Death And Other Inconveniences

Penny Lane is brutally murdered on her thirteith birthday. In her afterlife she is chosen to work deciding the fates of murderers but must learn to survive her new world when one of the murderers escapes.

Many are haunted and obsessed by their own eventual deaths, but perhaps no one as much as Sue William Silverman. This thematically linked collection of essays charts Silverman’s attempt to confront her fears of that ultimate unknown. Her dread was fomented in part by a sexual assault, hidden for years, that led to an awareness that death and sex are in some ways inextricable, an everyday reality many women know too well. Through gallows humor, vivid realism, and fantastical speculation, How to Survive Death and Other Inconveniences explores this fear of death and the author’s desire to survive it. From cruising New Jersey’s industry-blighted landscape in a gold Plymouth to visiting the emergency room for maladies both real and imagined to suffering the stifling strictness of an intractable piano teacher, Silverman guards her memories for the same reason she resurrects archaic words—to use as talismans to ward off the inevitable. Ultimately, Silverman knows there is no way to survive death physically. Still, through language, commemoration, and metaphor, she searches for a sliver of transcendent immortality.

Many are haunted and obsessed by their own eventual deaths, but perhaps no one as much as Sue William Silverman. This thematically linked collection of essays charts Silverman’s attempt to confront her fears of that ultimate unknown. Her dread was fomented in part by a sexual assault, hidden for years, that led to an awareness that death and sex are in some ways inextricable, an everyday reality many women know too well. Through gallows humor, vivid realism, and fantastical speculation, How to Survive Death and Other Inconveniences explores this fear of death and the author’s desire to survive it. From cruising New Jersey’s industry-blighted landscape in a gold Plymouth to visiting the emergency room for maladies both real and imagined to suffering the stifling strictness of an intractable piano teacher, Silverman guards her memories for the same reason she resurrects archaic words—to use as talismans to ward off the inevitable. Ultimately, Silverman knows there is no way to survive death physically. Still, through language, commemoration, and metaphor, she searches for a sliver of transcendent immortality.

Acetylene Torch Songs is a guidebook for writers who want their honesty, social engagement, and intimacy to reach beyond the page and transform the lives of readers with searing, indelible, and unquenchable words.

Nothing can stop Armando from saving his marriage to Nina, not even his own death.

The death penalty was unusual in medieval Europe until the twelfth century. From that moment on, it became a key instrument of rule in European society, and we can study it in the case of Catalonia through its rich and varied unpublished documentation. The death penalty was justified by Roman Law; accepted by Theology and Philosophy for the Common Good; and used by rulers as an instrument for social intimidation. The application of the death penalty followed a regular trial, and the status of the individual dictated the method of execution, reserving the fire for the worst crimes, as the Inquisition applied against the so-called heretics. The executions were public, and the authorities and the people shared the common goal of restoring the will of God which had been broken by the executed person. The death penalty took an important place in the core of the medieval mind: people included executions in the jokes and popular narratives while the gallows filled the landscape fitting the jurisdictional limits and, also, showing rotten corpses to assert that the best way to rule and order the society is by terror. This book utilises previously unpublished archival sources to present a unique study on the death penalty in late Medieval Europe.

National bestselling author Lesley Crewe's new novel explores widowhood, complicated family dynamics, and growing up at any age. Well, Dick's dead. Now what? Margo, his widow, is trying to dodge the tsunami of paperwork coming her way. She doesn't want to deal with the details -- why do you think she was married in the first place? Dick always handled the drudgery. Monty, Margo's ex-husband (the first one, not the dead one), is trying to support Margo -- who seems to be finally entering adulthood at the tender age of sixty-two. Their daughter Julia knows Margo needs her, but between work complications, house complications, and genius-yet-useless son complications, Julia's gasping for air already. Dead Dick's ex-wife Carole and their daughter Velma consider a Margo a maneater thanks to a few long-ago indiscretions, so the funeral is a nightmare. Life in New Brunswick lately is a tornado of siblings, children, pets, marriages, health issues, and endless bureaucracies. And at the centre of it all is Margo, living alone for the very first time, trying to endure everyone else's judgements about the woman she is when she doesn't even know herself. Maybe a cat will help. (The cat doesn't help.) How old do you have to be to come of age? ....and has anyone seen Dick's will? With humour and heart, national bestseller Lesley Crewe walks readers through the incredibly disruptive domino effects of the death of one unremarkable man.