Decoding Sylvia Plath S Lady Lazarus

Revised and expanded from the Fixed Stars Govern a Life: Decoding Sylvia Plath system (2014, Stephen F. Austin State University Press), Decoding Sylvia Plath's "Lady Lazarus" is an affordable, concise, comprehensive analysis of Plath's poem "Lady Lazarus," written in a playful spirit that brings Plath out of the ashes of mere depressive autobiography and into the fascinating world of mysticism-in which Plath and her husband Ted Hughes had an intense interest. See what the academics have missed for over 50 years. Explore Plath's "Lady Lazarus" and how it perfectly aligns to reflect the "mirrors" of tarot and Qabalah, alchemy, mythology, history and the world, astrology and astronomy, and the arts and humanities. Gordon-Bramer surprises us with startling new insights and connections that, once seen, simply cannot be denied. She builds a strong case that we have yet to recognize Plath for her real genius and that Plath remains as relevant as ever. Back cover text: "Lady Lazarus" More than just a hot mess You get the sense already that Plath's "Lady Lazarus" is a fierce, angry, feminist poem. But do you know why? Can you explain it beyond your personal feeling or Plath's literal autobiography? Fans: Discover the parallel themes of the Statue of Liberty, the abolitionist, the feminist, and other exciting facts within "Lady Lazarus" that scholars have missed for over 50 years Poets & Writers: Judge for yourself how "Lady Lazarus" includes themes of Emma Lazarus' poem "The New Colossus," Sojourner Truth's "Ain't I a Woman?," and the Egyptian Book of the Dead's titles of Isis Students: Understand all themes and meanings beyond the superficial; learn why Plath used Jewish and Holocaust references in "Lady Lazarus," and enlighten your classmates to Plath's higher goals Teachers: Save time with a complete class plan, discussion questions and more Decoding Sylvia Plath's "Lady Lazarus" is the second in a series of Decoding books presenting Plath in compelling, original context, interpreted by the Fixed Stars Govern a Life: Decoding Sylvia Plath system, by author Julia Gordon-Bramer. What readers are saying about the Decoding Sylvia Plath series: "I am fascinated and intrigued by Julia Gordon-Bramer's wildly and dizzyingly original readings of Sylvia Plath's poems. Not only does she make me realize that I need to go back and read the poems again, she comes pretty close to convincing me that I have really never read them at all." -Troy Jollimore, National Book Critics Circle Award for Poetry, Guggenheim Fellowship for Creative Arts Recipient "Julia Gordon-Bramer's Decoding Sylvia Plath series presents the iconic poet in full three-dimensional view. Or six-dimensional, if you prefer. This Sylvia Plath is far more than the depressive, suicidal drama queen and father-hater depicted in easier accounts of the poet's life. Plath emerges as the genius's genius. Ms. Bramer's tone adds enjoyment to her already rigorous and penetrating work." -Robert Nazarene, founding editor, The American Journal of Poetry "This is a friendly, conversational approach so that students won't feel overwhelmed, and it talks about topics that other guides don't, allowing students to make original, insightful commentary on the work. The study guide is a worthwhile, useful investment for students." -Cathleen Allyn Conway, editor, Plath Profiles: An Interdisciplinary Journal for Plath Studies # pages

The second edition, mass-market paperback, of Like a Fat Gold Watch: Meditations on Sylvia Plath and Living. This is a literary anthology of fiction, poetry, art and essays inspired by Sylvia Plath's work and life, not her death. Edited by Christine Hamm, and including work by Angela Simione, J. Hope Stein, Ann Bogle and many more.

Not your average literary criticism, Decoding Sylvia Plath's "Daddy" talks you through complex information in a lively, conversational way. Revised and expanded from the Fixed Stars Govern a Life: Decoding Sylvia Plath system (2014, Stephen F. Austin State University Press), Decoding Sylvia Plath's "Daddy" is an affordable, concise, comprehensive analysis of Plath's poem "Daddy," written in a playful spirit that brings Plath out of the ashes of mere depressive autobiography and into the fascinating world of mysticism-in which Plath and her husband Ted Hughes had an intense interest. See what the academics have missed for over 50 years. Explore Plath's "Daddy" and how it perfectly aligns to reflect the "mirrors" of tarot and Qabalah, alchemy, mythology, history and the world, astrology and astronomy, and the arts and humanities. Gordon-Bramer surprises us with startling new insights and connections that, once seen, simply cannot be denied. She builds a strong case that we have yet to recognize Plath for her real genius and that Plath remains as relevant as ever. Back cover text: "Daddy" Not your average everyday Electra complex... "You do not do" Sylvia Plath studies without her bedazzling poem "Daddy." But do you get it? ...beyond the drama of anger and attraction from a daughter and wife? Fans: Discover the parallel themes of Sigmund Freud, King Brutus, the London Stone, and other exciting facts within "Daddy" that scholars have missed for over 50 years Poets & Writers: Judge for yourself how "Daddy" includes themes of Conrad's Heart of Darkness, Joyce's Finnegans Wake, and other literary works Students: Understand all themes and meanings beyond the superficial; learn why Plath used derogatory names and racism in "Daddy," and enlighten your classmates to her higher goals Teachers: Save time with a complete class plan, discussion questions and more Decoding Sylvia Plath's "Daddy" is the first of a series of Decoding books presenting Plath in compelling, original context, interpreted by the Fixed Stars Govern a Life: Decoding Sylvia Plath system, by author Julia Gordon-Bramer. What readers are saying about Decoding Sylvia Plath's "Daddy" "I am fascinated and intrigued by Julia Gordon-Bramer's wildly and dizzyingly original readings of Sylvia Plath's poems. Not only does she make me realize that I need to go back and read the poems again, she comes pretty close to convincing me that I have really never read them at all." -Troy Jollimore, National Book Critics Circle Award for Poetry, Guggenheim Fellowship for Creative Arts Recipient "Julia Gordon-Bramer's Decoding Sylvia Plath's 'Daddy' presents the iconic poet in full three-dimensional view. Or six-dimensional, if you prefer. This Sylvia Plath is far more than the depressive, suicidal drama queen and father-hater depicted in easier accounts of the poet's life. Plath emerges as the genius's genius. Ms. Bramer's tone adds enjoyment to her already rigorous and penetrating work." -Robert Nazarene, founding editor, The American Journal of Poetry "This is a friendly, conversational approach so that students won't feel overwhelmed, and it talks about topics that other guides don't, allowing students to make original, insightful commentary on the work. The study guide is a worthwhile, useful investment for students." -Cathleen Allyn Conway, editor, Plath Profiles: An Interdisciplinary Journal for Plath Studies 101 pages Author Julia Gordon-Bramer is a cross between Gregg Braden, who brings spirituality to science, and Jen Sincero, who brings spirituality to being a "Badass." With personality, clarity, and wit, this author, poet, scholar, professor and professional tarot card reader has spent the last decade interpreting Sylvia Plath's

The Interview: Julia Gordon Bramer & four poems. Featured Poems "Strange Fathers" Steven Haberlin & "VENDOR AND CHILD" John Eppel. Poetry: Doug Hoekstra, Tobi Alfier, Allison Bohn, DS Maolalai, Timothy Robbins, M. A. ISTVAN, JR, Steve Denehan, Anne Britting Oleson, Jack Priestnall, Pawel Markiewicz, Angelee Deodhar, Sean Lynch, Elisabeth Liebert, Arun, Joseph Davidson, Angela Davidson, Devon Richey, John Rowland, Bob Whitmire, Richard Wakefield, Lisa Barnett, John Beaton, Kate Bernadette Benedict, David Landrum, Carol Smallwood, Diane Elayne Dees, Michael Fraley, C.B. Anderson, Laura J. Bobrow, Dr. Jinghua Fan, A-Xiang, Karen Poppy, Pablo Neruda, John Eppel, Killian Nhamo Mwanaka, Beaton Galafa, Michael R. Burch, Miklós Radnóti [1909-1944], Cameron Gorman, Robin Helweg-Larsen, Allison DeRose, Ben Taylor, Patrick Lazzari, Richard Leach, Ndue Ukaj, Jack Priestnall, David B Gosselin. Fiction: Jose Norono, Albert Davenport, Tobi Alfier, Martin Porter. Better Than Fiction!: Larry D. Giles. From The Mind.

"Fixed stars govern a life: decoding Sylvia Plath aligns Plath's great poetry collection, Ariel, with the tarot and Qabalah"--back cover.

Malcolm Gladwell, host of the podcast Revisionist History and author of the #1 New York Times bestseller Outliers, offers a powerful examination of our interactions with strangers and why they often go wrong—now with a new afterword by the author. A Best Book of the Year: The Financial Times, Bloomberg, Chicago Tribune, and Detroit Free Press How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to one another that isn’t true? Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news. He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland—throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.

The Grief of Influence follows Sylvia Plath and Ted Hughes through alternating periods of collaboation and competition, showing how each poet forged a voice both through and against the other's, and offering a new assessment of the twentieth century's most important poetic partnership.

In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry. Table of Contents: Introduction 1. The Personal Universal Sincerity as Integrity in the Poetry of Wordsworth and Rich 2. Before and After Sincerity as Form in the Poetry of Wordsworth, Lowell, Rich, and Plath 3. Sincerity and the Staged Confession The Monologues of Browning, Eliot, Berryman, and Plath 4. The Drama of Breakdown and the Breakdown of Drama The Charismatic Poetry of Byron and Sexton 5. Agnostic Sincerity The Poet as Observer in the Work of Keats, Bishop, and Merrill Conclusion Notes Index From the Conclusion "In spite of modern experiments in communal authorship, writing poetry remains one of the most individual of acts, and yet, because it provides the ground upon which the paradoxes of self-consciousness can move most freely, one of the acts most skeptical about the authority of any individual claim to self-understanding. . . . In undertaking its experiments, poetry may separate itself from certain contexts (economic, political, historical), but is itself as local and concrete as these contexts, an experience as well as a meditation on our experiences. In its particularity, its flexibility, its sensual and sonic complexity, its consideration of the extra-rational experiences of pleasure and desire, and above all in the ways in which it speaks with both more and less authority, more and less presence than an actual human voice, poetry offers us the experience of the unknown at the core of proposed self-knowledge. This is lyric poetry's enduring -- though not sole -- claim on us."