often associated with institutions and patronage; but in Italy around the time of Dante, widespread vernacular translation was mostly on the spontaneous initiative of individuals. While Dante is usually the starting point for histories of vernacular translation in Europe, this book demonstrates that The Divine Comedy places itself in opposition to a vast vernacular literature already in circulation among its readers. Alison Cornish explores the anxiety of vernacularization as expressed by translators and contemporary authors, the prevalence of translation in religious experience, the role of scribal mediation, the influence of the Italian reception of French literature on that literature, and how translating into the vernacular became a project of nation-building only after its virtual demise during the Humanist period. Vernacular translation was a phenomenon with which all authors in thirteenth- and fourteenth-century Europe - from Brunetto Latini to Giovanni Boccaccio - had to contend.

Humor and Evil proposes a new approach to invective and comic poetry in Italy during the thirteenth and fourteenth centuries and opens the way for an innovative understanding of Dante’s masterpiece. The Middle Ages in Italy offer a wealth of vernacular poetic invectives—polemical verses aimed at blaming specific wrongdoings of an individual, group, city or institution— that are both understudied and rarely juxtaposed. Modern criticism has generally viewed these poems as disengaged from concrete issues, and as a marginal form of recreation with little ethical value. Also, no study has yet provided a scholarly examination of the connection between this medieval invective tradition, and its elements of humor, derision, and reprehension in Dante’s Comedy. This book argues that these comic texts are rooted in and actively engaged with the social, political, and religious conflicts of their time. Political invective has a dynamic ethical orientation that is mediated by a humor that disarms excessive hostility against its individual targets, providing an opening for dialogue. While exploring medieval comic poems by Rustico Filippi (from Florence), Cecco Angiolieri (from Siena), and Folgore da San Gimignano, this study unveils new biographical data about these poets retrieved from Italian state archives (most of these data are published here in English for the very first time), and ultimately shows what the medieval invective tradition can add to our understanding of Dante’s Comedy.

Dante's New Life of the Book examines Dante's Vita nuova through its transformations in manuscripts, printed books, translations, and adaptations. Eisner investigates how these different material manifestations participate in the work, drawing attention to its distinctive elements.