Dante S Vita Nuova And The New Testament

A vivid reimagining of the Vita nuova as a revolution in poetry and a revelation of divine destiny through love.

This volume provides the first systematic study of the translation and reception of Dante’s Vita Nova in the Anglophone world, reconstructing for the first time the contexts and genesis of its English-language afterlife from the early nineteenth century to the present day. Dante is one of the foremost authors of the Western canon, and his Vita Nova has been repeatedly translated into English over the past two centuries. However, there exists no comprehensive account of the critical, scholarly, and creative English-language reception of Dante’s work. This collection brings together scholars from Dante studies, translation studies, English studies, and book history to examine the translation and reception of the Vita Nova among modern English-speaking publics, in both academic and non-academic contexts, and thus represents a major contribution to Dante studies. The Afterlife of Dante’s Vita Nova in the Anglophone World will be an essential reference point for scholars and students in English and Italian studies, literary and cultural studies, and translation and reception studies in the UK, Ireland, the USA, and Italy, where Dante is taught and researched.

DANTE ALIGHIERI: THE VITA NUOVA Dante Alighieri s Vita Nuova is his Book of Memory, the poetic account of his love for Beatrice Portinari. It is one of the great poetry books of love in world literature. The Vita Nuova or New Life draws on (and is part of) the dolce stil novo, the sweet style of Italian poets such as Guido Cavalcanti, Guido Guinicelli, Cino da Pistoia and other stilnovisti. Dante was an admirer of love poetry (he praised Arnaut Daniel in the Divina Commedia). Among the influences on the Vita Nuova are, of course, the Bible (in particular the Psalms, the Song of Songs, Jeremiah s Lamentations and Christ s Passion). Other influences, apart from Classical thinkers, are Aelred of Rievaulx s De spirituali amicitia, and Peter of Blois s Deamicitia christiana. Classical and earlier writers whom Dante read included Cicero (De amicitia) and Boethius (De consolatione). The Vita Nouva, though, stands on its own in mediaeval literature. There is nothing else quite like it. Whereas Peter Abelard produced passionate self-exculpation and Boethius was facing death, Dante wrote a creative autobiography, a record of his love and creative life up until the year 1294. Dante first met Beatrice at a party given by her father Folco Portinari, the Florentine banker, on Mayday, 1274. He was nearly nine; she was nearly eight. She was wearing a red dress, and was known as Bice, a shortened form of Beatrice. The Vita Nuova relates the Dante-poet s experience of Beatrice in 25 sonnets, ballata, three canzoni and two incomplete canzoni consisting of one stanza and two stanzas in length. The Vita Nuova was the first book to link together poems and a prose commentary of an autobiographical and critical nature. The mixture of prose and poetry was known in mediaeval times as a prosimetrum narrative. Includes the Italian text and an English translation, plus an introduction and bibliography. "

This original volume proposes a novel way of reading Dante’s Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O’Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell’Oso, and Anne C. Leone.

This Is A New Release Of The Original 1922 Edition.

Reproduction of the original: The New Life by Dante Alighieri