Dark Heritage In Contemporary Japan

This book examines civic activism to conserve dark heritage built by the colonial and wartime labor regime in contemporary Japan. Introducing and analyzing local organizations and their activities in multiple locations throughout Japan, this book looks at the ways in which the Japanese have remembered, negotiated, and re-experienced their wartime past. Drawing insights from disciplines including critical heritage studies, social movements, the history of colonialism, imperialism, and decolonization, the book brings into focus the Japanese civic activism which confronts the legacies of the wartime labor regime operated throughout the colonial empire. By tracing the formation of grassroots movements to conserve war-related sites throughout Japan, it argues that reclaiming places for plural war memories bequeathed by colonial empire has been pivotal in creating public spaces for civic activism attentive to identities and differences in contemporary Japan. Delving into the multilayered connections between the memories of imperial wars, colonial empire, and place-based politics in postwar Japan, this book will be a valuable resource to students and scholars of colonialism, heritage studies and Japanese history.

"This book examines civic activism to conserve dark heritage built by the colonial and wartime labor regime in contemporary Japan. Introducing and analysing local organizations and their activities in multiple locations throughout Japan, this book looks at the ways in which the Japanese have remembered, negotiated and re-experienced its wartime past. Drawing insights from disciplines including critical heritage studies, social movements, the history of colonialism, imperialism and decolonization the book brings into focus the Japanese civic activism which confronts the legacies of wartime labour regime operated throughout the colonial empire. By tracing the formation of grassroots movements to conserve war-related sites throughout Japan, it argues that reclaiming places for plural war memories has been pivotal in creating public spaces for civic activism attentive to identities and differences in contemporary Japan. Delving into the multilayered connections between the memories of imperial wars, colonial empire and place-based politics in postwar Japan, this book will be a valuable resource to students and scholars of Colonialism, Heritage Studies and Japanese History"--

This book examines contemporary debates on such concepts as national literature, world literature, and the relationship each of these to translation, from the perspective of modern Japanese fiction. By reading between the gaps and revealing tensions and blind spots in the image that Japanese literature presents to the world, the author brings together a series of essays and works of fiction that are normally kept separate in distinct subgenres, such as Okinawan literature, zainichi literature written by ethnic Koreans, and other “trans-border” works. The act of translation is reimagined in figurative, expanded, and even disruptive ways with a focus on marginal spaces and trans-border movements. The result decentres the common image of Japanese literature while creating connections to wider questions of multilingualism, decolonisation, historical revisionism, and trauma that are so central to contemporary literary studies. This book will be of interest to all those who study modern Japan and Japanese literature, as well as those working in the wider field of translation studies, as it subjects the concept of world literature to searching analysis.

This book presents a scholarly investigation of the development and culture of Japanese videogame arcades, both from a historical and contemporary point of view. Providing an overview of the historical evolution of public amusement spaces from the early rooftop amusement spaces from the early nineteenth century to the modern multi‐floor and interconnected arcade complexes that characterize the urban fabric of contemporary Japan, the book argues that arcade videogames and their associated practices must be examined in the context in which they are played, situated in the interrelation between the game software, the cabinets as material conditions of play, and the space of the venue that frames the experience. Including three case studies of distinct and significant game centres located in Tokyo and Kyoto, the book addresses of play in public, including the notion of performance and observation as play practices, spatial appropriation, as well as the compartmentalization of the play experience. In treating videogames as sets of circumstances, the book identifies the opportunities for ludic practices that videogame arcades provide in Japan. As such, it will appeal to students and scholars of Game Studies and Digital Media Studies, as well as those of Japanese Culture and Society.

This book presents essays exploring the ways in which popular culture reflects and engenders ongoing changes in Japan–Korea relations. Through a broad temporal coverage from the colonial period to the contemporary, the book’s chapters analyse the often contradictory roles that popular culture has played in either promoting or impeding nationalisms, regional conflict and reconciliations between Japan and Korea. Its contributors link several key areas of interest in East Asian Studies, including conflicts over historical memories and cultural production, grassroots challenges to state ideology, and the consequences of digital technology in Japan and South Korea. Taking recent discourse on Japan and South Korea as popular cultural superpowers further, this book expands its focus from mainstream entertainment media to the lived experience of daily life, in which sentiments and perceptions of the "popular" are formed. It will be useful to students and scholars of Japanese and Korean studies, as well as film studies, media studies and cultural studies more widely. Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Red and Yellow, Black and Brown gathers together life stories and analysis by twelve contributors who express and seek to understand the often very different dynamics that exist for mixed race people who are not part white. The chapters focus on the social, psychological, and political situations of mixed race people who have links to two or more peoples of color— Chinese and Mexican, Asian and Black, Native American and African American, South Asian and Filipino, Black and Latino/a and so on. Red and Yellow, Black and Brown addresses questions surrounding the meanings and communication of racial identities in dual or multiple minority situations and the editors highlight the theoretical implications of this fresh approach to racial studies.

Based on a transnational study of decommissioned, postcolonial prisons in Taiwan (Taipei and Chiayi), South Korea (Seoul), and China (Lushun), this book offers a critical reading of prisons as a particular colonial product, the current restoration of which as national heritage is closely related to the evolving conceptualization of punishment. Focusing on the colonial prisons built by the Japanese Empire in the first half of the twentieth century, it illuminates how punishment has been considered a subject of modernization, while the contemporary use of prisons as heritage tends to reduce the process of colonial modernity to oppression and atrocity – thus constituting a heritage of shame and death, which postcolonial societies blame upon the former colonizers. A study of how the remembering of punishment and imprisonment reflects the attempts of postcolonial cities to re-articulate an understanding of the present by correcting the past, Heritage, Memory, and Punishment examines how prisons were designed, built, partially demolished, preserved, and redeveloped across political regimes, demonstrating the ways in which the selective use of prisons as heritage, reframed through nationalism, leaves marks on urban contexts that remain long after the prisons themselves are decommissioned. As such, it will appeal to scholars of sociology, geography, the built environment, and heritage with interests in memory studies and dark tourism.

This book examines the making of heritage in contemporary Japan, investigating the ways in which particular objects, practices and institutions come to be seen as forms of heritage which are ascribed public recognition and political significance.