Death Of Gods

THE OLD GODS ARE DYING. Giant corporations collapse overnight. Newspapers are being swallowed. Stock prices plummet with a tweet. NEW IDOLS ARE RISING IN THEIR PLACE. More crime now happens online than offline. Facebook has grown bigger than any state, bots battle elections, coders write policy, and algorithms shape our lives in more ways than we can imagine. The Death of the Gods is an exploration of power in the digital age, and a journey in search of the new centres of control. From a cyber-crime raid in British suburbia to the engine rooms of Silicon Valley, pioneering technology researcher Carl Miller traces how power is being transformed, fought over, lost and won.

Reproduction of the original: The Death of the Gods by Dmitri Mérejkowski

Around the World, Behind Closed Doors, Operates an,Ultra Secret Business of Sex and Death. One Man,Hunts the Truth About Snuff Films,.

The Death of the Gods (1895) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. The Death of the Gods the first work in the trilogy, is followed by Resurrection of the Gods (1900) and Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Julian!’ a voice cried; ‘Julian, Julian! Where in the world is he? Eutropius is looking for you to go to church with him.’ The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy.” In The Death of the Gods, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. Despite his idealism, the inexorable current of history dooms him from the beginning. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s The Death of the Gods is a classic of Russian literature reimagined for modern readers.

Originally published by Penguin Ltd., this revised edition features unusual Egyptian artwork, striking pictures of eclipse phenomena, numerous sky-charts, and computer printouts.

Offers new observations on the persistence of God in modern times, and considers how the war on terror and a post-9/11 society has impacted atheism.

An island in the Mediterranean, a traveler's dream destination, and a nightmare for those involved in a deep-rooted crime. Philine, interpreter, single mother, and bankrupt, is forced to sell her one asset, her beloved cottage on Ibiza, when she runs into even more problems: her best friend has disappeared, a fire breaks out-and, on top of all, she is confronted with Adam, a man she, for good reason, never wanted to see again. He'd flown in from Texas to bury his sister, who supposedly committed suicide on the island, though he suspects she was murdered. When a connection between her death, Phil's disappeared friend, and more fatalities are revealed, the two ex-lovers reluctantly collaborate. "Verena Mahlow's Island of Dead Gods combines a meticulously constructed international thriller with her extensive personal exploration of Ibiza, long a magnet for bohemians, speculators and sybarites of all nationalities. Mahlow's intelligently devised, twisting plot includes much local color-cuisine, ancient sites, modern ambience-and diverse characters, an arcane coterie of goddess-worshipping proto-feminists and men treating themselves to easy, sleazy sex. Mahlow deftly moves these players toward an unexpected, explosive climax." Barbara Bamberger Scott, A Woman's Write

AN ACCLAIMED, EMMY-NOMINATED TV SERIES ON AMAZON PRIME VIDEO WINNER OF THE HUGO, LOCUS AND BRAM STOKER AWARDS 'To give him his full title: Neil Gaiman, Architect of Worlds, Svengali of Plot, Shaman of Character, Exploder of Cliché, Master Craftsman of Style, Dreamer Laureate of the Republic of Letters' DAVID MITCHELL 'Original, engrossing, and endlessly inventive' GEORGE R.R. MARTIN 'Brilliant and unique' GUARDIAN --- 'This is about the soul of America, the idea that everyone came here from somewhere' NEIL GAIMAN --- After three years in prison, Shadow Moon is free to go home. But hours before his release, his beloved wife is killed in a freak accident. Numbly, he boards a plane where he meets an enigmatic stranger who seems to know Shadow and claims to be an ancient god - and king of America. Together they embark on a profoundly strange road trip across the USA, encountering a kaleidoscopic cast of characters along the way. But all around them a storm of unnatural proportions is gathering. War is coming, an epic struggle for the very soul of America. And Shadow is standing squarely in its path. NEIL GAIMAN. WITH STORIES COME POSSIBILITIES.