Dark Cloister

Romances were among the most popular books in the sixteenth and seventeenth centuries among both Protestant and Catholic readers. Modeled after Catholic narratives, particularly the lives of saints, these works emphasized the supernatural and the marvelous, themes commonly associated with Catholicism. In this book, Tiffany Jo Werth investigates how post-Reformation English authors sought to discipline romance, appropriating its popularity while distilling its alleged Catholic taint. Charged with bewitching readers, especially women, into lust and heresy, romances sold briskly even as preachers and educators denounced them as papist. Protestant reformers, as part of their broader indictment of Catholicism, sought to redirect certain elements of the Christian tradition, including this notorious literary genre. Werth argues that through the writing and circulation of romances, Protestants repurposed their supernatural and otherworldly motifs in order to “fashion,” as Edmund Spenser wrote, godly "vertuous" readers. Through careful examinations of the period’s most renowned romances—Sir Philip Sidney’s The Countess of Pembrokes Arcadia, Spenser’s The Faerie Queen, William Shakespeare’s Pericles, and Lady Mary Wroth’s Urania—Werth illustrates how post-Reformation writers struggled to transform the literary genre. As a result, the romance, long regarded as an archetypal form closely allied with generalized Christian motifs, emerged as a central tenet of the religious controversies that divided Renaissance England.

On Elise Friedman's eighth birthday, she lost her mother and any connection to her mysterious past. Now a young woman in college, Elise is traveling to her homeland of Germany to uncover her family's past, but what she finds is much more harrowing than she ever suspected.

Includes reports, etc., of the Society.

I joined the Cloister to find the truth. But I've discovered so much more, and the darkness here is seducing me, pulling me down until all I can think of is him. Adam Monroe, the Prophet's son, a dark prince to an empire that grows by the day. He is tasked with keeping me safe from the wolves of the outside world. But the longer I stay at the Cloister, the more I realize the wolves are already inside and under the Prophet's control. If Adam discovers the real reason I'm here, he'll bay for my blood with the rest of them. Until then, I will be Delilah, an obedient servant of the Prophet during the day and Adam's Maiden at night.