Death S Jest Book

This book is Thomas Lovell Beddoes's defining text, a pastiche Renaissance tragedy replete with treachery, murder, sorcery and haunting, the extravagant expression of the poet's lifelong obsession with mortality and immortality. It is a classic of the literature of death.

Three times DCI Pascoe has wrongly accused dead-pan joker Franny Roote. This time he’s determined to leave no gravestone unturned as he tries to prove that the ex-con and aspiring academic is mad, bad, and dangerous to know. Meanwhile, Edgar Wield rides to the rescue of a child in danger, only to find he has a rent-boy with a priceless secret under his wing. DC Bowler is looking forward to a blissful New Year with the girl of his dreams. Unfortunately, her dreams are filled with a horror too terrible to tell . . . And over all this activity broods the huge form of DS Andy Dalziel. As trouble builds, the Fat Man discovers (as have many deities before him) that omniscience can be more trouble than it’s worth and that sometimes all omnipotence means is that you can have any colour you want, as long as it’s black.

This Is A New Release Of The Original 1850 Edition.

Drama. Gay and Lesbian Studies. Edited and with an introduction by Alan Halsey. This renaissance-revival comedy was first published in 1849, a year after Thomas Lovell Beddoes' death. "Beddoes called his play 'A Dithyrambic in the florid Gothic style.' Modeled on the revenge tragedies of the Jacobeans, it is sustained by a poetry of glittering surface with an ever-present undertow of death and destruction, tempered by humor deriving out of a remorseless sense of absurdity and alienation. Beddoes was certainly 'possessed by death' but death is a theme played in several keys, allowing startling reversals of common values and perspectives" -- Alan Halsey, Introduction.