Death At The Terminus

1865. A passenger train stands ready to depart amid the bustle at York station. The flurry of passengers and porters, the swooping pigeons and barking dogs are thrown into a state of turmoil when an explosion rips through the brake van of the train killing guard Jack Follis. In response to a summons from the North Eastern Railway, Inspector Robert Colbeck and Sergeant Leeming are sent to investigate. Was it an accident, deliberate vandalism or targeted murder? The longer the investigation goes on, the more complex it becomes. With a dizzying array of suspects and motives, will the combined skills of the detectives be enough to identify and catch the culprit?

A page-turning science-fiction thriller from the author of Paradox Bound and the Ex-Heroes series. Step into the fold. It's perfectly safe. The folks in Mike Erikson's small New England town would say he's just your average, everyday guy. And that's exactly how Mike likes it. Sure, the life he's chosen isn’t much of a challenge to someone with his unique gifts, but he’s content with his quiet and peaceful existence. That is, until an old friend presents him with an irresistible mystery, one that Mike is uniquely qualified to solve: far out in the California desert, a team of DARPA scientists has invented a device they affectionately call the Albuquerque Door. Using a cryptic computer equation and magnetic fields to “fold” dimensions, it shrinks distances so that a traveler can travel hundreds of feet with a single step. The invention promises to make mankind’s dreams of teleportation a reality. And, the scientists insist, traveling through the Door is completely safe. Yet evidence is mounting that this miraculous machine isn’t quite what it seems—and that its creators are harboring a dangerous secret. As his investigations draw him deeper into the puzzle, Mike begins to fear there’s only one answer that makes sense. And if he’s right, it may only be a matter of time before the project destroys…everything. A cunningly inventive mystery featuring a hero worthy of Sherlock Holmes and a terrifying final twist you’ll never see coming, The Fold is that rarest of things: a genuinely page-turning science-fiction thriller.

1859. St Mary's Church, Spondon. A little girl playing hide-and-seek jumps into a freshly-dug grave to find a dead man already occupying it. It is the body of Cedric Norton, a senior director of the Midland Railway. Inspector Colbeck and Sergeant Leeming travel to Derbyshire to investigate.

Death has long been a pre-occupation of philosophers, and this is especially so today. The Oxford Handbook of Philosophy of Death collects 21 newly commissioned essays that cover current philosophical thinking of death-related topics across the entire range of the discipline. These include metaphysical topics--such as the nature of death, the possibility of an afterlife, the nature of persons, and how our thinking about time affects what we think about death--as well as axiological topics, such as whether death is bad for its victim, what makes it bad to die, what attitude it is fitting to take towards death, the possibility of posthumous harm, and the desirability of immortality. The contributors also explore the views of ancient philosophers such as Aristotle, Plato and Epicurus on topics related to the philosophy of death, and questions in normative ethics, such as what makes killing wrong when it is wrong, and whether it is wrong to kill fetuses, non-human animals, combatants in war, and convicted murderers. With chapters written by a wide range of experts in metaphysics, ethics, and conceptual analysis, and designed to give the reader a comprehensive view of recent developments in the philosophical study of death, this Handbook will appeal to a broad audience in philosophy, particularly in ethics and metaphysics.

In 1851, after the London to Birmingham mail train is robbed and derailed, Inspector Robert Colbeck enlists the aid of former police officer Brendan Mulryne to help him investigate the crime.

These essays discuss issues of Renaissance textuality. They explore such topics as the impact of editorial strategies and modes of presentation on our understanding of the text; and the relevance of gender to textual retrieval and preservation.

York, 1865. A passenger train stands in the station. Jack Follis, the guard, patrols the platform to make sure that everyone is safely aboard. He returns to the brake van to load a box into it. Before the train can depart, Follis is alarmed by a smell of burning. Before he can find out the cause, there is an explosion and the whole van is engulfed in flames. In response to a summons from the North Eastern Railway, Robert Colbeck and Victor Leeming are sent to investigate. Leeming is not convinced that a crime has taken place, but Colbeck disagrees. Although the information they received was scant, he is convinced that it is a murder case. The longer the investigation goes on, the more complex it becomes. Guilt shifts to and fro at a bewildering speed. It takes the combined skills of the detectives to identify and catch the person responsible for causing murder and mayhem.

Inception meets True Detective in this science fiction thriller of spellbinding tension and staggering scope that follows a special agent into a savage murder case with grave implications for the fate of mankind... “I promise you have never read a story like this.”—Blake Crouch, New York Times bestselling author of Dark Matter Shannon Moss is part of a clandestine division within the Naval Criminal Investigative Service. In western Pennsylvania, 1997, she is assigned to solve the murder of a Navy SEAL's family—and to locate his vanished teenage daughter. Though she can't share the information with conventional law enforcement, Moss discovers that the missing SEAL was an astronaut aboard the spaceship U.S.S. Libra—a ship assumed lost to the currents of Deep Time. Moss knows first-hand the mental trauma of time-travel and believes the SEAL's experience with the future has triggered this violence. Determined to find the missing girl and driven by a troubling connection from her own past, Moss travels ahead in time to explore possible versions of the future, seeking evidence to crack the present-day case. To her horror, the future reveals that it's not only the fate of a family that hinges on her work, for what she witnesses rising over time's horizon and hurtling toward the present is the Terminus: the terrifying and cataclysmic end of humanity itself. Luminous and unsettling, The Gone World bristles with world-shattering ideas yet remains at its heart an intensely human story.