Death And Burial In Socialist Yugoslavia

"Across the globe, memorial and grave sites are being increasingly weaponized in conflicts and politicized by parties to advance agendas. Here, Carol S. Lilly examines ideas of death, politics, memory, ideology and nationalism in the former Yugoslav republics of Bosnia-Hercegovina, Croatia, and Serbia to shine fresh light on cemetery culture in 20th-century Europe. More specifically, Death and Burial in Socialist Yugoslavia investigates how the Communist Party of Yugoslavia created its own communities of the dead by implementing cemetery policies which reinforced their ideals of secularism, pluralism, brotherhood, and unity. However, in doing so the communist regime left the previous system of ethno-religious segregation in place and further isolated Catholics, Orthodox, Muslims and Jews who continued to be buried in separate locations. This in turn further politicized burial rites and exacerbated tensions between different ethno-religious communities. As a result, by the time Yugoslavia disintegrated in the early 1990s, dead bodies and cemeteries had become a concerted weapon of war in the ongoing ethnic conflict. Ultimately, then, this timely study reveals for the first time the extent to which the communist regime not only failed to created their own communities of the dead but also further divided and alienated living communities in Yugoslavia."--.

Across the globe, memorial and grave sites are being increasingly weaponized in conflicts and politicized by parties to advance agendas. Here, Carol S. Lilly examines ideas of death, politics, memory, ideology and nationalism in the former Yugoslav republics of Bosnia & Hercegovina, Croatia, and Serbia to shine fresh light on cemetery culture in 20th-century Europe. More specifically, Death and Burial in Socialist Yugoslavia argues that while the CPY created its own communities of the dead in postwar Partisan Cemeteries, it failed to do the same for civilian cemeteries in ways that might reinforce its ideals of secularism, pluralism, and brotherhood and unity. Moreover, the communist regime left the previous system of ethno-religious segregation in place, further isolating Catholics, Orthodox, Muslims and Jews who continued to be buried in separate locations. Finally, it explicitly politicized burial rites and grave markers, making cemeteries into legitimate spaces of political discourse. As a result, by the time Yugoslavia disintegrated in the early 1990s, dead bodies and cemeteries had become a concerted weapon of war in the ongoing ethnic conflict. Ultimately, then, this timely study reveals for the first time the extent to which the communist regime not only failed to created their own communities of the dead but also further divided and alienated living communities in Yugoslavia.

Death is a topic people are reluctant to ponder. Neither is dying a process that is usually being openly discussed. However, on a variety of occasions, dying and death are on a person’s minds, under some sensitive circumstances, he or she are eager to discuss with a close person, a friend, a professional. The present volume, the second in the Series on Dying and Death, is meant to enrich personal experience of dying or death by providing its reader with knowledge and understanding of some aspects of dying or death. Section 1 describes practices of mourning, in different times and places: USA during the Civil War (Ashley Byock), the Island of Viz, between Croatia and Italy (Kathleen Young), present day Israel (Asa Kasher), medieval Serbia (Mira Crouch) and post-Holocaust USA (Paula David). Section 2 consists of reflections on mourning. It includes philosophical discussions of Friendship (Gary Peters), Grace (Dana Freibach-Heifetz), and the Other (Havi Carel), all in the context of mourning, as well as Mourning itself as a skill (Marguerite Peggy Flynn). Section 3 brings papers on culture and suicide, in early modern Holland (Laura Cruz), in historical Japan (Lawrence Fouraker), as well as in the Jazz age (Kathleen Jones). Section 4 discusses different predicaments of medics facing death and dying: terminal diagnosis (Angela Armstrong-Coster), palliative patients (Anna Taube), and the hospice setting (Elizabeth Gill).

Voices of Yugoslav Jewry emphasizes the role of history in shaping Yugoslav Jewish identity. World War II imposed irreversible effects on this population of Jews, leaving them with an acute sense of disjuncture and fragmentation. This once-unified Jewish community lost its secure place in the politico-symbolic order of a single multiethnic state, and the surviving local Jewish communities, which are now a part of new states, face the task of refashioning their identities once again. The process of creating the new Yugoslavia has allowed for the emergence of a new Jewish collective voice, one that blended harmoniously with the emerging voice of Tito. This collective voice manifested itself by using language, material culture, and dramaturgical performances in ways that exhibited high public integration with the symbolic order of the new state. In searching for the voices of individuals and listening to them closely, a wide range of diverse individual experiences and ways of constructing meaningful Jewish selves can be heard. It is these voices that constitute the core of the book.

Since 1989, scores of bodies across Eastern Europe have been exhumed and brought to rest in new gravesites. Katherine Verdery investigates why certain corpses—the bodies of revolutionary leaders, heroes, artists, and other luminaries, as well as more humble folk—have taken on a political life in the turbulent times following the end of Communist Party rule, and what roles they play in revising the past and reorienting the present. Enlivening and invigorating the dialogue on postsocialist politics, this imaginative study helps us understand the dynamic and deeply symbolic nature of politics—and how it can breathe new life into old bones.

Winner of the Lord Aberdare Literary Prize for 2018 Even before Tito's Communist Party established control over the war-ravaged territories which became socialist Yugoslavia, his partisan forces were using football as a revolutionary tool. In 1944 a team representing the incipient state was dispatched to play matches around the liberated Mediterranean. This consummated a deep relationship between football and communism that endured until this complex multi-ethnic polity tore itself apart in the 1990s. Starting with an exploration of the game in the short-lived interwar Kingdom, this book traces that liaison for the first time. Based on extensive archival research and interviews, it ventures across the former Yugoslavia to illustrate the myriad ways football was harnessed by an array of political forces. Communists purposefully re-engineered Yugoslavia's most popular sport in the tumult of the 1940s, using it to integrate diverse territories and populations. Subsequently, the game advanced Tito's distinct brand of communism, with its Cold War-era policy of non-alignment and experimentation with self-management. Yet, even under tight control, football was racked by corruption, match-fixing and violence. Alternative political and national visions were expressed in the stadiums of both Yugoslavias, and clubs, players and supporters ultimately became perpetrators and victims in the countries' violent demise. In Richard Mills' hands, the former Yugoslavia's stadiums become vehicles to explore the relationship between sport and the state, society, nationalism, state-building, inter-ethnic tensions and war. The book is the first in-depth study of the Yugoslav game and offers a revealing new way to approach the complex history of Yugoslavia.

'Death of the Father' is a comparative examination of the crises in symbolic identification and national traumas that have resulted from the defeat and/or implosion of regimes in Fascist Italy, Nazi Germany, Imperial Japan and Communist Eastern Europe.

A numerically small Jewish community helped their ethnically embattled neighbors in a neutral, humanitarian way to survive the longest modern siege, Sarajevo, in the early 1990s.