Decorated To Death

Simon Kirby-Jones Mysteries #3 From the New York Times bestselling author of the Cat in the Stacks Mystery Series, a traditional British village cozy mystery series...with a twist! “A well-crafted mystery combines with whimsical characters to create an imaginative spoof on the classic locked-room mystery.” —Publishers Weekly “A delightful English village whodunit filled with some of the most eccentric characters you’ll ever run across in a mystery novel.” —The Denver Post The typically quiet British village of Snupperton Mumsley is bustling over the arrival of Zeke Harwood, the insufferable star of a popular TV decorating show. The Snupperton episode is supposed to feature the redecorating of Lady Prunella Blitherington’s drawing room, but Zeke plans to paint the room a garish red—and he and Lady Prunella are caught on tape in the midst of a dreadful argument. When Zeke is found murdered—and covered in red paint!—Lady Prunella becomes the chief suspect. But Simon Kirby-Jones, part-time amateur sleuth and full-time gay vampire, unearths plenty of other motives among the guests, villagers...and even the butler! Meanwhile, Simon is stumped as to why he suddenly has urges to nibble some necks— A symptom his medication is supposed to suppress! A charming and refreshing take on the classic locked-room mystery, Decorated to Death is sure to endear fans of the cozy mystery genre.

When Jean Hastings, the owner of Designer Jeans, is hired to redecorate the country cottage of Dona Deville, she jumps at the chance, until she stumbles upon the body of her new client, forcing her to unravel a mystery and catch a killer. Original.

Top Ten Finisher - P & E Readers Poll 2016Christmas lights shine on ghosts and gore, the Christmas moon shines on rampaging snowmen and glittering blades ... among the decorations and hanging on the tree are things we should not be seeing but which are there - including the bitter darkness of the human heart.This exciting new collection of Christmas horror has surpassed any other seasonal anthology Thirteen have put out, the stories will in turn touch you, shock you, surprise you and make you laugh. What more could you ask for a good read at this time of year?

Second in the Interior Design mystery series-includes decorating tips. Patterns of a deadly kind emerge when the wealthy new client of decorator Jean Hastings is murdered.

*The basis for the wonderfully funny and moving TV series developed by Amy Poehler and Scout Productions* A charming, practical, and unsentimental approach to putting a home in order while reflecting on the tiny joys that make up a long life. In Sweden there is a kind of decluttering called döstädning, dö meaning “death” and städning meaning “cleaning.” This surprising and invigorating process of clearing out unnecessary belongings can be undertaken at any age or life stage but should be done sooner than later, before others have to do it for you. In The Gentle Art of Swedish Death Cleaning, artist Margareta Magnusson, with Scandinavian humor and wisdom, instructs readers to embrace minimalism. Her radical and joyous method for putting things in order helps families broach sensitive conversations, and makes the process uplifting rather than overwhelming. Margareta suggests which possessions you can easily get rid of (unworn clothes, unwanted presents, more plates than you’d ever use) and which you might want to keep (photographs, love letters, a few of your children’s art projects). Digging into her late husband’s tool shed, and her own secret drawer of vices, Margareta introduces an element of fun to a potentially daunting task. Along the way readers get a glimpse into her life in Sweden, and also become more comfortable with the idea of letting go.

This volumepresents acollection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.