Decky Does A Bronco

Decky Does a Bronco is the tragi-comic story of a gang of nine-year-old boys who spend the summer of 1983 'Broncoing swings' in Girvan, on the west coast of Scotland. Broncoing (kicking the swing over the bar) is the social bench mark and a dangerous mixture of vandalism and sport. Decky is the smallest of the group and the only one who cannot Bronco. His friend David remembers the event of that summer, which at first seem hilarious but ultimately remain painful, as the boys are faced with an unthinkable tragedy and are thrown into a restless adulthood.

Monologues are an essential part of every actor's toolkit. Actors need them for drama school entry, training, showcases and when auditioning for roles in the industry. Edited by Dee Cannon, author of the bestselling In-Depth Acting, this book showcases selected monologues from some of the finest modern plays by some of today's leading contemporary playwrights. The monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries, and comes in a brand new format, with a notes page next to each speech, acting as an actor's workbook as well as a monologue resource.

This collection of energetic, fun and emotionally honest, tragi-comic plays explore the turbulent journey from childhood through adolescence towards eventual adulthood. DECKY DOES A BRONCO ‘One of the finest plays to emerge from a Scottish working-class story in the last ten years...the sheer force and depth of Maxwell’s study of an end of childhood and an abrupt loss of innocence brings tears to the eyes.' The Scotsman 'A good deed in a naughty world... Ten years on, Decky Does A Bronco has lost none of its ability to excite the senses and stop the heart.' Sunday Herald HELMET ‘Douglas Maxwell’s impeccably observed little script transcends the everyday to tap into what moves the young and the troubled. The Glasgow Herald ‘This extraordinary chronicler of youth.’ Scottish Daily Mail MANCUB ‘A near perfect encapsulation of the world of a troubled teen.' The Glasgow Herald 'A corker of a show that I’d urge everyone to see as soon as they can.' The Mail On Sunday 'Amazingly engaging...a must see’ The List THE MOTHER SHIP Winner of the Brian Way Award 2009 for Best Play for a Younger Audience. TOO FAST Performed by 25 Youth Theatres in 2011 as part of the National Theatre’s NT Connections Project.

An Englishman, a Northern Irishman, a Scotsman and a Welshman walked into a recording studio and created The Union. Commercially successful and critically acclaimed, the pioneering indie rock band is now on the verge of breaking up. When financial disaster strikes and Scottish guitarist Barry leaves the band, artistic differences go head to head with alliances that run deep, can The Union survive? With live music from a four-piece ensemble, I'm With the Band is a witty and timely response to our changing political landscape.

Seven exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools with guidance for staging the plays, and other creative responses, either online or live in the space. Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times: Season 2, these plays offer a variety of stories, styles and forms for ages between 6 and 25. Spyrates 2 (Spies vs Pirates): Journey to the Forbidden Island by Robbie Gordon & Jack Nuse Featuring spies, pirates, robots, talking animals and everything in between, 'Spyrates' is an interactive, playful and imaginative adventure story. Ages 6+ At First I Was Afraid... (I Was Petrified!) by Douglas Maxwell A feel-good comedy drama about a girl who keeps a diary of all her anxieties; but as she moves from Primary School to Secondary, from normal life to Lockdown, all of her worries appear to come true. Ages 11 + The Raven by Hannah Lavery A play full of adventure and an exploration of what shapes and what divides us, exploring issues of blended families, bullying, overeating, depression and isolation. Ages 11 + Thanks For Nothing by The PappyShow This not a play, but a process. It explores what it means to be thankful in this world we live in today. It's a mix of games, challenges and exercises for you to tell your own stories, in your own way. Ages 11 + Revolting by Bryony Kimmings A series of tasks and actions that make a narrative to be performed with props. We are agents of the revolution. How do we revolt? How do we not get into trouble? Where do we get power, and then how do we use it for good? Ages 13 + The Skirt by Ellen Bannerman An absurdist feminist fable for the next generation of feminists. Ages 16+ Write To Rave: Step Pon by Debris Stevenson A play about the political power of a rave. Who has the right to rave, to dance and move freely? What is it to feel truly free in your own skin? It tells the story a queer group of humans trying their best to rave whilst the world tries it's best to stop them. Ages 18 + The accompanying handbook includes an exploration of Wonder Fools' theatre-making process, step-by-step guidance in how to produce the plays either online or live in the space, and bespoke exercises and instructions in how to approach directing each play.

It’s Dougie’s birthday. He just turned 50 and his family are throwing him a party. But it’s he who has a surprise for them. A bombshell proposal. He wants his ex-wife Arlene to back his new endeavour. He wants to serve a good cause, a global cause. He wants to make right a terrible wrong, even if it puts their daughter’s future at risk. An explosive new play about power, privilege, blood ties and our inescapable past.

Anyone can learn maps and battles. Geezer, I feel it! I live it! I'm giving everything to this beautiful, wild, absolutely pure British thing. Like, do you know what it took to get here, man? Stevie is a disillusioned academic who once wrote an unfashionable book on youth movements in Britain, now struggling to cope after a painful break-up. His misery is interrupted by Jimmy who lands unexpectedly on his doorstep beaming with excitement. Jimmy is 100% Mod: oversized military parka, fitted Italian suit, dessy boots, pork pie hat. The full package. Jimmy is seeking asylum in the UK. With just a few days before the substantive interview that's going to decide his fate, the stakes are high. So he came up with a brilliant plan. A plan that's going to work against all odds. It has to work. He can't go back. And Stevie has an important part to play.

Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.