Death And Salvation In Ancient Egypt

"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole. Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.

Of all the ancient peoples, the Egyptians are perhaps best known for the fascinating ways in which they grappled with the mysteries of death and the afterlife. This beautifully illustrated book draws on the British Museum's world-famous collection of mummies and other funerary evidence to offer an accessible account of Egyptian beliefs in an afterlife and examine the ways in which Egyptian society responded materially to the challenges these beliefs imposed. The author describes in detail the numerous provisions made for the dead and the intricate rituals carried out on their behalf. He considers embalming, coffins and sarcophagi, shabti figures, magic and ritual, and amulets and papyri, as well as the mummification of sacred animals, which were buried by the millions in vast labyrinthine catacombs. The text also reflects recent developments in the interpretation of Egyptian burial practices, and incorporates the results of much new scientific research. Newly acquired information derives from a range of sophisticated applications, such as the use of noninvasive imaging techniques to look inside the wrappings of a mummy, and the chemical analysis of materials used in the embalming process. Authoritative, concise, and lucidly written, Death and the Afterlife in Ancient Egypt illuminates aspects of this complex, vibrant culture that still perplex us more than 3,000 years later.

Originally published by Penguin Ltd., this revised edition features unusual Egyptian artwork, striking pictures of eclipse phenomena, numerous sky-charts, and computer printouts.

"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole. Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.

Attested from the Fifth Dynasty until, and including, the Saite Period, the Tekenu is a puzzling icon depicted within funerary scenes in the tombs of some ancient Egyptian nobles. In this work four distinct types of Tekenu are identified and classified and then a Corpus Catalogue is formed.

Schweizer guides the reader through the Amduat, offering a psychological interpretation of its principal textual and iconographic elements. He draws on Jungian archetypes to identify similar expressions about the afterlife in other world cultures.

"Perhaps Hermeticism has fascinated so many people precisely because it has made it possible to produce many analogies and relationships to various traditions: to Platonism in its many varieties, to Stoicism, to Gnostic ideas, and even to certain Aristotelian doctrines. The Gnostic, the esoteric, the Platonist, or the deist has each been able to find something familiar in the writings. One just had to have a penchant for remote antiquity, for the idea of a Golden Age, in order for Hermeticism, with its aura of an ancient Egyptian revelation, to have enjoyed such outstanding success."—from the Introduction Hermes Trismegistus, "thrice-great Hermes," emerged from the amalgamation of the wisdom gods Hermes and Thoth and is one of the most enigmatic figures of intellectual history. Since antiquity, the legendary "wise Egyptian" has been considered the creator of several mystical and magical writings on such topics as alchemy, astrology, medicine, and the transcendence of God. Philosophers of the Renaissance celebrated Hermes Trismegistus as the founder of philosophy, Freemasons called him their forefather, and Enlightenment thinkers championed religious tolerance in his name. To this day, Hermes Trismegistus is one of the central figures of the occult—his name is synonymous with the esoteric. In this scholarly yet accessible introduction to the history of Hermeticism and its mythical founder, Florian Ebeling provides a concise overview of the Corpus Hermeticum and other writings attributed to Hermes. He traces the impact of Christian and Muslim versions of the figure in medieval Europe, the power of Hermeticism and Paracelsian belief in Renaissance thought, the relationship to Pietism and to Freemasonry in early modern Europe, and the relationship to esotericism and semiotics in the modern world.