Death And The King S Grey Hair And Other Plays

Death and the King’s Grey Hair and Other Plays is a collection of three plays, ‘Death and the King’s Grey Hair,’ ‘Truce with the Devil,’ and ‘Fringe Benefits,’ which are all experimental plays from the early period of the writing career of Denja Abdullahi, who is presently renowned as a poet of populist expressions. ‘Death and the King’s Grey Hair’ examines the use and misuse of absolute power based on an ancient Jukun myth of young kings and short reigns. ‘Truce with the Devil’ is a satire on the later abandonment of the creed of Marxism by its adherents, a kind of mockery of turncoat revolutionaries in the grip of practical social realities. ‘Fringe Benefits’, a radio play, is an expose of the happening in Nigeria’s ivory towers, seen from the eyes of a participant-observer.

Ahmed Yerima's play celebrates the phenomenon of twins among the Yoruba people. Orisa Ibeji is also about man's fear of death and love of life; destiny and reincarnation; and the place of the gods in human affairs. Yerima employs simple and beautiful language, dynamic characters and deft skill to navigate the labyrinth that is Orisa Ibeji

Extends the study of China's soft power into theatre studies and looks more widely at syncretic traditions evolving in other long-term historic exchanges between Asia and Africa.

He was a great and brave king who conquered and ruled three adjacent lands. One day, he divided and gave the three lands to his three commanders to go to a faraway land where he built a new kingdom, Esquil. Thirty years had passed, and the three new kings decide to assassinate his son, so he sends his agents to these kingdoms to take revenge on them and reshape the territories. Their mission is to destroy the kingdoms from inside, but their specific plans are hidden from one another.

In Soundings in Kings, international scholars examin 1 and 2 Kings as an independent work, identifying new methods and models for envisioning the social location of the authors (or redactors) of Kings, the nature of the intended audience or audiences, and the political and rhetorical implications of its construction. Soundings in Kings demonstrates the role of Kings as a cornerstone work within the Hebrew Bible, a crossroads between prophecy, poetry, wisdom, ancestral and national narrative, and ritual instruction.

This collection of E. A. Ammah's ethnographic writing includes essays, some poetry, and other documents. Created over four decades, these pieces cover a wide range of topics including Ga culture in comparative perspective, Ga social organization, Ga political structure and history, Ga life transition ceremonies, and Ga religion. The collection provides a unique cultural insider's twentieth century perspective on Ga society and history.

Originating in Tamil mythology, Cilappatikaram is the love story of Kannaki and Kovalan. Kannaki wears a circular anklet representing the power, strength and dignity of the goddess Pattini. Goddess status is bestowed upon Kannaki as her life undergoes the same fate as the anklet that is stolen and used as a weapon.