De Best Verzorgde Boeken 2019

This year a total of 295 entries were assessed for their distinctive qualities by a panel of experts looking for outstanding work in areas such as content, design, picture editing, typography, choice of materials, printing, and binding. The ?Best Dutch Book Designs 2019? presents a comprehensive overview of the 33 selections made during this difficult yet rewarding process. The catalogue includes detailed information about each publication, its technical execution, and unique insights into the significant aspects that made each one a cut above the rest. 00Exhibition: Stedelijk Museum, Amsterdam, The Netherlands (03.10.-01.11.2020).

No one demands that people move to cities; people tend to do so, on their own. People choose to move to cities for opportunity. Such choices are often made unconsciously, as they are based on rules, traditions, and local communities–or a combination of all three. Un-Conscious-City explores and unravels Dutch architect Wiel Arets’ kaleidoscopic viewpoints on the ways the collective, unconscious decisions taken by the world’s citizens throughout time–a process that remains invisible to the naked eye–are now working to transform and shift the physical, sensory, and emotional experiences of human beings, as they navigate and live in today’s metropolises as well as the countryside. People tend to only belong to one religion, one society, or one club–which completely defines their existence. One day most human beings will live in a global­nomadic-urban-condition; this will soon be amplified to unknown heights. Un-Conscious-City raises questions, predicaments, and ideals regarding the future of our cities, while recognizing their limitations. Wiel Arets–renowned architect, writer, and thinker–identifies this condition as the Un-Conscious-City.

"The expansive areas around large airports, affected by noise, infrastructure, and transient forms of architecture, have until now not been researched as a phenomenon. But these noise landscapes are emerging worldwide, often surpassing the neighbouring city in size, and sometimes rivalling it in economic importance. On the basis of eight European case studies (Amsterdam, Zurich, London-Heathrow, Frankfurt, Munich, Madrid and the two Paris airports) this book provides the first account of how these landscapes emerged as the result of technical determinations, what is taking place in them, and how they can be interpreted."--Back cover.

"The Palace of Typographic Masonry is dedicated to the splendour and diversity of the graphic languages. Founded by Dutch graphic designer Richard Niessen, this imaginary building serves as a speculative platform for the variety, poetry and digressions of graphic design. The Palace presents the craft in an interdisciplinary cultural historical context and posits a new theory for the profession. Join us on a tour that takes you past more than 360 Palace 'exhibits'. A progress through nine stages: the departments of Sign, Symbol and Ornament; Construction, Poetics and Play; Order, Craft and Practice. Philosopher and writer Dirk van Weelden will serve you as your guide, offering his reflections on the items on display and introducing you to the people we meet when we enter a room"--Publisher's website.

Dutch photographer Bick presents a unique photographic view of the plenary chambers where the European democracy is actually realized. The book features photographs of the plenary chamber in the parliaments of the 28 European Union member states and the two European Parliaments in Brussels and Strasbourg.

This publication by De Vleeshal and MER. Paper Kunsthalle is realised in the framework of the past exhibition "Published by MER. Paper Kunsthalle" held at De Kabinetten van de Vleeshal, the Netherlands (October - December 2013). It features talks between Lorenzo Benedetti (then curator of De Vleeshal) and Luc Derycke (publisher) about art, books and artists' books.0.

As a child, architect Arna Mačkic experienced firsthand the Bosnian civil war, and with her family she fled her native country for the Netherlands. In 1999, she was able to visit bosnia and the city of Mostar again for the first time to witness the utter devastation--the war had left seventy percent of the buildings destroyed. This experience inspired Mačkic's research to explore the emotional effects of war damage on a city's inhabitants and the possibilities for rebuilding collective and inclusive identities through architecture. Mortal Cities and Forgotten Monuments tells a moving story of architecture and history. The first two parts of the book provide historical background on the war in Bosnia and its relationship to the built environment of the region. The final section demonstrates Mačkic's ideas for architectural interventions, applying a new design language that goes beyond political religious, or cultural interpretations--an openness that allows it avoid tensions and claims of truth without ignoring or denying the past. Using this as a foundation, she proposes designs for urban and public space that are simultaneously rooted in ancient traditions while looking toward the future.

In the vicinity of the port of Calais there is an area of a few hundred square meters, known as the 'jungle'. The inhabitants of this area (by default we call them refugees, asylum seekers, illegal immigrants, immigrants) have travelled many miles to come here and still their journey is not finished.