Decoding Dylan

Taking readers behind Bob Dylan's familiar image as the enigmatic rebel of the 1960s, this book reveals a different view--that of a careful craftsman and student of the art of songwriting. Drawing on revelations from Dylan's memoir Chronicles and a variety of other sources, the author arrives at a radically new interpretation of his body of work, which revolutionized American music and won him the Nobel Prize for Literature in 2016. Dylan's songs are viewed as collages, ingeniously combining themes and images from American popular culture and European high culture.

Taking readers behind Bob Dylan's familiar image as the enigmatic rebel of the 1960s, this book reveals a different view--that of a careful craftsman and student of the art of songwriting. Drawing on revelations from Dylan's memoir Chronicles and a variety of other sources, the author arrives at a radically new interpretation of his body of work, which revolutionized American music and won him the Nobel Prize for Literature in 2016. Dylan's songs are viewed as collages, ingeniously combining themes and images from American popular culture and European high culture.

David Boucher and Gary Browning provide a multi-faceted analysis of the political art of Bob Dylan. The contributions cover Dylan's career as a whole, dealing with such themes as alienation, protest, non-conformity and the American Dream. Dylan's work is examined from a variety of perspectives including the aesthetic theory of Kant, Adorno, Lyotard and Collingwood. The assembled authors are notable specialists in political theory, literary criticism and popular culture. They do not tackle Dylan from a single standpoint but collectively question how Dylan's work relates to the theory and practice of politics.

The 1970s saw a wave of singer-songwriters flood the airwaves and concert halls across the United States. This book organizes the stories of approximately 150 artists whose songs created the soundtrack to people's lives during the decade that forever shaped musical composition. Some well-known, others less known, these artists were the song-poets and storytellers who wrote their own music and lyrics. Featuring biographical information and discography overviews for each artist, this is the only one-volume encyclopedic overview of this topic. Featured artists include Carole King and James Taylor, Joni Mitchell and Jackson Browne, Bob Dylan and Paul Simon, Bruce Springsteen, Gordon Lightfoot, Elvis Costello and dozens of other song-poets of the seventies.

Intended for researchers and practitioners in interaction design, this book shows how Bayesian models can be brought to bear on problems of interface design and user modelling. It introduces and motivates Bayesian modelling and illustrates how powerful these ideas can be in thinking about human-computer interaction, especially in representing and manipulating uncertainty. Bayesian methods are increasingly practical as computational tools to implement them become more widely available, and offer a principled foundation to reason about interaction design. The book opens with a self-contained tutorial on Bayesian concepts and their practical implementation, tailored for the background and needs of interaction designers. The contributed chapters cover the use of Bayesian probabilistic modelling in a diverse set of applications, including improving pointing-based interfaces; efficient text entry using modern language models; advanced interface design using cutting-edge techniques in Bayesian optimisation; and Bayesian approaches to modelling the cognitive processes of users.

Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.

What if science fiction stopped being fiction? Developments in neuroscience are turning sci-fi scenarios into reality, and causing us to revisit some of the philosophical questions we have been asking ourselves for centuries. Science fiction often takes its inspiration from the latest science . . . and our oldest questions. After all, the two are inextricably linked. At a time when advances in artificial intelligence are genuinely leading us closer to a computer that thinks like a human, we can't help but wonder: What makes a person a person? Countless writers and filmmakers have created futuristic scenarios to explore this issue and others like it. But these scenarios may not be so futuristic after all. In the movie Inception, a group of conspirators implants false memories; in Until the End of the World, a mad scientist is able to read dreams; in 2001: A Space Odyssey, a supercomputer feels and thinks like a person. And in recent years, the achievements described in leading scientific journals have included some that might sound familiar: implanting memories using optogenetics, reading the mind during sleep thanks to advanced decoding algorithms, and creating a computer that uses deep neural networks to surpass the abilities of human thought. In NeuroScience Fiction, neuroscientist and author Rodrigo Quiroga reveals the futuristic present we are living in, showing how the far-out premises of 10 seminal science fiction movies are being made possible by discoveries happening right now, on the cutting edge of neuroscience. He also explores the thorny philosophical problems raised as a result, diving into Minority Report and free will, The Matrix and the illusion of reality, Blade Runner and android emotion, and more. A heady mix of science fiction, neuroscience, and philosophy, NeuroScience Fiction takes us from Vanilla Sky to neural research labs, and from Planet of the Apes to what makes us human. This is a book you'll be thinking about long after the last page—and once you've read it, you'll never watch a sci-fi blockbuster the same way again.

Leading philosophers, psychologists, and neuroscientists address issues of moral responsibility and free will, drawing on new findings from empirical science. Traditional philosophers approached the issues of free will and moral responsibility through conceptual analysis that seldom incorporated findings from empirical science. In recent decades, however, striking developments in psychology and neuroscience have captured the attention of many moral philosophers. This volume of Moral Psychology offers essays, commentaries, and replies by leading philosophers and scientists who explain and use empirical findings from psychology and neuroscience to illuminate old and new problems regarding free will and moral responsibility. The contributors—who include such prominent scholars as Patricia Churchland, Daniel Dennett, and Michael Gazzaniga—consider issues raised by determinism, compatibilism, and libertarianism; epiphenomenalism, bypassing, and naturalism; naturalism; and rationality and situationism. These writings show that although science does not settle the issues of free will and moral responsibility, it has enlivened the field by asking novel, profound, and important questions. Contributors Roy F. Baumeister, Tim Bayne, Gunnar Björnsson, C. Daryl Cameron, Hanah A. Chapman, William A. Cunningham, Patricia S. Churchland, Christopher G. Coutlee, Daniel C. Dennett, Ellen E. Furlong, Michael S. Gazzaniga, Patrick Haggard, Brian Hare, Lasana T. Harris, John-Dylan Haynes, Richard Holton, Scott A. Huettel, Robert Kane, Victoria K. Lee, Neil Levy, Alfred R. Mele, Christian Miller, Erman Misirlisoy, P. Read Montague, Thomas Nadelhoffer, Eddy Nahmias, William T. Newsome, B. Keith Payne, Derk Pereboom, Adina L. Roskies, Laurie R. Santos, Timothy Schroeder, Michael N. Shadlen, Walter Sinnott-Armstrong, Chandra Sripada, Christopher L. Suhler, Manuel Vargas, Gideon Yaffe