Death In Hamburg

Death in Hamburg presents a graphic portrayal of a great European city struck by one of the greatest urban disasters of the century: a cholera epidemic that within six weeks left ten thousand people dead and many more suffering the appalling symptoms of this terrible disease. In seeking to discover why Hamburg alone was hit by an epidemic of such proportions, Evans ushers readers into hte often unfamiliar terrain of environmental pollution, social inequality, municipal administration, and medical science in 19th-century Europe.

"A tremendous book, the biography of a city which charts the multifarious pathways from bacilli to burgomaster." - Roy Porter, London Review of Books Why were nearly 10,000 people killed in six weeks in Hamburg, while most of Europe was left almost unscathed? As Richard J. Evans explains, it was largely because the town was a “free city” within Germany that was governed by the “English” ideals of laissez-faire. The absence of an effective public-health policy combined with ill-founded medical theories and the miserable living conditions of the poor to create a scene ripe for tragedy. The story of the “cholera years” is, in Richard Evans’s hands, tragically revealing of the age’s social inequalities and governmental pitilessness and incompetence; it also offers disquieting parallels with the world’s public-health landscape today, including the current coronavirus crisis.

In twelve nonfiction tales, Hanna Krall reveals how the lives of World War II survivors are shaped in surprising ways by the twists and turns of historical events. A paralytic Jewish woman starts walking after her husband is suffocated by fellow Jews afraid that his coughing would reveal their hiding place to the Germans. A young American man refuses to let go of the ghost of his half brother who died in the Warsaw ghetto. He never knew the boy, yet he learns Polish to communicate with his dybbuk. A high ranking German officer conceives of a plan to kill Hitler after witnessing a mass execution of Jews in Eastern Poland. Through Krall's adroit and journalistic style, her reader is thrown into a world where love, hatred, compassion, and indifference appear in places where we least expect them, illuminating the implacable logic of the surreal. "It is precisely the difficult path [Krall] takes toward her topic that has made some of these texts masterpieces." -- Frankfurter Allgemeine Zeitung (on Dancing at Other People's Weddings) "Heartbreaking, strange . . . and marvelously told." -- Die Zeit (on Proofs of Existence)

Based on more than thirty years archival research, this history of the Jewish and German-Jewish community of Hamburg is a unique and vivid piece of work by one of the leading historians of the twentieth century. The history of the Holocaust here is fully integrated into the full history of the Jewish community in Hamburg from the late eighteenth century onwards. J.A.S. Grenville draws on a vast quantity of diaries, letters and records to provide a macro level history of Hamburg interspersed with many personal stories that bring it vividly to life. In the concluding chapter the discussion is widened to talk about Hamburg as a case study in the wider world. This book will be a key work in European history, charting and explaining the complexities of how a long established and well integrated German-Jewish community became, within the space of a generation, victims of the Nazi Holocaust.

Adam of Bremen's history of the see of Hamburg and of Christian missions in northern Europe from the late eighth to the late eleventh century is the primary source of our knowledge of the history, geography, and ethnography of the Scandinavian and Baltic regions and their peoples before the thirteenth century. Arriving in Bremen in 1066 and soon falling under the tutelage of Archbishop Adalbert, who figures prominently in the narrative, Adam recorded the centuries-long campaign by his church to convert Slavic and Scandinavian peoples. His History vividly reflects the firsthand accounts he received from travelers, traders, and missionaries on the peripheries of medieval Europe.

Ansgar and Rimbert, ninth-century bishops and missionaries to Denmark and Sweden, are fixtures of medieval ecclesiastical history. Rare is the survey that does not pause to mention their work among the pagan peoples of the North and their foundation of an archdiocese centered at Hamburg and Bremen. But Ansgar and Rimbert were also clever forgers who wove a complex tapestry of myths and half-truths about themselves and their mission. They worked with the tacit approval-if not the outright cooperation-of kings and popes to craft a fictional account of Ansgar's life and work. The true story, very different from that found in our history books, has never been told: Ansgar did not found any archdiocese at all. Rather, the idea of Hamburg-Bremen only took root in the tenth century, and royal sponsorship of the mission to Denmark and Sweden ended with the death of Louis the Pious. This book couples detailed philological and diplomatic analysis with broader historical contextualization to overturn the consensus view on the basic reliability of the foundation documents and Rimbert's Vita Anskarii. By revising our understanding of Carolingian northeastern expansion after Charlemagne, it provides new insight into the political and ecclesiastical history of early medieval Europe.

Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg's cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate.